J Nash Collection

The Naval Manoeuvers; Torpedo Boats in a Gale, 1890. Creator: J Nash
The Naval Manoeuvers; Torpedo Boats in a Gale, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890

The Naval Mobilisation, "War is declared and we put to sea, 1888. Creator: J Nash
The Naval Mobilisation, " War is declared and we put to sea, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

Women coaling a Man-of War at Nagasaki, Japan, 1888. Creator: J Nash
Women coaling a Man-of War at Nagasaki, Japan, 1888.From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Bramhall Hall, Cheshire, The Dining Hall (litho)
5213790 Bramhall Hall, Cheshire, The Dining Hall (litho) by English School, (19th century); Private Collection; (add.info.: Bramhall Hall, Cheshire, The Dining Hall)

Bramhall Hall, Cheshire, The Hall (litho)
5213792 Bramhall Hall, Cheshire, The Hall (litho) by English School, (19th century); Private Collection; (add.info.: Bramhall Hall, Cheshire, The Hall)

Bramhall Hall, Cheshire, The Courtyard (litho)
5213789 Bramhall Hall, Cheshire, The Courtyard (litho) by English School, (19th century); Private Collection; (add.info.: Bramhall Hall, Cheshire, The Courtyard)

Bramhall Hall, Cheshire, The Drawing Room (litho)
5213791 Bramhall Hall, Cheshire, The Drawing Room (litho) by English School, (19th century); Private Collection; (add.info.: Bramhall Hall, Cheshire, The Drawing Room)

Some "Graphic"Artists (engraving)
1061290 Some " Graphic" Artists (engraving) by English School, (19th century); Private Collection; (add.info.: Some " Graphic" Artists)

General Bullers Advance: Pursuing the Boers After the Fight on Helpmakaar Heights, 1901. British artillery in pursuit of General Botha on Helpmekaar heights during the Second Boer War

Scene From Sir Walter Scotts Kenilworth. Wayland, Amy Robsart & Janet, 1834. Scene from the novel " Kenilworth" by Sir Walter Scott

Great Court of Blackwell Hall, City of London, 1886. Artist: William Griggs
Great Court of Blackwell Hall, City of London, 1886. A print from Guildhall of the City of London: Its History and Associations, Corporation of the City of London, 1886

Visit of military officials to the works of the channel tunnel, 1884. Artist: J Nash
Visit of military officials to the works of the channel tunnel, 1884. From The Graphic (27 September 1884)

Model of the Elephant of the Place de la Bastille, c1834. Artist: Fenner Sears & Co
Model of the Elephant of the Place de la Bastille, c1834. Model in wood of the celebrated bronze elephant which Napoleon designed to erect in the Place de la Bastille, Paris

Cascade de St Cloud, Paris, 1830. Artist: Benjamin Winkles
Cascade de St Cloud, Paris, 1830

Palais de St Cloud, Paris, c1830. Artist: J Nash
Palais de St Cloud, Paris, c1830

Main gate, Chateau de Vincennes, Paris, 1830. Artist: AWN Pugin
Main gate, Chateau de Vincennes, Paris, 1830

Royal courier service, Paris, France, 1829. Artist: J Davis
Royal courier service, Paris, France, 1829

The Vendome Column, Place Vendome, Paris, 1829. Artist: J Lewis
The Vendome Column, Place Vendome, Paris, 1829. The column, modelled after Trajans Column, was erected by Napoleon to celebrate the victory of Austerlitz (1805)

Chambre des Pairs, France, 1831. Artist: Fenner, Sears & Co
Chambre des Pairs, France, 1831. Interior of the upper chamber of parliament during the trial of Polignac, Peyronnet etc

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J Nash, a prolific artist and creator, captured the essence of various historical moments and landscapes through his stunning artwork. In "The Naval Mobilisation: War is declared and we put to sea, " he transports us back to 1888, immersing us in the chaos and anticipation of war. With meticulous detail, Nash portrays the intensity of naval mobilization as ships set sail into uncertain waters. In another masterpiece titled "Women coaling a Man-of-War at Nagasaki, Japan, " Nash sheds light on an often overlooked aspect of maritime history. Through this piece, he pays homage to the strength and resilience of women who played crucial roles in supporting naval operations during that era. Moving away from naval scenes, Nash's lithographs take us on a journey to Bramhall Hall in Cheshire. The Dining Hall lithograph invites us into a grand space where elegance meets opulence. Meanwhile, The Hall lithograph showcases the architectural beauty of Bramhall Hall with its intricate details and rich history. Nash's attention to detail extends beyond buildings; it also encompasses people. In his engraving titled "Some 'Graphic' Artists, " he captures fellow artists engrossed in their craft—a tribute to their dedication and passion for visual storytelling. Shifting gears once again, Nash brings forth historical events such as General Buller's Advance after the fight on Helpmakaar Heights in 1901. Through his artistry, he immortalizes these significant moments by depicting soldiers valiantly pursuing their enemies amidst treacherous terrain. Delving into literature-inspired works like "Scene From Sir Walter Scotts Kenilworth, " Nash breathes life into characters from beloved novels—Wayland, Amy Robsart & Janet—allowing them to step out from between pages onto canvas. Not limited solely to capturing human endeavors or fictional tales, Nash also depicts tragic incidents like the Collision of Bywell Castle with Princess Alice in 1878.