Iwase Samuru Collection

Wisteria Maiden Dancing for a Demon with a Samisen, late 18th-early 19th century. Creator: Kitao Masanobu
Wisteria Maiden Dancing for a Demon with a Samisen, late 18th-early 19th century

Geisha and Attendants by a Wharf in the Fukagawa district, c1780. Creator: Kitao Masanobu
Geisha and Attendants by a Wharf in the Fukagawa district, c1780. Series: Ten Forms of Modern Lovely Women

Flowers of Yamashita (Yamashita hana), from the series "Contest of Contemporary... late 1780s
Flowers of Yamashita (Yamashita hana), from the series "Contest of Contemporary Beauties (Tosei bijin iro kurabe)", Japan, late 1780s

The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beau... 1784
The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

The Courtesan Hitomoto of the Daimonjiya, from the album "Comparing New Beauties of the Yo... 1784
The Courtesan Hitomoto of the Daimonjiya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)", Japan, 1784

Enjoying the Evening Cool in Hirokoji (Hirokoji no ryosho), from... late 18th/early 19th century
Enjoying the Evening Cool in Hirokoji (Hirokoji no ryosho), from the series "Eight Contemporary Views of Ryogoku (Tosei Ryogoku hakkei)", Japan, late 18th/early 19th century

Returning Sails of the Bamboo Knives (Takenaga no kihan), from the series Eight... late 18th cent
Returning Sails of the Bamboo Knives (Takenaga no kihan), from the series "Eight Views of Maids Utensils (Jochu tedogu hakkei)", late 18th century. Attributed to Kitao Masanobu

Goten Hill (Gotenyama), from the series "Famous Places for Flowers in the Eastern Capital (Toto hana meisho)", late 18th century. Attributed to Kitao Masanobu

Two Beauties on a Veranda, Japan, 1802/16. Creator: Kitao Masanobu
Two Beauties on a Veranda, Japan, 1802/16

Portrait of Santo Kyoden, the Master of Kyobashi (Edo hana Kyobashi natori), c. 1795. Creator: Rekisentei Eiri
Portrait of Santo Kyoden, the Master of Kyobashi (Edo hana Kyobashi natori), c. 1795

Ichikawa Monnosuke II as Haya no Kanpei... Japan, late 18th-early 19th century. Creator: Kitao Masanobu
Ichikawa Monnosuke II as Haya no Kanpei in "Chushingura Nagori no Kura.", Japan, late 18th-early 19th century

A Courtesan and attendant, late 18th-early 19th century. Creator: Kitao Masanobu
A Courtesan and attendant, late 18th-early 19th century

Three Women Standing on the Seashore, 1761-1816. Creator: Kitao Masanobu
Three Women Standing on the Seashore, 1761-1816

The Artist Kitao Masanobu Relaxing at a Party, 1790s. Creator: Kitagawa Utamaro
The Artist Kitao Masanobu Relaxing at a Party, 1790s

The Writer Santo Kyoden (a. k. a. Kitao Masanobu), ca. 1795. ca. 1795
The Writer Santo Kyoden (a.k.a. Kitao Masanobu), ca. 1795

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"Iwase Samuru: Exploring the Artistic World of Kitao Masanobu" Step into the captivating world of Kitao Masanobu, a renowned Japanese artist from the late 18th and early 19th centuries. His works depict a diverse range of subjects, showcasing his exceptional talent and artistic versatility. In "The Courtesans Utagawa and Nanasato from the Yotsumeya, " we are transported to an era where beauty and elegance reigned supreme. Masanobu's intricate brushwork brings these courtesans to life, capturing their allure and grace. "The Courtesan Hitomoto of the Daimonjiya" invites us further into this enchanting realm. With meticulous attention to detail, Masanobu portrays Hitomoto with utmost delicacy, highlighting her exquisite kimono adorned with vibrant patterns. As we delve deeper into Masanobu's collection, "Enjoying the Evening Cool in Hirokoji" transports us to a serene moment in time. The peaceful atmosphere is palpable as two figures relax amidst nature's embrace, evoking a sense of tranquility that resonates within our souls. In "Returning Sails of the Bamboo Knives, " Masanobu captures a dynamic scene filled with energy and movement. The swift strokes convey a sense of urgency as fishermen navigate through turbulent waters, showcasing both his technical prowess and storytelling ability. Moving on to "Goten Hill, " we witness Masanobu's mastery in depicting landscapes. The ethereal beauty of cherry blossoms adorning Gotenyama creates an enchanting backdrop for contemplation and reflection. Masanobu also delves into portraiture with pieces like "Two Beauties on a Veranda. " Here, he showcases his skill in capturing human emotions through subtle expressions and gestures, inviting viewers to ponder upon their inner thoughts.