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Italian Baroque Collection

Delve into the captivating world art and music, where the supernatural and the divine intertwine

Background imageItalian Baroque Collection: Portrait of Ciro Ferri, Italian Baroque artist

Portrait of Ciro Ferri, Italian Baroque artist
5893203 Portrait of Ciro Ferri, Italian Baroque artist.; (add.info.: Portrait of Ciro Ferri, Italian Baroque sculptor and painter, 1634-1689. Ciro-Ferri)

Background imageItalian Baroque Collection: Italian Baroque composer and violinist Giuseppe Tartinis dream of the devil playing the violin at

Italian Baroque composer and violinist Giuseppe Tartinis dream of the devil playing the violin at the foot of his bed
5207902 Italian Baroque composer and violinist Giuseppe Tartinis dream of the devil playing the violin at the foot of his bed

Background imageItalian Baroque Collection: Seated Bishop and Kneeling Saint (pen & ink with w / c on paper)

Seated Bishop and Kneeling Saint (pen & ink with w / c on paper)
CH437770 Seated Bishop and Kneeling Saint (pen & ink with w/c on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageItalian Baroque Collection: The Vision of St. Romauld (red chalk with wash on paper)

The Vision of St. Romauld (red chalk with wash on paper)
FIT437716 The Vision of St. Romauld (red chalk with wash on paper) by Sacchi, Andrea (1599-1661); 33.7x25.9 cm; Fitzwilliam Museum, University of Cambridge

Background imageItalian Baroque Collection: Francesco Furini (engraving)

Francesco Furini (engraving)
816371 Francesco Furini (engraving) by Italian School, (18th century); Private Collection; (add.info.: Francesco Furini (1604-1646)

Background imageItalian Baroque Collection: il Guercino with his self portrait. Giovanni Francesco Barbieri, 1591 - 1666

il Guercino with his self portrait. Giovanni Francesco Barbieri, 1591 - 1666, aka Guercino or il Guercino. Italian Baroque painter and draftsman

Background imageItalian Baroque Collection: Study Age Bronze 1637 Pen brown ink brush wash

Study Age Bronze 1637 Pen brown ink brush wash
Artokoloro

Background imageItalian Baroque Collection: Illustration of Pazaislis Monastery, Kaunas, Lithuania

Illustration of Pazaislis Monastery, Kaunas, Lithuania

Background imageItalian Baroque Collection: The Ambush, c. 1646-56 (oil on canvas)

The Ambush, c. 1646-56 (oil on canvas)
XIR899294 The Ambush, c. 1646-56 (oil on canvas) by Falcone, Aniello (1607-56); Musee Rolin, Autun, France; (add.info.: L Embuscade); Italian, out of copyright

Background imageItalian Baroque Collection: Diana and Endymion, c. 1675-80 (oil on canvas)

Diana and Endymion, c. 1675-80 (oil on canvas)
XOS1765915 Diana and Endymion, c.1675-80 (oil on canvas) by Giordano, Luca (1634-1705); 149.2x164 cm; National Gallery of Art, Washington DC, USA; (add.info.: Diana, goddess of the moon)



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Delve into the captivating world art and music, where the supernatural and the divine intertwine. Giuseppe Tartini, an Italian Baroque composer and virtuoso violinist, was said to have been inspired by a dream of the devil playing the violin at his bedside, resulting in the creation of his iconic Devil's Trill Sonata. In the realm of visual arts, the Seated Bishop and Kneeling Saint, a pen and ink with wash on paper masterpiece, showcases the intricate details and emotional depth characteristic of the period. The Vision of St. Romauld, a red chalk with wash on paper drawing, transports us to a mystical realm, while Francesco Furini's engraving captures the essence of Baroque elegance. Italian Baroque painter and draftsman, Giovanni Francesco Barbieri, also known as Guercino or il Guercino, is depicted in this self-portrait, showcasing his unique artistic vision. The Study for an Age Bronze, created in 1637, demonstrates the precision and mastery of the medium. The Illustration of Pazaislis Monastery in Kaunas, Lithuania, showcases the grandeur and opulence of Baroque architecture, while The Ambush, a c. 1646-56 oil on canvas painting, captures the drama and intensity of the period. Lastly, Diana and Endymion, a c. 1675-80 oil on canvas masterpiece, embodies the sensuality and mythological themes prevalent in Italian Baroque art.