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Jacobean Collection (page 3)

Step back in time and immerse yourself in the captivating world architecture and history

Background imageJacobean Collection: Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, 1797. Creator: James Stow

Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, 1797. Creator: James Stow
Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, Who is Pointing Him Out as the Proper Subject for Her Pencil, 1797

Background imageJacobean Collection: William Burton, 1604 (oil on panel)

William Burton, 1604 (oil on panel)
1765254 William Burton, 1604 (oil on panel) by Unknown Artist, (17th century); 90.1x72.4 cm; Society of Antiquaries of London, UK; (add.info.: Portrait of the antiquary William Burton (1575-1645)

Background imageJacobean Collection: Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas)

Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas)
1775082 Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas) by Rothenstein, William (1872-1945); 52.5x110.5 cm; Bradford Art Galleries and Museums, West Yorkshire

Background imageJacobean Collection: View of London, 1616 (oil on panel)

View of London, 1616 (oil on panel)
SOA235454 View of London, 1616 (oil on panel) by Gipkyn, John (fl.1594-1629); Society of Antiquaries of London, UK; (add.info)

Background imageJacobean Collection: North Court, Isle of Wight, the seat of Mrs. Bennet, 1826 (engraving)

North Court, Isle of Wight, the seat of Mrs. Bennet, 1826 (engraving)
5913018 North Court, Isle of Wight, the seat of Mrs. Bennet, 1826 (engraving) by British School, (19th century); (add.info.: North Court, Isle of Wight, the seat of Mrs)

Background imageJacobean Collection: King James VI and I, c. 1605 (oil on panel)

King James VI and I, c. 1605 (oil on panel)
3928564 King James VI and I, c.1605 (oil on panel) by Critz, John de, the Elder (c.1552-1642); Private Collection; (add.info.: King James (1566-1625) VI of Scotland

Background imageJacobean Collection: Midlesex described with the most famous cities of London and Westminster

Midlesex described with the most famous cities of London and Westminster, from Speeds Theatre of the Empire of Great
XCF186893 Midlesex described with the most famous cities of London and Westminster, from Speeds Theatre of the Empire of Great Britain, 1611-12 (hand coloured copper engraving) by Speed

Background imageJacobean Collection: Queen Anne of Denmark, c. 1605 (oil on panel)

Queen Anne of Denmark, c. 1605 (oil on panel)
3928565 Queen Anne of Denmark, c.1605 (oil on panel) by Critz, John de, the Elder (c.1552-1642)(attr. to); Private Collection; (add.info.: Anne of Denmark (1574-1619)

Background imageJacobean Collection: Fire Fans, France, 17th century. Creator: Unknown

Fire Fans, France, 17th century. Creator: Unknown
Fire Fans, France, 17th century

Background imageJacobean Collection: Jacobean Armchair, c. 1940. Creator: Lawrence Phillips

Jacobean Armchair, c. 1940. Creator: Lawrence Phillips
Jacobean Armchair, c. 1940

Background imageJacobean Collection: E-2: English Bedchamber of the Jacobean or Stuart Period, 1603-88, United States, c. 1937

E-2: English Bedchamber of the Jacobean or Stuart Period, 1603-88, United States, c. 1937

Background imageJacobean Collection: E-4: English Drawing Room of the Late Jacobean Period, 1680-1702, United States, c. 1937

E-4: English Drawing Room of the Late Jacobean Period, 1680-1702, United States, c. 1937

Background imageJacobean Collection: E-3: English Reception Room of the Jacobean Period, 1625-55, United States, c. 1937

E-3: English Reception Room of the Jacobean Period, 1625-55, United States, c. 1937

Background imageJacobean Collection: Wind rose from a maritime compass, 1596 (copper)

Wind rose from a maritime compass, 1596 (copper)
LRI3930753 Wind rose from a maritime compass, 1596 (copper) by Dudley, Robert (1574-1649); diam: 34 cm; Istituto e Museo di Storia della Scienza, Florence, Italy; Luisa Ricciarini; British

Background imageJacobean Collection: A fine blackwork coif, 1620-40 (linen) (see also 1616684)

