James Collection (#98)

Dunblane Cathedral, 1804. Artist: James Fittler
Dunblane Cathedral, 1804. After John Claude Nattes (c1765-1839). From Scotia Depicta; or, the Antiquities, Castles, Public Buildings, Noblemen and Gentlemens Seats, Cities, Towns

Dunfermline Abby and Mill, 1804. Artist: James Fittler
Dunfermline Abby and Mill, 1804. Dunfermline Abbey is a Church of Scotland Parish Church located in Dunfermline, Fife, Scotland. After John Claude Nattes (c1765-1839)

Tarnaway Castle, 1804. Artist: James Fittler
Tarnaway Castle, 1804. Darnaway Castle, also known as Tarnaway Castle, is located in Darnaway Forest, near Forres in Moray, Scotland. After John Claude Nattes (c1765-1839)

Monzie, 1804. Artist: James Fittler
Monzie, 1804. Monzie Castle is a large castellated mansion which incorporates a small early 17th century L-plan tower house, much extended and remodelled in 1791

Pluscardine Abbey, 1804. Artist: James Fittler
Pluscardine Abbey, 1804. Pluscarden Abbey is a Roman Catholic Benedictine monastery located in the glen of the Black Burn near Elgin, in Moray, Scotland. After John Claude Nattes (c1765-1839)

Laureston Castle, 1804. Artist: James Fittler
Laureston Castle, 1804. Lauriston Castle is a 16th century tower house with 19th century extensions overlooking the Firth of Forth, in Edinburgh, Scotland. After John Claude Nattes (c1765-1839)

Winters Tale. Act II. Scene I, 1793. Artist: James Fittler
Winters Tale. Act II. Scene I, 1793. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. Artist: James Stow
Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. After Francis Wheatley (1747-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

First part of King Henry VI. Act 2 Scene 5. Mortimer;Plantagenet, & c, 1800. Artist: Andrew Gray
First part of King Henry VI. Act 2 Scene 5. Mortimer; Plantagenet, & c, 1800. James Northcote (1746-1831). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. Artist: James Stow
Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Telegraph Office, Calcutta, c1900. Artist: Johnston & Hoffmann
Telegraph Office, Calcutta, c1900. The Central Telegraph Office established in 1876 by Lord Dalhousie (1812-1860), then Governor General of India sponsored the first telegraph services in India in

The Coronation of James II in Westminster Abbey, London, 1685 (1903). Artist: William Sherwin
The Coronation of James II in Westminster Abbey, London, 1685 (1903). The coronation of James II (1633-1701) and his Queen Mary of Modena (1658-1718) took place on 23 April 1685

National Gallery and Church of St Martin-in-the-Fields, Westminster, London, c1910 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

Grand Canal, Venice, c1850. Artist: James Holland
Grand Canal, Venice, c1850. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

James Stuart, Duke of York, 1640. A portrait of the future King James II of England and VII of Scotland (1633-1701). From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

King James II, c1690. King James II of England and VII of Scotland (1633-1701) became King of England, King of Scots, and King of Ireland from 6 February 1685

Littlehampton, Winter, c1868. Artist: James Webb
Littlehampton, Winter, c1868. From The Connoisseur Vol. LXXVI. [The Connoisseur, London, 1926]

George Washington, c1796. Artist: Ellen Sharples
George Washington, c1796. After commanding the American Revolutionary army to victory over the British in the American War of Independence

Self Portrait, c1790. Artist: James Barry
Self Portrait, c1790. From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Severndroog Castle, Shooters Hill, 1807, (1912). Artists: Sir William James, FR Hay
Severndroog Castle, Shooters Hill, 1807, (1912). Severndroog Castle, Oxleas Wood, Shooters Hill in south-east London, designed by Richard Jupp (1728-1799)

Gold, silver, and lead tickets admitting to Vauxhall Gardens, c1740, (1912). Artist: James Stow
Gold, silver, and lead tickets admitting to Vauxhall Gardens, c1740, (1912). Originally from designs by William Hogarth (1697-1764). From London - South of the Thames, by Sir Walter Besant

Windsor Forest, c1835. Artist: James Stark
Windsor Forest, c1835. Painting held at the Bradford Museums and Galleries, Bradford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Willow Stream, c1839. Artist: James Stark
The Willow Stream, c1839. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures

A Lane near Norwich, c1837. Artist: James Stark
A Lane near Norwich, c1837. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Glen Sannox, Arran, c1871. Artist: James Orrock
Glen Sannox, Arran, c1871. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

John Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. Artist: James Northcote
John Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. John Reeve (1799-1838) a English comic actor specialising in mimicry

The Grand Staircase, Showing Thornhills Wall Paintings, Stoke Edith, c1909. Mural painted, by James Thornhill, representing the death of the children of Niobe c1710

Feeding Chickens, c1788. Artist: Peltro William Tomkins
Feeding Chickens, c1788. After James Russell. From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

Very Slippy Weather, 1808. Artist: James Gillray
Very Slippy Weather, 1808. This print depicts a scene outside Gilrays publishers premises. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Illustration to Riccardo Stephenss Ballad, Hells Piper, c1912. Artist: James Cadenhead
Illustration to Riccardo Stephenss Ballad, Hells Piper, c1912. From The Studio Volume 55, [London Offices of the Studio, London, 1912]

Early Morning, c19th century. Artist: James Cadenhead
Early Morning, c19th century. From The Studio Volume 55, [London Offices of the Studio, London, 1912]

Queen Anne receiving the Act of Union from the Duke of Queensberry, 1707 (1793). From Ashburtons History of England, by Charles Alfred Ashburton. [W. & J. Stratford, High Holborn, London, 1793]

King James II, 1793. From Ashburtons History of England, by Charles Alfred Ashburton. [W. & J. Stratford, High Holborn, London, 1793]

Sheet 16, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 15, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 14, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 13, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 12, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 11, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 10, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 9, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 8, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 7, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 6, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 5, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 4, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 3, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

Sheet 2, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

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"James: A Journey Through Art, Music, and History" Step into the vibrant world of James, where art, music, and history intertwine to create a captivating narrative. At St James Park in Newcastle United's heart lies an artistic masterpiece that captures the essence of football passion. The stadium stands tall as a symbol of unity and devotion. In the realm of science, we find Watson and Crick with their groundbreaking DNA model. Their discovery unlocked the secrets of life itself, forever changing our understanding of genetics. Jimi Hendrix takes center stage next; his electrifying performance at Berkeley in 1970 still resonates with fans today. His music transcended boundaries and left an indelible mark on rock 'n' roll history. The iconic Aston Martin DB5 from Goldfinger evokes images of suave sophistication as it cruises through time as James Bond's trusted companion. Its sleek silver exterior exudes elegance and adventure. A satirical etching by James Gillray transports us back to 1802 when Edward Jenner introduced vaccination against smallpox. This caricature reflects society's skepticism towards this revolutionary medical breakthrough. Another Aston Martin graces our journey - the V12 Vanquish immortalized by its association with James Bond. With its powerful engine roaring beneath its hood, it embodies both luxury and excitement. Traveling further back in time brings us to Sheffield in 1797; W. Fairbank's meticulous map showcases the town's layout during this era—a glimpse into history frozen on paper for eternity. Napoleon Bonaparte makes an appearance through Gillray's sharp wit in a cartoon depicting him carving up the world alongside British Prime Minister William Pitt—an amusing satire on political power dynamics. Our voyage concludes with a thrilling steamboat race along the Mississippi River in 1870 between Robert E. Lee and Natchez vessels—Currier & Ives' lithograph immortalizes this exhilarating contest that captured the nation's attention.