Jean Honoré Collection (#4)

Jean-Honora Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The
Jean-Honora© Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The Feast of Anthony and Cleopatra (Le festin d Antoine et de Cleopatre), etching

Jean-Honora Fragonard (French, 1732 - 1806), The Muleteer Attacking Don Quixote
Jean-Honora© Fragonard (French, 1732 - 1806), The Muleteer Attacking Don Quixote as He Lies Helpless on the Ground, 1780s, brush with brown and gray washes over black chalk on laid paper

Jean-Honora Fragonard, Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica
Jean-Honora© Fragonard, Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, French, 1732 - 1806, c. 1795, black chalk with brown wash and touches of pen andbrown ink on laid paper

Jean-Honora Fragonard, Don Quixote about to Strike the Helmet, French, 1732 - 1806
Jean-Honora© Fragonard, Don Quixote about to Strike the Helmet, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper, laid down

Jean-Honora Fragonard, Don Quixote Attacking the Biscayan, French, 1732 - 1806, 1780s
Jean-Honora© Fragonard, Don Quixote Attacking the Biscayan, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper

Jean-Honora Fragonard, Angelica Is Exposed to the Orc, French, 1732 - 1806, 1780s
Jean-Honora© Fragonard, Angelica Is Exposed to the Orc, French, 1732 - 1806, 1780s, black chalk with brown and gray wash on laid paper

Jean-Honora Fragonard, A Stand of Cypresses in an Italian Park, French, 1732 - 1806, c
Jean-Honora© Fragonard, A Stand of Cypresses in an Italian Park, French, 1732 - 1806, c. 1760, red chalk on laid paper

Jean-Honore Fragonard, Love the Sentinel, French, 1732-1806, c. 1773-1776, oil on canvas
Jean-Honora© Fragonard, Love the Sentinel, French, 1732 - 1806, c. 1773-1776, oil on canvas

Jean-Honora Fragonard, Don Quixote Defeated by the Windmill, French, 1732 - 1806
Jean-Honora© Fragonard, Don Quixote Defeated by the Windmill, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper

Jean-Honora Fragonard, Bradamante Tries to Catch Hold of the Hippogryph [recto]
Jean-Honora© Fragonard, Bradamante Tries to Catch Hold of the Hippogryph [recto], French, 1732 - 1806, 1780s, black chalk with brown and gray wash on laid paper

Oh! If Only He Were as Faithful to Me; Jean-Honore Fragonard, French, 1732 - 1806; France, Europe; about 1770 - 1775; Black chalk and brush with brown wash over black chalk; 24.8 x 38.4 cm

Ruins of an Imperial Palace, Rome; Jean-Honore Fragonard, French, 1732 - 1806; 1759; Red chalk on cream-colored paper; 33.5 x 47.6 cm (13 3/16 x 18 3/4 in.)

Making Fritters (Les Beignets); Jean-Honore Fragonard, French, 1732 - 1806; France, Europe; about 1782; Brush and brown ink over graphite; 24.6 x 37.5 cm (9 11/16 x 14 3/4 in.)

Jean-Honore Fragonard, Diana and Endymion, French, 1732-1806, c. 1753-1756, oil on canvas

The Three Graces. Jean-Honore Fragonard (1732-1806) French painter

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Jean-Honoré Fragonard, a renowned artist of the 18th century, captivated audiences with his exquisite paintings that showcased his mastery in capturing beauty and emotion. One of his most famous works, "The Swing, " painted around 1767, is an enchanting depiction of love and playfulness. With delicate brushstrokes and vibrant colors, Fragonard immortalized this moment of joy as a young woman gracefully swings while her admirer gazes at her from below. In "Girl Playing with a Dog and a Cat, " believed to be Marie-Madeline Colombe, Fragonard showcases his ability to capture innocence and tenderness. The oil on canvas painting portrays the pure bond between animals and humans through the girl's gentle interaction with her furry companions. "The Fountain of Love" transports us into a world filled with romance and desire. Painted in the 1780s, this masterpiece captures the essence of passion as couples gather around a fountain adorned with cherubs symbolizing love's eternal nature. Fragonard's talent extended beyond traditional paintings; he also excelled in sketching. In "Six Putti at Play, " Two Holding Up a Cage, " drawn using red chalk, he reveals his skill in capturing movement and whimsy within these playful figures. Through his artistry, Fragonard personified various forms of artistic expression such as literature, painting, sculpture, and music. Each canvas tells its own story: "Personification of Literature" brings words to life; "Personification of Painting" unveils the magic behind creating visual masterpieces; "Personification of Sculpture" breathes life into stone; while "Personification of Music" resonates melodiously through harmonious strokes. Fragonard's versatility shines through in pieces like "Les Blanchisseuses à la Fontaine. " This oil on canvas artwork depicts washerwomen by a fountain—a glimpse into everyday life transformed into a captivating scene through the artist's skillful brushwork.