James Henry Collection (#3)

Ninety-two foot obelisk still lying in the quarry of Assuan (Aswan), Egypt, 1905. Artist: Underwood & Underwood
Ninety-two foot obelisk still lying in the quarry of Assuan (Aswan), Egypt, 1905. These granite quarries where the Egyptians found stone suitable for their buildings lie on the east bank of the Nile

Tomb of Harkhuf, a frontier baron in the days of the pyramid builders, Assuan (Aswan), Egypt, 1905. Stereoscopic card. Detail

The pylon and court of the temple of Horus at Edfu, Egypt, 1900. Artist: Underwood & Underwood
The pylon and court of the temple of Horus at Edfu, Egypt, 1900....this present building was begun by Ptolemy III in 237 BC. and completed as it in now in 57 BC. It is constructed of sandstone

Scenes of battle and the chase carved on a wall at Medinet Habu, Thebes, Egypt, 1905. Artist: Underwood & Underwood
Scenes of battle and the chase carved on a wall at Medinet Habu, Thebes, Egypt, 1905. At the top of the wall in hieroglyphics over two feet high

Walled city of El Kab, seen from a door of a tomb in the cliffs, Egypt, 1905. Artist: Underwood & Underwood
Walled city of El Kab, seen from a door of a tomb in the cliffs, Egypt, 1905. That sombre grey wall, beginning on the left and extending as far as the eye can follow on the right

View from the Ramesseum southeast over the plain of Thebes, Egypt, 1905. Artist: Underwood & Underwood
View from the Ramesseum southeast over the plain of Thebes, Egypt, 1905. The Pharaohs of the New Kingdom no longer built pyramids, but hewed out vast tombs in a valley behind yonder cliff, and here

The Ramesseum, the temple of Ramses II, at Thebes, Egypt, 1905. Artist: Underwood & Underwood
The Ramesseum, the temple of Ramses II, at Thebes, Egypt, 1905. The Pharaohs of the New Kingdom no longer built pyramids, but hewed out vast tombs in a valley behind yonder cliff, and here

Dahabiyehs on the river ready for a Nile voyage, Egypt, 1905. Artist: Underwood & Underwood
Dahabiyehs on the river ready for a Nile voyage, Egypt, 1905. A dahabiyeh is a long, narrow sailboat divided approximately into halves; the forward half is devoted to the crew and the ccok

Watching a sand whirlwind from the top of Hawara pyramid, Egypt, 1905. Artist: Underwood & Underwood
Watching a sand whirlwind from the top of Hawara pyramid, Egypt, 1905. What a picture of desolation! And yet we are standing in the midst of one of the most fertile tracts in the world

The brick store chambers of Pithom, built by Hebrew bondsmen, Egypt, 1905. Artist: Underwood & Underwood
The brick store chambers of Pithom, built by Hebrew bondsmen, Egypt, 1905. Stereoscopic card. Detail. From a series called Egypt Through the Stereoscope, text by James H Breasted

The Temple of Luxor, Egypt, 1905. Artist: Underwood & Underwood
The Temple of Luxor, Egypt, 1905. Stereoscopic card. Detail. From a series called Egypt Through the Stereoscope, text by James H Breasted

The Pyramid of Sakkarah, Egypt, 1905. Artist: Underwood & Underwood
The Pyramid of Sakkarah, Egypt, 1905. Stereoscopic card. Detail. From a series called Egypt Through the Stereoscope, text by James H Breasted

Quarry chambers of Masara, Egypt, 1905. Artist: Underwood & Underwood
Quarry chambers of Masara, Egypt, 1905. The great pyramid of Giza was built using blocks of stone taken from this quarry. Stereoscopic card. Detail

The Great Sphinx of Giza, Egypt, 1905. Artist: Underwood & Underwood
The Great Sphinx of Giza, Egypt, 1905. Stereoscopic card. Detail. From a series called Egypt Through the Stereoscope, text by James H Breasted

Statue of Ramses II, an embellishment of his temple at Memphis, Egypt, 1905. Artist: Underwood & Underwood
Statue of Ramses II, an embellishment of his temple at Memphis, Egypt, 1905. Such statues as this fallen giant here were placed by the Kings of the Empire in front of their temples on either side of

James Henry Thomas, British trade unionist and politician, 1926. Artist: Alick P F Ritchie
James Henry Thomas, British trade unionist and politician, 1926. Cigarette card with straight-line caricature, issued by John Player & Sons

North entrance, Blackwall Tunnel, London, 20th Century. Designed by the London County Councils chief engineer Alexander Binnie (1839-1917), the Blackwall Tunnel beneath the Thames opened in 1897

James Henry Greathead, British engineer, (1934). Greathead (1844-1896) worked on the underground railway networks of London

Farmers Son, c1872. Artist: William G Jackman
Farmers Son, c1872. Engraving from John Gilmary Sheas A Childs History of the United States, Hess and McDavitt, (New York, 1872)

Blackwall Tunnel, London, c1900. This tunnel, the older Western tunnel, connects the Essex and Kent sides of the Thames. Designed by the London County Councils chief engineer Alexander Binnie

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James Henry was a man of many talents and interests. From capturing the beauty of ancient Egyptian temples to painting portraits of famous figures, he had an eye for detail and a passion for art. In 1905, James Henry found himself in Egypt, looking down on the island of Philae and its magnificent temples. The view from above allowed him to appreciate the grandeur and history that surrounded him. Two years later, he turned his attention to another renowned figure - Henry James. With his paintbrush in hand, James Henry skillfully captured the essence of this esteemed author in a portrait that exuded both intelligence and depth. Not one to limit himself to portraiture alone, it also ventured into political realms. In 1933, he depicted Franklin Delano Roosevelt with precision and grace, showcasing the charisma that would define his presidency. But it wasn't just famous faces that fascinated James Henry; landscapes held their own allure as well. In 1908, he created a stunning piece titled "Landscape, " which showcased nature's beauty through vibrant colors and intricate brushstrokes. Throughout his career, James Henry collaborated with other talented artists like Jacques Emile Blanche and Ellen Emmet Rand. Together they brought forth captivating works such as Blanche's portrayal of Henry James or Rand's depiction of Senator and Mrs. James Henry Lane during tumultuous times in American history. London also served as inspiration for this versatile artist. He captured scenes like Cornhill, Lombard Street, King William Street - all bustling with activity - giving viewers a glimpse into daily life in the City back in 1837. The Bank of England stood tall amidst these busy streets; its architectural splendor caught James' eye too. His rendition highlighted its grandeur while hinting at the financial power it held over Londoners' lives during uncertain times (1840?). James didn't shy away from documenting significant historical events either.