A fine blackwork coif, 1620-40 (linen) (see also 1616684)
1616683 A fine blackwork coif, 1620-40 (linen) (see also 1616684) by English School, (17th century); Private Collection; (add.info)

Background imageJacobean Collection: Detail of the Southern Barbarians Come to Trade, pair of six-panel screens

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191876 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Background imageJacobean Collection: Detail of the Southern Barbarians Come to Trade, pair of six-panel screens

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191873 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Background imageJacobean Collection: Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)

Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)
CH141093 Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper) by Mytens, Daniel (1590-c.1648); 26.9x18.8 cm; Private Collection; Photo eChristies Images; Dutch

Background imageJacobean Collection: Portrait of a Lady Called Alathea, Countess Of Arundel, 1619 (oil on panel)

Portrait of a Lady Called Alathea, Countess Of Arundel, 1619 (oil on panel)
CH137837 Portrait of a Lady Called Alathea, Countess Of Arundel, 1619 (oil on panel) by Janssen van Ceulen, Cornelius (1593-1661); Private Collection; Photo eChristies Images; English

Background imageJacobean Collection: Portrait of a girl, bust-length, in a scarlet embroidered dress and lace collar

Portrait of a girl, bust-length, in a scarlet embroidered dress and lace collar
3482851 Portrait of a girl, bust-length, in a scarlet embroidered dress and lace collar (oil on panel) by Peake, Robert (c.1551-1619) (circle of)

Background imageJacobean Collection: Portrait of a Nobleman said to be 7th Earl of Shrewsbury in Garter Robes

Portrait of a Nobleman said to be 7th Earl of Shrewsbury in Garter Robes
CH42477 Portrait of a Nobleman said to be 7th Earl of Shrewsbury in Garter Robes by Somer, Paul van (c.1576-1621); Private Collection; (add.info.: Gilbert Talbot)

Background imageJacobean Collection: The Duchess Of Malfi by John Webster: A Dead Mans Hand (litho)

The Duchess Of Malfi by John Webster: A Dead Mans Hand (litho)
5988815 The Duchess Of Malfi by John Webster: A Dead Mans Hand (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: A Dead Mans Hand)

Background imageJacobean Collection: William Shakespeare, English playwright (engraving)

William Shakespeare, English playwright (engraving)
5999584 William Shakespeare, English playwright (engraving) by Menzel, Adolph Friedrich Erdmann von (1815-1905) (after); Private Collection; (add.info.: William Shakespeare, English playwright)

Background imageJacobean Collection: Portrait of Lucy Russell, Countess of Bedford, c. 1608-16

Portrait of Lucy Russell, Countess of Bedford, c. 1608-16
5670863 Portrait of Lucy Russell, Countess of Bedford, c.1608-16 (w/c on vellum with gold and silver in a silver gilt frame) by Oliver, Isaac (c.1565-1617); 5.2x4.4 cm; Cleveland Museum of Art, OH

Background imageJacobean Collection: Portrait of Sir John Marlay, 1644 (oil on canvas)

Portrait of Sir John Marlay, 1644 (oil on canvas)
1213437 Portrait of Sir John Marlay, 1644 (oil on canvas) by English School, (17th century); 63.3x76.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJacobean Collection: Title Page to A Woman Killed with Kindness by Thomas Heywood, 1607 (print)

Title Page to A Woman Killed with Kindness by Thomas Heywood, 1607 (print)
XJF384067 Title Page to A Woman Killed with Kindness by Thomas Heywood, 1607 (print) by English School, (17th century); Private Collection; (add.info)

Background imageJacobean Collection: Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut)

Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut)
618946 Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut) by English School, (17th century); Private Collection; (add.info)

Background imageJacobean Collection: Upper House of Convocation, Province of Canterbury (engraving)

Upper House of Convocation, Province of Canterbury (engraving)
972300 Upper House of Convocation, Province of Canterbury (engraving) by English School, (19th century); Private Collection; (add.info.: Upper House of Convocation, Province of Canterbury)

Background imageJacobean Collection: Sir Thomas stood before the Mogul (colour litho)

