James Baker Pyne Collection

Heidelberg from the Terrace (oil on canvas)
828417 Heidelberg from the Terrace (oil on canvas) by Pyne, James Baker (1800-70) & Phillip, John (1817-67); 108.5x153.6 cm; Private Collection; (add.info.: Heidelberg from the Terrace)

James Baker Pyne, 1860s. Creator: John & Charles Watkins
James Baker Pyne, 1860s

Bristol Harbour, mid 19th century, (1942). Creator: James Baker Pyne
Bristol Harbour, mid 19th century, (1942). Shipping at the port of Bristol in the west of England. From " British Ports and Harbours, by Leo Walmsley. [Collins, London, 1942]

Frontispiece to Lake Scenery of England by J. B. Pyne, 1850s. Creator: Thomas Picken
Frontispiece to " Lake Scenery of England" by J. B. Pyne, 1850s. Circular illustration to a book of landscape views by James Baker Pyne, lithographed by Thomas Picken. [Day & Son, London]

St. Michaels Mount, c1830s, (1920). Creator: James Baker Pyne
St. Michaels Mount, c1830s, (1920). St Michaels Mount is a small tidal island in Mounts Bay, Cornwall, England. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Laying Monster Tubes from the New River, c1820-1870. Workmen laying water pipes in Camden Road, London

A Peep at the Metropolis from Hampstead Heath, 1841. Artist: James Baker Pyne
A Peep at the Metropolis from Hampstead Heath, 1841

The Queens private sitting room, Windsor Castle, 1838. Artist: James Baker Pyne
The Queens private sitting room, Windsor Castle, 1838

Queen Victoria and Prince Albert at a service in St Georges Chapel, Windsor Castle, 1838. Interior view of the chapel, used on ceremonial occasions such as the annual service of the Order of

Florence, 1839, (1918). Artist: James Baker Pyne
Florence, 1839, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Windsor Castle from the Eton Play Ground, c1838. Artist: James Baker Pyne
Windsor Castle from the Eton Play Ground, c1838. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

On The Rhine, 1852. Artist: James Baker Pyne
On The Rhine, 1852. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

James Baker Pyne 1860s Albumen silver print Approx
James Baker Pyne, 1860s, Albumen silver print, Approx, 10.2 x 6.3 cm, 4 2 1/2, Photographs, 1, AM170720 027410

The Entrance to the Menai Straits Signed and dated, lower right: JBPYNE 1847
The Entrance to the Menai Straits Signed and dated, lower right: " JBPYNE 1847 N 160", James Baker Pyne, 1800-1870, British

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James Baker Pyne was a renowned British artist in the 19th century, known for his captivating landscapes and architectural paintings. One of his notable works is "Heidelberg from the Terrace, " an exquisite oil on canvas masterpiece that showcases his exceptional talent for capturing the beauty of nature. Created in the 1860s, this painting transports viewers to the enchanting city of Heidelberg, immersing them in its picturesque scenery. Pyne's artistic prowess extended beyond landscapes; he also depicted bustling harbors with great finesse. "Bristol Harbour, " painted in the mid-19th century, portrays a vibrant maritime scene filled with ships and activity. This work exemplifies Pyne's ability to capture both grandeur and detail simultaneously. In addition to these breathtaking landscapes, Pyne was also recognized for his skillful illustrations. The frontispiece he created for "Lake Scenery of England" by J. B. Pyne showcases his mastery at depicting serene lakeside vistas. His attention to detail brings these scenes to life, allowing viewers to feel as though they are standing right beside those tranquil waters. Pyne's versatility as an artist is evident through various other works such as "St. Michaels Mount, " which captures a stunning coastal view from the 1830s and "A Peep at the Metropolis from Hampstead Heath, " an intricate portrayal of London's skyline in 1841. Not limited to English subjects alone, Pyne ventured abroad and captured foreign lands like Florence and The Rhine River with equal brilliance. His painting titled "Florence" depicts this Italian cityscape with remarkable precision while conveying its unique charm. However, it is perhaps within Windsor Castle that Pyne truly excelled; he had unparalleled access to Queen Victoria's private sitting room where he produced magnificent artworks like "The Queen's Private Sitting Room. " Additionally, he immortalized significant moments such as Queen Victoria and Prince Albert attending a service in St.