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Jean Auguste Dominique Ingres Collection

Jean Auguste Dominique Ingres (1780-1867) was a renowned French Neoclassical painter and master of portraiture

Background imageJean Auguste Dominique Ingres Collection: Jean-Auguste-Dominique Ingres, 1865 (crayon, with graphite over charcoal on paper)

Jean-Auguste-Dominique Ingres, 1865 (crayon, with graphite over charcoal on paper)
5859501 Jean-Auguste-Dominique Ingres, 1865 (crayon, with graphite over charcoal on paper) by Fantin-Latour, Henri (1836-1904) ; The Art Institute of Chicago, IL

Background imageJean Auguste Dominique Ingres Collection: Portrait of J.A.D. Ingres (b/w photo)

Portrait of J.A.D. Ingres (b/w photo)
673160 Portrait of J.A.D. Ingres (b/w photo); Universal History Archive/UIG

Background imageJean Auguste Dominique Ingres Collection: Jean Auguste Dominique Ingres, 1825 (litho)

Jean Auguste Dominique Ingres, 1825 (litho)
8766893 Jean Auguste Dominique Ingres, 1825 (litho) by Delpech, Francois Seraphin (1778-1825); Private Collection; (add.info.: 1780-1867, Jean, Auguste, Dominique Ingres, famous french painter)

Background imageJean Auguste Dominique Ingres Collection: Jean Auguste Dominique Ingres (1780-1867) French painter, engraving

Jean Auguste Dominique Ingres (1780-1867) French painter, engraving
1733591 Jean Auguste Dominique Ingres (1780-1867) French painter, engraving; (add.info.: Jean Auguste Dominique Ingres (1780-1867) french painter, engraving)

Background imageJean Auguste Dominique Ingres Collection: Portrait of Thomas Church, 1816. Creator: Jean-Auguste-Dominique Ingres

Portrait of Thomas Church, 1816. Creator: Jean-Auguste-Dominique Ingres
Portrait of Thomas Church, 1816

Background imageJean Auguste Dominique Ingres Collection: Achilles Receiving in his Tent the Envoys of Agamemnon, 1801. Creator: Jean-Auguste-Dominique Ingres

Achilles Receiving in his Tent the Envoys of Agamemnon, 1801. Creator: Jean-Auguste-Dominique Ingres
Achilles Receiving in his Tent the Envoys of Agamemnon, 1801

Background imageJean Auguste Dominique Ingres Collection: François Ier reçoit les derniers soupirs de Léonard de Vinci, 1818

François Ier reçoit les derniers soupirs de Léonard de Vinci, 1818. Creator: Jean-Auguste-Dominique Ingres
Francois Ier recoit les derniers soupirs de Leonard de Vinci, 1818

Background imageJean Auguste Dominique Ingres Collection: Henri IV jouant avec ses enfants au moment où l'ambassadeur d'Espagne est admis en sa présence

Henri IV jouant avec ses enfants au moment où l'ambassadeur d'Espagne est admis en sa présence
Henri IV jouant avec ses enfants au moment ou l'ambassadeur d'Espagne est admis en sa presence, 1817. Henry IV Receiving the Spanish Ambassador

Background imageJean Auguste Dominique Ingres Collection: Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier, end of 1853

Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier, end of 1853
Esquisse pour l'Hotel de Ville de Paris : Apotheose de Napoleon Ier, end of 1853. Apotheosis of Napoleon I: Fame crowns Napoleon I

Background imageJean Auguste Dominique Ingres Collection: Self-Portrait, 1864. Creator: Ingres, Jean Auguste Dominique (1780-1867)

Self-Portrait, 1864. Creator: Ingres, Jean Auguste Dominique (1780-1867)
Self-Portrait, 1864. Found in the collection of the Royal Museum of Fine Arts, Antwerp

Background imageJean Auguste Dominique Ingres Collection: Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844

Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844. Creator: Jean-Auguste-Dominique Ingres
Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844

Background imageJean Auguste Dominique Ingres Collection: Mrs. Edward Dodwell, c. 1816/1817. Creator: Jean-Auguste-Dominique Ingres