Sir Thomas stood before the Mogul (colour litho)
977972 Sir Thomas stood before the Mogul (colour litho) by Skelton, Joseph Ratcliffe (fl.1888-1916) (after); Private Collection; (add.info.: Sir Thomas Roe (1581-1644), English diplomat

Background imageJacobean Collection: Henry Prince of Wales, son of King James I (engraving)

Henry Prince of Wales, son of King James I (engraving)
964917 Henry Prince of Wales, son of King James I (engraving) by English School, (18th century); Private Collection; (add.info.: Henry Prince of Wales, son of King James I)

Background imageJacobean Collection: Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House

Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House
449335 Lord Burlingtons neo-Palladian Villa at Chiswick and the Jacobean House (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 35.5x69.8 cm; eThe Devonshire Collections

Background imageJacobean Collection: Lady in Masque Costume, c. 1609 (w / c on vellum)

Lady in Masque Costume, c. 1609 (w / c on vellum)
419695 Lady in Masque Costume, c.1609 (w/c on vellum) by Oliver, Isaac (c.1565-1617); Victoria & Albert Museum, London, UK; (add.info.: Court entertainment); French, out of copyright

Background imageJacobean Collection: Memorial to Hugo Barker, 1632 (marble)

Memorial to Hugo Barker, 1632 (marble)
NCO403560 Memorial to Hugo Barker, 1632 (marble) by Stone, Nicholas (1586/87-1647); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: see also 403559 to 403562; ); English

Background imageJacobean Collection: Ballad singer (pen & ink on paper)

Ballad singer (pen & ink on paper)
CTS407579 Ballad singer (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageJacobean Collection: A Roman atrium (pen & ink on paper)

A Roman atrium (pen & ink on paper)
CTS407563 A Roman atrium (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Background imageJacobean Collection: Dutch Page (pen & ink on paper)

Dutch Page (pen & ink on paper)
CTS407557 Dutch Page (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageJacobean Collection: Polish dwarf leading a dog (pen & ink and wash on paper)

Polish dwarf leading a dog (pen & ink and wash on paper)
CTS407545 Polish dwarf leading a dog (pen & ink and wash on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageJacobean Collection: Welsh dancers (pen & ink on paper)

Welsh dancers (pen & ink on paper)
CTS407544 Welsh dancers (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageJacobean Collection: Torchbearer: an Indian (w / c on paper)

Torchbearer: an Indian (w / c on paper)
CTS407542 Torchbearer: an Indian (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Background imageJacobean Collection: Final design for Oberons dress, c. 1611 (pen & ink on paper)

Final design for Oberons dress, c. 1611 (pen & ink on paper)
CTS407536 Final design for Oberons dress, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: costume design for Oberon)

Background imageJacobean Collection: Youth in ancient British costume, c. 1611 (pen & ink on paper)

Youth in ancient British costume, c. 1611 (pen & ink on paper)
CTS407535 Youth in ancient British costume, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: possibly designs for Oberon)

Background imageJacobean Collection: Lady masquer (w / c on paper)

Lady masquer (w / c on paper)
CTS407530 Lady masquer (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageJacobean Collection: The Fallen House of Chivalry, c. 1610 (pen & ink on paper)

The Fallen House of Chivalry, c. 1610 (pen & ink on paper)
CTS407518 The Fallen House of Chivalry, c.1610 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageJacobean Collection: Unidentified queen (pen & ink on paper)

Unidentified queen (pen & ink on paper)
CTS407516 Unidentified queen (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageJacobean Collection: Queen Tomyris of the Massagetai, c. 1609 (pen & ink on paper)

Queen Tomyris of the Massagetai, c. 1609 (pen & ink on paper)
CTS407509 Queen Tomyris of the Massagetai, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageJacobean Collection: Francis Manners, 6th Earl of Rutland, c. 1675 (oil on canvas)

Francis Manners, 6th Earl of Rutland, c. 1675 (oil on canvas)
465971 Francis Manners, 6th Earl of Rutland, c.1675 (oil on canvas) by Eyden, Jeremias van der (d.1697); Belvoir Castle, Leicestershire, UK; (add.info.: Francis Manners, 6th Earl of Rutland)




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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.