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Jan Van Eyck Collection (#2)

Jan van Eyck, a renowned Flemish painter of the 15th century, left an indelible mark on art history with his masterpieces

Background imageJan Van Eyck Collection: A Triptych with Christ as Salvator Mundi, (oil on panel)

A Triptych with Christ as Salvator Mundi, (oil on panel)
990148 A Triptych with Christ as Salvator Mundi, (oil on panel) by Eyck, Jan van (c.1390-1441) (school of); Center 43.2x28.6 and wings 43.2x11.4 cm; Private Collection; (add.info)

Background imageJan Van Eyck Collection: Hubert (1366-1426) and Jan van Eyck (1370-1441), Flemish artists (engraving)

Hubert (1366-1426) and Jan van Eyck (1370-1441), Flemish artists (engraving)
972458 Hubert (1366-1426) and Jan van Eyck (1370-1441), Flemish artists (engraving) by French School, (19th century); Private Collection; (add.info.: Hubert (1366-1426) and Jan van Eyck (1370-1441)

Background imageJan Van Eyck Collection: Jan Van Eyck (chromolitho)

Jan Van Eyck (chromolitho)
3098159 Jan Van Eyck (chromolitho) by American School, (20th century); Private Collection; (add.info.: Jan Van Eyck. Cigar label, probably early 20th century.); © Look and Learn

Background imageJan Van Eyck Collection: Jan Van Eyck (litho)

Jan Van Eyck (litho)
2807919 Jan Van Eyck (litho) by Chesterton, Gilbert Keith (1874-1936); Private Collection; (add.info.: Jan Van Eyck. Illustration for Biography for Beginners edited by E Clerihew with diagrams by G K)

Background imageJan Van Eyck Collection: Jan van Eyck, Flemish painter (chromolitho)

Jan van Eyck, Flemish painter (chromolitho)
972031 Jan van Eyck, Flemish painter (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jan van Eyck (c1390-c1441), Flemish painter

Background imageJan Van Eyck Collection: The Wallerstein Gallery (engraving)

The Wallerstein Gallery (engraving)
1612097 The Wallerstein Gallery (engraving) by English School, (19th century); Private Collection; (add.info.: The Wallerstein Gallery. Illustration for The Illustrated London News, 20 April 1850)

Background imageJan Van Eyck Collection: 'John Arnolfini of Pisa and his Wife'(engraving)

"John Arnolfini of Pisa and his Wife"(engraving)
3655901 " John Arnolfini of Pisa and his Wife" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageJan Van Eyck Collection: Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441

Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat
6338729 Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace by Wierix

Background imageJan Van Eyck Collection: St Barbara, 1437 (litho)

St Barbara, 1437 (litho)
3097063 St Barbara, 1437 (litho) by Eyck, Jan van (c.1390-1441); Private Collection; (add.info.: St Barbara, 1437. From the Royal Museum of Fine Arts, Antwerp)

Background imageJan Van Eyck Collection: The Annunciation, c. 1434 / 1436. Creator: Jan van Eyck

The Annunciation, c. 1434 / 1436. Creator: Jan van Eyck
The Annunciation, c. 1434/1436

Background imageJan Van Eyck Collection: The Crucifixion; The Last Judgment, ca. 1440-41. Creator: Jan van Eyck

The Crucifixion; The Last Judgment, ca. 1440-41. Creator: Jan van Eyck
The Crucifixion; The Last Judgment, ca. 1440-41

Background imageJan Van Eyck Collection: John Van Eyck, (c1390-1441), 1830. Creator: Unknown

John Van Eyck, (c1390-1441), 1830. Creator: Unknown
John Van Eyck, (c1390-1441), 1830. Jan van Eyck (c1390-1441) Flemish painter active in Bruges, significant to Early Northern Renaissance art

Background imageJan Van Eyck Collection: Portrait of Cardinal Niccolo Albergati, c1430, (1943). Creator: Jan van Eyck

Portrait of Cardinal Niccolo Albergati, c1430, (1943). Creator: Jan van Eyck
Portrait of Cardinal Niccolo Albergati, c1430, (1943). Albergati (1373-1443) was an Italian cardinal, papal diplomat and Bishop of Bologna. Drawing in the Staatliche Kunstsammlungen Dresden, Germany

Background imageJan Van Eyck Collection: An angelic choir, (c1865). Creator: Christian Schultz

An angelic choir, (c1865). Creator: Christian Schultz
An angelic choir, (c1865). 19th century chromolithograph after a section of the 15th-century Ghent Altarpiece by Hubert and Jan van Eyck, in St Bavos Cathedral, Ghent, Belgium

Background imageJan Van Eyck Collection: The Jews Passover, 15th century

The Jews Passover, 15th century. Facsimile of a 15th-century missal ornamented with paintings

Background imageJan Van Eyck Collection: Jan Van Eyck Stature, Bruges, Belgium, 1959

Jan Van Eyck Stature, Bruges, Belgium, 1959

Background imageJan Van Eyck Collection: Reproduction Of Panel By Van Eyck

Reproduction Of Panel By Van Eyck
Illustrated reproduction of the Water of Life altarpiece center panel by Flemish painter Jan Van Eyck, from a Madrid church, 15th century. (Kean Collection/Getty Images)

Background imageJan Van Eyck Collection: Portraits Hubert Jan Margaretha van Eyck Three numbered portraits

Portraits Hubert Jan Margaretha van Eyck Three numbered portraits
Portraits of Hubert, Jan and Margaretha van Eyck, Three numbered portraits. Portrait of Hubert van Eyck (no. 1), Jan van Eyck (no. 2) and Margaretha van Eyck (no. 3)