Mrs. Edward Dodwell, c. 1816/1817. Creator: Jean-Auguste-Dominique Ingres
Mrs. Edward Dodwell, c. 1816/1817

Background imageJean Auguste Dominique Ingres Collection: Philippe Mengin de Bionval, 1812. Creator: Jean-Auguste-Dominique Ingres

Philippe Mengin de Bionval, 1812. Creator: Jean-Auguste-Dominique Ingres
Philippe Mengin de Bionval, 1812

Background imageJean Auguste Dominique Ingres Collection: Henri Labrouste, 1852. Creator: Jean-Auguste-Dominique Ingres

Henri Labrouste, 1852. Creator: Jean-Auguste-Dominique Ingres
Henri Labrouste, 1852

Background imageJean Auguste Dominique Ingres Collection: Sketch for Madame Moitessier. Creator: Jean-Auguste-Dominique Ingres

Sketch for Madame Moitessier. Creator: Jean-Auguste-Dominique Ingres
Sketch for Madame Moitessier

Background imageJean Auguste Dominique Ingres Collection: Auguste-Jean-Marie Guénepin, 1809. Creator: Jean-Auguste-Dominique Ingres

Auguste-Jean-Marie Guénepin, 1809. Creator: Jean-Auguste-Dominique Ingres
Auguste-Jean-Marie Guenepin, 1809

Background imageJean Auguste Dominique Ingres Collection: Dr. Louis Martinet, 1826. Creator: Jean-Auguste-Dominique Ingres

Dr. Louis Martinet, 1826. Creator: Jean-Auguste-Dominique Ingres
Dr. Louis Martinet, 1826

Background imageJean Auguste Dominique Ingres Collection: Auguste-Jean-Marie Guénepin, 1809. Creator: Jean-Auguste-Dominique Ingres

Auguste-Jean-Marie Guénepin, 1809. Creator: Jean-Auguste-Dominique Ingres
Auguste-Jean-Marie Guenepin, 1809

Background imageJean Auguste Dominique Ingres Collection: Self-Portrait, 1822. Creator: Jean-Auguste-Dominique Ingres

Self-Portrait, 1822. Creator: Jean-Auguste-Dominique Ingres
Self-Portrait, 1822

Background imageJean Auguste Dominique Ingres Collection: Mrs. Charles Badham, 1816. Creator: Jean-Auguste-Dominique Ingres

Mrs. Charles Badham, 1816. Creator: Jean-Auguste-Dominique Ingres
Mrs. Charles Badham, 1816

Background imageJean Auguste Dominique Ingres Collection: Portrait of a Man, 1796. Creator: Jean-Auguste-Dominique Ingres

Portrait of a Man, 1796. Creator: Jean-Auguste-Dominique Ingres
Portrait of a Man, 1796

Background imageJean Auguste Dominique Ingres Collection: Two Studies of Virgil, c. 1812 and c. 1825. Creator: Jean-Auguste-Dominique Ingres

Two Studies of Virgil, c. 1812 and c. 1825. Creator: Jean-Auguste-Dominique Ingres
Two Studies of Virgil, c. 1812 and c. 1825

Background imageJean Auguste Dominique Ingres Collection: Mademoiselle Mary de Borderieux(?), 1857. Creator: Jean-Auguste-Dominique Ingres

Mademoiselle Mary de Borderieux(?), 1857. Creator: Jean-Auguste-Dominique Ingres
Mademoiselle Mary de Borderieux(?), 1857

Background imageJean Auguste Dominique Ingres Collection: Portrait of Niccolò Paganini, 1830 (backdated '1818'). Creator: Luigi Calamatta

Portrait of Niccolò Paganini, 1830 (backdated "1818"). Creator: Luigi Calamatta
Portrait of Niccolo Paganini, 1830 (backdated "1818")

Background imageJean Auguste Dominique Ingres Collection: Charles X in his Coronation Robes, c. 1828. Creator: Jean-Auguste-Dominique Ingres

