Jean Ignace Isidore Gerard Collection (#2)

Children, Obey Me, Do Not Play With Those Weapons, April 1834

The People Delivered to the Vampire Taxes, May 1833. Creators: Jean Ignace Isidore Gerard
The People Delivered to the Vampire Taxes, May 1833

Dantanorama Museum, 1835. Creators: Jean Ignace Isidore Gerard, Lependry, Charles Ramelet
Dantanorama Museum, 1835

Les Fleurs Animees, 1867. Creator: Charles-Michel Geoffroy
Les Fleurs Animees, 1867

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passee par la caricature le 30 Octobre 1832), October 1832

Another world. Transformations, visions, incarnations, ascensions, locomotions?, metamorphoses
Another world. Transformations, visions, incarnations, ascensions, locomotions, metamorphoses, apotheoses and some other things, 1844 (1947). From The Art of the French Book, edited by Andre Lejard

The Cards from The Complete Works of Beranger, 1836

The Beadle from The Complete Works of Beranger, 1836. Creator: Theodore Maurisset
The Beadle from The Complete Works of Beranger, 1836

The Attic from The Complete Works of Beranger, 1836. Creator: Cherrier
The Attic from The Complete Works of Beranger, 1836

Psara from The Complete Works of Beranger, 1836. Creator: Auguste Raffet
Psara from The Complete Works of Beranger, 1836

Not only can the Parisian engage in a strengthening exercise; but he acquires the safety of the foot, the glance and the intrepidity of the mountaineer. from the Little Miseries of Human Life, 1843

Mr. Judas from The Complete Works of Beranger, 1836. Creator: Theodore Maurisset
Mr. Judas from The Complete Works of Beranger, 1836

My new master from Scenes from the Private and Public Life of Animals, ca. 1837-47

My cure from The Complete Works of Beranger, 1836. Creator
My cure from The Complete Works of Beranger, 1836

My Coat from The Complete Works of Beranger, 1836. Creator: John Thompson
My Coat from The Complete Works of Beranger, 1836

Memories of the People from The Complete Works of Beranger, 1836

Jeannette from The Complete Works of Beranger, 1836. Creator: John Thompson
Jeannette from The Complete Works of Beranger, 1836

Jeanne, the Redhead from The Complete Works of Beranger, 1836

Jean of Paris from The Complete Works of Beranger, 1836

It is good that he coaxes and flatters her in front of her husband. from the Little Miseries of Human Life, 1843

Jacobs Ladder from The Complete Works of Beranger, 1836. Creator: John Thompson
Jacobs Ladder from The Complete Works of Beranger, 1836

I saw a wolf standing guard from Scenes from the Private and Public Life of Animals, ca. 1837-47

I ordinarily opened the ball with the prettiest villager from Scenes from the Private and Public Life of Animals, ca. 1837-47

I left as the Attorney-General of Moinraux in Paris from Scenes from the Private and Public Life of Animals, ca. 1837-47

I had come to London to see a royal, but I only saw the back of another persons head. from the Little Miseries of Human Life, 1843

Away from all help and without pants, on some deserted shore from the Little Miseries of Human Life, 1843

Here is one who mends by nicely biting from Scenes from the Private and Public Life of Animals, ca. 1837-47

He rose like those small sea monsters that decorate the fountains. from the Little Miseries of Human Life, 1843

He was only waiting to make fun of the pursuer and the pursuit from the Little Miseries of Human Life, 1843

He gets up, covered from head to toe in snow. from the Little Miseries of Human Life, 1843

As the last grains of powder fall into the palm of his blackened hand, a superb hare... from the Little Miseries of Human Life, 1843

He buys the right to defeat me at his ease with a successful shot. from the Little Miseries of Human Life, 1843

Goodbye, Chansons from The Complete Works of Beranger, 1836

A Stork was called to the presidency... from Scenes from the Private and Public Life of Animals, ca. 1837-47

A provincial family was forced to pay a high price for an insignificant show. from the Little Miseries of Human Life, 1843

Pointing me to the evidence of my crime with his cane. from the Little Miseries of Human Life, 1843

Damned Springtime from The Complete Works of Beranger, 1836. Creator: John Thompson
Damned Springtime from The Complete Works of Beranger, 1836

Nebuchadnezzar from The Complete Works of Beranger, 1836. Creator: John Thompson
Nebuchadnezzar from The Complete Works of Beranger, 1836

Louis XI from The Complete Works of Beranger, 1836. Creator: John Thompson
Louis XI from The Complete Works of Beranger, 1836

Jacques from The Complete Works of Beranger, 1836. Creator
Jacques from The Complete Works of Beranger, 1836

Infinitely Small from The Complete Works of Beranger, 1836

I was deprived of the happiness to pick it up... I saw a hundred times an agile rival offer it smiling to our common goddess. from the Little Miseries of Human Life, 1843

His son, who looked like him in every way... from Scenes from the Private and Public Life of Animals, ca. 1837-47

He had only his beautiful colors... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Dog in doghouse; cock singing at window, ca. 1842. Creator: Jean Ignace Isidore Gerard
Dog in doghouse; cock singing at window, ca. 1842

De Profundis from The Complete Works of Beranger, 1836

As the new Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom. from the Little Miseries of Human Life, 1843

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Jean Ignace Isidore Gerard, also known as Grandville, was a prolific French artist and caricaturist who left an indelible mark on the art world. His works spanned various genres and mediums, showcasing his immense talent and creativity. In "Metamorphoses of the Day" (1829), Gerard invites us to ponder upon the expedition unfolding before our eyes. With intricate details and vivid colors, he captures the essence of this transformative journey, leaving us in awe of his artistic prowess. Through "Les Fleurs Animees" (1847), Gerard brings flowers to life, personifying them with human characteristics. In "Nenuphar, " we witness a delicate water lily gracefully blooming under Geoffroy's brush strokes. The enchanting beauty portrayed in this artwork is truly mesmerizing. Gerard's involvement in mythological themes is evident in his masterpiece "Judgement of Paris" (1829-31). This captivating piece depicts the iconic moment when Paris must decide which goddess deserves the golden apple. Langlumé's skillful execution transports us back to ancient times, immersing us in Greek mythology. With a touch of humor, Gerard portrays everyday situations that resonate with all of us. In "Jerome Paturot" (1846), he illustrates comical scenes from Louis Reybaud's novel that highlight societal quirks and misfortunes we can all relate to. Amidst these light-hearted depictions lies deeper social commentary. Through works like "Scenes from the Private and Public Life of Animals, " Gerard sheds light on injustices faced by society's marginalized members. These thought-provoking pieces challenge our perceptions while urging us towards empathy and understanding. Gerard's versatility shines through even further with his illustrations for Beranger's complete works (1836). From clowns to political satire, each drawing showcases his ability to capture emotion and convey powerful messages through his art.