James Abbott Mcneill Collection (#4)

Limehouse, 1859, (1904). Artist: James Abbott McNeill Whistler
Limehouse, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Thames Warehouses, 1859, (1904). Artist: James Abbott McNeill Whistler
Thames Warehouses, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Isle De La Cite, Paris, 1859, (1904). Artist: James Abbott McNeill Whistler
The Isle De La Cite, Paris, 1859, (1904). Etching held at the National Gallery Of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Kitchen, 1858, (1904). Artist: James Abbott McNeill Whistler
The Kitchen, 1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Lady Meux, c1882, (1904). Artist: James Abbott McNeill Whistler
La Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

La Vieille Aux Loques, c1858, (1904). Artist: James Abbott McNeill Whistler
La Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

St. Paul s, c1884, (1904). Artist: James Abbott McNeill Whistler
St. Paul s, c1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Street at Saverne, 1858, (1903). Artist: James Abbott McNeill Whistler
Street at Saverne, 1858, (1903). From The Pall Mall Magazine Volume XXXI, edited by George R. Halkett. [Editorial and Publishing Offices, London, 1903]

The Old Marble Hall, Venice, c1904. Artist: Thomas Robert Way
The Old Marble Hall, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]

Bead Stringers, Venice, c1904. Artist: Thomas Robert Way
Bead Stringers, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]

The Whistler Memorial Exhibition, Boston, 1904. The Whistler Memorial Exhibition, Boston opened, 23rd February 1904, in the Copley Hall, Boston. From The Studio Volume 31

Rose and Pink, The Mothers Siesta, c1875. Artist: James Abbott McNeill Whistler
Rose and Pink, The Mothers Siesta, c1875. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

The Blue Girl, c1874. Artist: James Abbott McNeill Whistler
The Blue Girl, c1874. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Harmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Artist: James Abbott McNeill Whistler
Harmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Held in The Harvard Art Museums, Massachusetts. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

The Smiths Yard, 1895. Artist: James Abbott McNeill Whistler
The Smiths Yard, 1895. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

Little Nude, c1888. Artist: James Abbott McNeill Whistler
Little Nude, c1888. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Painting housed in the Tate, London. [The Offices of the Studio, London & New York, 1944]

Portrait of Whistler, 1880 (1903-1904). Artist: Paul Adolphe Rajon
Portrait of Whistler, 1880 (1903-1904). A portrait of the artist James Abbott McNeill Whistler (1834-1903). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Sunset: Venice, c1880 (1903-1904). Artist: James Abbott McNeill Whistler
Sunset: Venice, c1880 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

The Sea Shore, c1880 (1902). Artist: James Abbott McNeill Whistler
The Sea Shore, c1880 (1902). From The Studio Volume 25 [The Offices of the Studio Ltd. London, 1902.]

A study, from the sketch in watercolour by J McNeill Whistler, c1880s (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

La Vieille aux Loques, 1858 (1903-1904). Artist: James Abbott McNeill Whistler
La Vieille aux Loques, 1858 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

On the Sea-Shore, c1883 (1903-1904). Artist: James Abbott McNeill Whistler
On the Sea-Shore, c1883 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Baby Leyland, 1895 (1903-1904). Artist: James Abbott McNeill Whistler
Baby Leyland, 1895 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Nocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Artist: James Abbott McNeill Whistler
Nocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Painting held in the Freer Gallery of Art, Washington DC, USA. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

The Pool of London, 1859, (1904). Artist: James Abbott McNeill Whistler
The Pool of London, 1859. From The Connoisseur Vol. X [Otto Limited, London, 1904.]

The Salute, c1854-1903, (1906-7). Artist: James Abbott McNeill Whistler
The Salute, From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill Whistler
Old Hungerford Bridge, 1861. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Adam and Eve: Old Chelsea, 1879, (1903). Artist: James Abbott McNeill Whistler
Adam and Eve: Old Chelsea, 1879. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler
On a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Portrait Study in Pastel, c19th century, (1903). Artist: James Abbott McNeill Whistler
Portrait Study in Pastel, c19th century. After a pastel study by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Studies of James McNeill Whistler, c1886. (1903). Artist: Mortimer Luddington Menpes
Studies of James McNeill Whistler, c1886. After a dry-point by Mortimer Luddington Menpes (1855-1938). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Symphony in White, No. 2: The Little White Girl, (1864-65), 1937
Symphony in White, No. 2: The Little White Girl. A portrait of Whistlers mistress Joanna Jo Hiffernan (ca1843 after 1903). After a work by James Abbott McNeill Whistler (1834 -1903)

James McNeill Whistler, American-born British artist, 1878 (1956). A Vanity Fair Cartoon. A print from People, a volume about the origin and early history of many things, common and less common

Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill Whistler
Nocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Old Putney Bridge, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler
The Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill Whistler
Battersea Bridge, London, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). Artist: James Abbott McNeill Whistler
Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). First trial proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London)

Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill Whistler
Lord Wolseley, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Temple Bar, 19th century (1904). Artist: James Abbott McNeill Whistler
Temple Bar, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler
A sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Dam Wood, c1875 (1904). Artist: James Abbott McNeill Whistler
The Dam Wood, c1875 (1904). First proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Child on a Couch, 19th century (1904). Artist: James Abbott McNeill Whistler
Child on a Couch, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Swinburne, 19th century (1904). Artist: James Abbott McNeill Whistler
Swinburne, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

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James Abbott McNeill Whistler, a renowned American artist, left an indelible mark on the art world with his unique style and innovative approach. Born in 1834, Whistler's artistic journey took him from the bustling streets of London to the serene landscapes of America. Whistler's residence at 96 Cheyne Walk in Chelsea, London became a hub for creativity and inspiration. It was here that he created some of his most iconic works, including "Symphony in White, No. 1: The White Girl" in 1862. This masterpiece showcases Whistler's ability to capture ethereal beauty through delicate brushstrokes. Another notable artwork by Whistler is "Arrangement in Grey and Black: Portrait of the Artist's Mother, " painted in 1892. This portrait immortalizes his mother as she sits gracefully against a neutral background, emphasizing her dignified presence. Whistler's talent extended beyond traditional paintings; he also excelled at etchings and lithographs. One such example is "Whistler with the White Lock, " a captivating image captured by Thomas Robert Way that portrays Whistler himself with his signature white lock of hair. Throughout his career, Whistler explored various themes and subjects. From capturing everyday scenes like "The Fish Shop" depicting busy Chelsea life to more atmospheric pieces like "The Storm, " where nature takes center stage. Not limited to London alone, Whistler ventured into other areas such as Fulham (Chelsea), where he found inspiration for yet another remarkable piece titled simply "Fulham. " His ability to infuse ordinary scenes with depth and emotion made him stand out among his contemporaries. In addition to landscapes and cityscapes, portraiture played a significant role in Whistlers' repertoire. A prime example is the enigmatic painting titled "James McNeill Whistler Age 14.