Charles X in his Coronation Robes, c. 1828. Creator: Jean-Auguste-Dominique Ingres
Charles X in his Coronation Robes, c. 1828

Background imageJean Auguste Dominique Ingres Collection: Frederic Sylvester Douglas, 1815. Creator: Jean-Auguste-Dominique Ingres

Frederic Sylvester Douglas, 1815. Creator: Jean-Auguste-Dominique Ingres
Frederic Sylvester Douglas, 1815

Background imageJean Auguste Dominique Ingres Collection: Gabriel Cortois de Pressigny, 1816. Creator: Jean-Auguste-Dominique Ingres

Gabriel Cortois de Pressigny, 1816. Creator: Jean-Auguste-Dominique Ingres
Gabriel Cortois de Pressigny, 1816

Background imageJean Auguste Dominique Ingres Collection: The Four Magistrates of Besançon, 1825. Creator: Jean-Auguste-Dominique Ingres

The Four Magistrates of Besançon, 1825. Creator: Jean-Auguste-Dominique Ingres
The Four Magistrates of Besancon, 1825

Background imageJean Auguste Dominique Ingres Collection: Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier circa 1853 by Jean Auguste

Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier circa 1853 by Jean Auguste Dominique Ingres

Background imageJean Auguste Dominique Ingres Collection: Josephine-Eleonore-Marie-Pauline de Galard de Brassac de Bearn

Josephine-Eleonore-Marie-Pauline de Galard de Brassac de Bearn (1825-1860), Princesse de Broglie, 1851-53

Background imageJean Auguste Dominique Ingres Collection: Jean Auguste Dominique Ingres, 1825 (litho)

Jean Auguste Dominique Ingres, 1825 (litho)
7241712 Jean Auguste Dominique Ingres, 1825 (litho) by Delpech, Francois Seraphin (1778-1825); Private Collection; (add.info.: Jean Auguste Dominique Ingres (1780-1867)

Background imageJean Auguste Dominique Ingres Collection: The bather of Valpincon, 1808 (oil on canvas)

The bather of Valpincon, 1808 (oil on canvas)
JLJ4688857 The bather of Valpincon, 1808 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 146x97 cm; Louvre, Paris, France; (add.info.: The bather called bather of Valpincon)

Background imageJean Auguste Dominique Ingres Collection: The Turkish bath, 1862 (oil on panel)

The Turkish bath, 1862 (oil on panel)
JLJ4645036 The Turkish bath, 1862 (oil on panel) by Ingres, Jean Auguste Dominique (1780-1867); 110x111 cm; Louvre, Paris, France; (add.info.: The Turkish bath)

Background imageJean Auguste Dominique Ingres Collection: Bust of Ingres (bronze)

Bust of Ingres (bronze)
471055 Bust of Ingres (bronze) by Bourdelle, Emile-Antoine (1861-1929); 83x44x34 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageJean Auguste Dominique Ingres Collection: Bust of Ingres (bronze) (detail of 471055)

Bust of Ingres (bronze) (detail of 471055)
471054 Bust of Ingres (bronze) (detail of 471055) by Bourdelle, Emile-Antoine (1861-1929); Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageJean Auguste Dominique Ingres Collection: Self Portrait, 1864 (oil on canvas)

Self Portrait, 1864 (oil on canvas)
471089 Self Portrait, 1864 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 97x86.2 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageJean Auguste Dominique Ingres Collection: The Martyrdom of St. Symphorian, 1834 (oil on canvas)

The Martyrdom of St. Symphorian, 1834 (oil on canvas)
NUL385957 The Martyrdom of St. Symphorian, 1834 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 407x339 cm; Cathedral of St

Background imageJean Auguste Dominique Ingres Collection: Ruggiero Rescuing Angelica, 1841 (oil on canvas)

Ruggiero Rescuing Angelica, 1841 (oil on canvas)
XIR182582 Ruggiero Rescuing Angelica, 1841 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France

Background imageJean Auguste Dominique Ingres Collection: Portrait of a man of profile. Anonymous painting. Musee Granet, Aix en provence

