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James Mcneill Collection (#3)

James McNeill Whistler was a renowned American artist who made a significant impact on the art world during the late 19th and early 20th centuries

Background imageJames Mcneill Collection: The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler

The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler
The Smithy, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler

Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler
Furnace Nocturne, 1886, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler

The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler
The Angry Sea, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Long Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Garden, 1880, (1904). Artist: James Abbott McNeill Whistler

Garden, 1880, (1904). Artist: James Abbott McNeill Whistler
Garden, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler

The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler
The Balcony, 1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler

The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler
The Riva, Number Two, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler

Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler
Chelsea Shops, c1855, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Upright Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler

Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler
Little Court, c1881, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler

The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler
The Bridge, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler

A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler
A Nude Study, c1872, (1904). Drawing held at the Harvard Art Museums, Fogg Museum, Massachusetts. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Palaces, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler

Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler
Bead Stringers, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler

The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler
The Thames Towards Erith, c1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler

San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler
San Biagio, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Amsterdam in Snow, 1882, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler

Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler
Wych Street, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler

A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler

Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler
Battersea, Dawn, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler

Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler
Prices Candle Works, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler

Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler
Pink and Rose, The Mothers Sleep, c1895, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler

Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler
Speke Shore, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler

Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler
Two Ships, 1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler

Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler
Sketch of a Girl, Nude, c1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler

Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler
Swinburne, c1877, (1904). Algernon Charles Swinburne (1837-1909) a poet and critic From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler

The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler
The Boy (Charlie Hanson), c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler

Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler
Agnes, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler

Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler
Brown and Gold, Lillie In Our Alley, 1896 (1904). Lillie Pamington a child model found by James McNeill Whistler on the streets of London. From Whistler As I Knew Him, by Mortimer Menpes

Background imageJames Mcneill Collection: The Desk, c1870, (1904). Artist: James Abbott McNeill Whistler

The Desk, c1870, (1904). Artist: James Abbott McNeill Whistler
The Desk, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Seated Girl, c1869, (1904). Artist: James Abbott McNeill Whistler

Seated Girl, c1869, (1904). Artist: James Abbott McNeill Whistler
Seated Girl, c1869, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Moreby Hall, Interior, 1884, (1904). Artist: James Abbott McNeill Whistler

Moreby Hall, Interior, 1884, (1904). Artist: James Abbott McNeill Whistler
Moreby Hall, Interior, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Maude, Seated, 1873, (1904). Artist: James Abbott McNeill Whistler

Maude, Seated, 1873, (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 1873, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Maude, c1876, (1904). Artist: James Abbott McNeill Whistler

Maude, c1876, (1904). Artist: James Abbott McNeill Whistler
Maudet, c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Velvet Dress (Mrs. Leyland), 1873, (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress (Mrs. Leyland), 1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Mrs. Leyland), 1873, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Elinor Leyland, 1874, (1904). Artist: James Abbott McNeill Whistler

Elinor Leyland, 1874, (1904). Artist: James Abbott McNeill Whistler
Elinor Leyland, 1874, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler

Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, c1973, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Model Resting, 1870, (1904). Artist: James Abbott McNeill Whistler

Model Resting, 1870, (1904). Artist: James Abbott McNeill Whistler
Model Resting, 1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler

Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler
Chelsea Wharf, 1863, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Nocturne: Blue and Gold, St Marks, Venice, 1880, (1904). Artist: James Abbott McNeill Whistler

Nocturne: Blue and Gold, St Marks, Venice, 1880, (1904). Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold, St Mark s, Venice, 1880, (1904). Paitning held at the National Museum of Wales, Cardiff. From Whistler As I Knew Him, by Mortimer Menpes

Background imageJames Mcneill Collection: Venice, c1870, (1904). Artist: James Abbott McNeill Whistler

Venice, c1870, (1904). Artist: James Abbott McNeill Whistler
Venice, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Annie Haden, 1860, (1904). Artist: James Abbott McNeill Whistler

Annie Haden, 1860, (1904). Artist: James Abbott McNeill Whistler
Annie Haden, 1860, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Storm, Sunset, 1880, (1904). Artist: James Abbott McNeill Whistler

The Storm, Sunset, 1880, (1904). Artist: James Abbott McNeill Whistler
The Storm, Sunset, 1880, (1904). Pastel held in the Harvard Art Museums, Massachusetts. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Finette, 1859, (1904). Artist: James Abbott McNeill Whistler

Finette, 1859, (1904). Artist: James Abbott McNeill Whistler
Finette, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Black and Gold, Venice, c1860, (1904). Artist: James Abbott McNeill Whistler

Black and Gold, Venice, c1860, (1904). Artist: James Abbott McNeill Whistler
Black and Gold, Venice, c1860, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Limehouse, 1859, (1904). Artist: James Abbott McNeill Whistler

Limehouse, 1859, (1904). Artist: James Abbott McNeill Whistler
Limehouse, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: Thames Warehouses, 1859, (1904). Artist: James Abbott McNeill Whistler

Thames Warehouses, 1859, (1904). Artist: James Abbott McNeill Whistler
Thames Warehouses, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageJames Mcneill Collection: The Isle De La Cite, Paris, 1859, (1904). Artist: James Abbott McNeill Whistler

The Isle De La Cite, Paris, 1859, (1904). Artist: James Abbott McNeill Whistler
The Isle De La Cite, Paris, 1859, (1904). Etching held at the National Gallery Of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]




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James McNeill Whistler was a renowned American artist who made a significant impact on the art world during the late 19th and early 20th centuries. Born in 1834, Whistler's artistic talent became evident at an early age. At just fourteen years old, he already displayed his artistic prowess in a portrait of himself created by an unknown artist. Throughout his career, Whistler produced numerous remarkable works that showcased his versatility and creativity. One such masterpiece is "Symphony in White, No. 1: The White Girl, " painted in 1862. This iconic piece captures the ethereal beauty of a young woman dressed entirely in white. Whistler's ability to capture subtle nuances is also evident in "Arrangement in Grey and Black: Portrait of the Artist's Mother" from 1892. This painting depicts his mother sitting serenely against a muted background, showcasing her grace and dignity. The artist's love for London is apparent through various paintings depicting scenes from different parts of the city. "Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)" portrays the tranquil beauty of dawn along the river Thames while "Little Wapping (The Little Rotherhithe)" showcases Whistler's mastery over capturing atmospheric effects. Whistler was not only known for his paintings but also for his etchings and lithographs. His attention to detail can be seen in pieces like "Whistler with the White Lock, " where every line seems purposefully placed to convey depth and texture. In addition to being an accomplished artist, Whistler had a deep appreciation for music which often influenced his work as seen in "United States Military Academy: Song of the Graduates. " This print highlights both his artistic skill and passion for music. Whistlers' legacy lives on today through these captivating artworks that continue to inspire generations of artists worldwide.