James 1757 1815 Collection

Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. Artist: Gillray, James (1757-1815)
Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. From a private collection

Destruction of the French Colossus, 1798. Creator: Gillray, James (1757-1815)
Destruction of the French Colossus, 1798. Found in the Collection of Bibliotheque Nationale de France

Waltz. From the series Le Bon Genre, 1801
Waltz. From the series " Le Bon Genre", 1801. Private Collection

Political dreaming! Visions of peace! Perspective horrors!, 1801. Private Collection

The Plumb-Pudding in Danger, or State Epicures Taking un Petit Souper, 1805. Private Collection

Daniel Mendoza. Artist: Gillray, James (1757-1815)
Daniel Mendoza. Private Collection

The Grand Coronation Procession of Napoleon the 1st Emperor of France, from the church of Notre-Dame, 1805. From a private collection

Harmony before Matrimony, 1805. Artist: Gillray, James (1757-1815)
Harmony before Matrimony, 1805. From a private collection

National conveniences, 1769. Artist: Gillray, James (1757-1815)
National conveniences, 1769. From a private collection

Midas, Transmuting all into Gold Paper, 1797. Artist: Gillray, James (1757-1815)
Midas, Transmuting all into Gold Paper, 1797. From a private collection

Indecency, 1799. Cruikshank, Isaac Robert (1789-1856). Private collection

The hoarders and wasters, 1857. Illustration to the Divine Comedy by Dante Alighieri. Dore, Gustave (1832-1883). Private collection

Joan of Arc saved France, Women of America, save your country poster, 1918. Coffin, Haskell (1878-1941). Private Collection

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James (1757-1815) was a prolific artist known for his satirical and politically charged works. His art captured the essence of the tumultuous times he lived in, reflecting both the fears and aspirations of society. In 1797, James created "Political Ravishment, or the Old Lady of Threadneedle Street in Danger. " This piece depicted the Bank of England as an old lady being attacked by politicians, symbolizing the threat to financial stability during that period. The following year, James produced "Destruction of the French Colossus. " This powerful image portrayed France as a giant figure crumbling under its own weight, highlighting Britain's victory over their rival nation. In 1801, James released "Waltz, " part of his series Le Bon Genre. This lighthearted artwork showcased people enjoying themselves through dance amidst political turmoil. It offered a temporary escape from reality. "Political dreaming. Visions of peace. Perspective horrors. " also from 1801, delved into dreams and nightmares surrounding politics. James used vivid imagery to depict contrasting visions for society's future. "The Plumb-Pudding in Danger" (1805) humorously criticized British politicians' indulgence while neglecting important matters. The artwork showed them feasting on a plumb pudding representing national interests at stake. James also explored sports figures like Daniel Mendoza in his work. Through detailed illustrations capturing Mendoza's boxing prowess and popularity, he celebrated individual achievements within broader societal contexts. One notable piece was "French Liberty. British Slavery" (1792), which exposed hypocrisy by juxtaposing French freedom with perceived British oppression during revolutionary times. "The Grand Coronation Procession of Napoleon the 1st Emperor of France" (1805) depicted Napoleon's grandeur but subtly hinted at potential consequences associated with unchecked power and ambition.