Portrait of a man of profile. Anonymous painting. Musee Granet, Aix en provence
JEB4960046 Portrait of a man of profile. Anonymous painting. Musee Granet, Aix en provence by Ingres, Jean Auguste Dominique (1780-1867) (after); Musee Granet, Aix-en-Provence

Background imageJean Auguste Dominique Ingres Collection: Aretino in the Studio of Tintoretto, 1848 (oil on canvas)

Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
3086887 Aretino in the Studio of Tintoretto, 1848 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Metropolitan Museum of Art, New York

Background imageJean Auguste Dominique Ingres Collection: Jupiter and Thetis, 1811 (oil on canvas)

Jupiter and Thetis, 1811 (oil on canvas)
JEB4960019 Jupiter and Thetis, 1811 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Granet, Aix-en-Provence

Background imageJean Auguste Dominique Ingres Collection: Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824)

Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824), 1813-1814
AIS5384941 Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824), 1813-1814. Huile sur toile. Washington. National Gallery of Art

Background imageJean Auguste Dominique Ingres Collection: Portrait of Miss Caroline Riviere, 1805 (detail) (oil on canvas)

Portrait of Miss Caroline Riviere, 1805 (detail) (oil on canvas)
BEN5480704 Portrait of Miss Caroline Riviere, 1805 (detail) (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 100x70 cm; Louvre, Paris

Background imageJean Auguste Dominique Ingres Collection: Madame Riviere 1805 by Dominique Ingres

Madame Riviere 1805 by Dominique Ingres
3520903 Madame Riviere 1805 by Dominique Ingres by Ingres, Jean Auguste Dominique (1780-1867); (add.info.: The portrait of Mademoiselle Caroline Riviere was painted in 1806 by the French Neoclassical)

Background imageJean Auguste Dominique Ingres Collection: Amedee-David, the Comte de Pastoret, 1823-26. Creator

Amedee-David, the Comte de Pastoret, 1823-26. Creator
Amedee-David, the Comte de Pastoret, 1823-26

Background imageJean Auguste Dominique Ingres Collection: Jean-Auguste-Dominique Ingres, ca 1860. Creator: Disderi

Jean-Auguste-Dominique Ingres, ca 1860. Creator: Disderi
Jean-Auguste-Dominique Ingres, ca 1860. Private Collection

Background imageJean Auguste Dominique Ingres Collection: Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair

Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair
989698 Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair, 1813 (black lead on paper) by Ingres, Jean Auguste Dominique (1780-1867)




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Jean Auguste Dominique Ingres (1780-1867) was a renowned French Neoclassical painter and master of portraiture. His works spanned various genres, from historical and mythological subjects to portraits and Orientalist themes. One of his notable paintings is "The Bather of Valpincon" (1808), an exquisite portrayal of a reclining female figure with delicate brushwork and meticulous attention to detail. Another masterpiece, "The Turkish Bath" (1862), captures the opulence and sensuality of the harem in rich colors on a small panel. In addition to painting, Ingres also excelled in lithography. He collaborated with Gaetano Riccio for the lithograph titled "The Italian composer Luigi Cherubini and the Muse of lyric poetry, " showcasing his versatility as an artist. Ingres's talent extended beyond canvas; he created bronze busts that captured the essence of his subjects' personalities. The busts are characterized by their lifelike details, exemplified in both full views and close-up shots like the one shown here. As seen in his self-portrait from 1864, Ingres depicted himself with precision while revealing hints about his personality through subtle gestures. This introspective work showcases his mastery not only as a painter but also as a self-analyst. Religious themes were prominent throughout Ingres's career, such as "The Martyrdom of St. Symphorian" (1834). This emotionally charged composition depicts martyrdom with dramatic lighting effects that heighten its impact on viewers. Another significant work by Ingres is "Ruggiero Rescuing Angelica" (1841), which portrays an episode from Ludovico Ariosto's epic poem Orlando Furioso. The painting displays dynamic movement combined with impeccable draftsmanship—a hallmark feature found across many of Ingres's works.