Background imageJan Van Eyck Collection: Ghent Altarpiece

Ghent Altarpiece
Antique illustration of a Ghent Altarpiece

Background imageJan Van Eyck Collection: Antonello da Messina in the studio of Jan van Eyck

Antonello da Messina in the studio of Jan van Eyck. Found in the Collection of Monastere royal de Brou

Background imageJan Van Eyck Collection: The Annunciation, 1434-1436. Artist: Jan van Eyck

The Annunciation, 1434-1436. Artist: Jan van Eyck
The Annunciation, 1434-1436. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageJan Van Eyck Collection: La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck

La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval

Background imageJan Van Eyck Collection: Portrait of a Man ( Leal Souvenir ), 1432, (1909). Artist: Jan van Eyck

Portrait of a Man ( Leal Souvenir ), 1432, (1909). Artist: Jan van Eyck
Portrait of a Man ( Leal Souvenir ), 1432, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Background imageJan Van Eyck Collection: The Arnolfini Portrait, 1434, (1904). Artist: Jan van Eyck

The Arnolfini Portrait, 1434, (1904). Artist: Jan van Eyck
The Arnolfini Portrait, 1434. This portrait shows Giovanni di Nicolao Arnolfini (c1400- after 1452) and his wife Jeanne de Chenany. Painting held in The National Gallery, London

Background imageJan Van Eyck Collection: Portrait of Margaret van Eyck, 1927. Artist: Jan van Eyck

Portrait of Margaret van Eyck, 1927. Artist: Jan van Eyck
Portrait of Margaret van Eyck, 1927. Found in the collection of the Groeningemuseum, Bruges, Belgium. A print from Flemish and Belgian art 1300-1900

Background imageJan Van Eyck Collection: Portrait of a Man (Self Portrait?), 1433. Artist: Jan van Eyck

Portrait of a Man (Self Portrait?), 1433. Artist: Jan van Eyck
Portrait of a Man (Self Portrait?), 1433. Painting held at The National Gallery, London. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Background imageJan Van Eyck Collection: Madonna of Chancellor Rolin, c1435, (1938). Artist: Jan van Eyck

Madonna of Chancellor Rolin, c1435, (1938). Artist: Jan van Eyck
Madonna of Chancellor Rolin, c1435. Painting held in The Louvre, Paris. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Background imageJan Van Eyck Collection: Madonna and Child with Canon Joris van der Paele, 1436, (1870)

Madonna and Child with Canon Joris van der Paele, 1436, (1870). A wood engraving after a painting in the collection of the Groeningemuseum, Bruges, Belgium

Background imageJan Van Eyck Collection: The Madonna of Canon van der Paele, 1436. Artist: Jan van Eyck

The Madonna of Canon van der Paele, 1436. Artist: Jan van Eyck
The Madonna of Canon van der Paele, 1436. Canon van der Paele is shown in the choir of the collegiate church of St. Donatian in Bruges

Background imageJan Van Eyck Collection: Jan van Eyck (Netherlandish, c. 1390-1441), The Annunciation, c

Jan van Eyck (Netherlandish, c. 1390-1441), The Annunciation, c. 1434-1436, oil on canvas transferred from panel

Background imageJan Van Eyck Collection: Germany, Dresden, Two closed panels of Triptych with Annunciation

Germany, Dresden, Two closed panels of Triptych with Annunciation
Jan van Eyck (ca. 1390-1441), Two Closed Panels of a Triptych with the Annunciation

Background imageJan Van Eyck Collection: Austria, Vienna, Portrait of Cardinal Nicola Albergati

Austria, Vienna, Portrait of Cardinal Nicola Albergati
Jan van Eyck (ca. 1390-1441), Portrait of Cardinal Nicola Albergati

Background imageJan Van Eyck Collection: Germany, Dresden, Triptych with Archangel Gabriel, Donor and Saint Catherine

Germany, Dresden, Triptych with Archangel Gabriel, Donor and Saint Catherine
Jan van Eyck (ca. 1390-1441), Triptych with Archangel Gabriel, the Donor and Saint Catherine




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Jan van Eyck, a renowned Flemish painter of the 15th century, left an indelible mark on art history with his masterpieces. One such masterpiece is "The Adoration of the Mystic Lamb, " also known as The Ghent Altarpiece. Created in 1432, this monumental artwork showcases van Eyck's exceptional talent and attention to detail. In "St Cecilia at the organ, " painted around 1865 by Christian Schultz, we see a tribute to van Eyck's influence. This piece captures the essence of music and devotion through its delicate brushstrokes. Van Eyck's skill in portraiture is evident in "Portrait of a Man" from 1433. With meticulous precision, he brings forth the subject's individuality and character onto an oak panel canvas. "The Prophet Micah" and "Virgin Annunciate, " both part of the exterior panels of The Ghent Altarpiece, demonstrate van Eyck's ability to depict religious figures with grace and reverence. "The Just Judges" panel portrays justice being served while showcasing van Eyck's mastery over oil painting techniques. It exemplifies his ability to capture complex narratives within a single frame. Another captivating work from The Ghent Altarpiece is "The Pilgrims guided by St. Christopher. " Van Eyck beautifully depicts their journey towards spiritual enlightenment with intricate details that draw viewers into their pilgrimage. Van Eyck also explored mythological themes in his art, as seen in the depictions of Erythraean Sibyl and Cumaean Sibyl on the exterior wings of The Ghent Altarpiece. These ethereal figures add depth and mystique to his already awe-inspiring composition. One cannot overlook van Eyck's talent for capturing human likeness as showcased in "Portrait of Joost Vijdt. " This portrait radiates elegance while highlighting each subtle nuance that makes every individual unique.