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Jmw Turner Collection (page 5)

JMW Turner, a renowned English artist of the 19th century, captivated audiences with his breathtaking landscapes and evocative seascapes

Background imageJmw Turner Collection: Inverary Pier, Loch Fyne: Morning, ca. 1845. Creator: JMW Turner

Inverary Pier, Loch Fyne: Morning, ca. 1845. Creator: JMW Turner
Inverary Pier, Loch Fyne: Morning; Inverary Pier, Loch Shira; Monte Rosa; Monte Rosa; Mortlake, ca. 1845

Background imageJmw Turner Collection: Upright Landscape, ca. 1830. Creator: Unknown

Upright Landscape, ca. 1830. Creator: Unknown
Upright Landscape, ca. 1830. Formerly attributed to Joseph Mallord William Turner, and Peter DeWint

Background imageJmw Turner Collection: Tantallon Castle (?), a study, ca. 1830. Creator: Unknown

Tantallon Castle (?), a study, ca. 1830. Creator: Unknown
Tantallon Castle (?), a study, ca. 1830. Formerly attributed to Joseph Mallord William Turner, and Peter DeWint

Background imageJmw Turner Collection: Yacht Racing on the Solent, ca. 1827. Creator: Unknown

Yacht Racing on the Solent, ca. 1827. Creator: Unknown
Yacht Racing on the Solent, ca. 1827. Formerly attributed to Joseph Mallord William Turner and Peter DeWint

Background imageJmw Turner Collection: Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, 1818

Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, 1818

Background imageJmw Turner Collection: Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight, 1799. Creator: JMW Turner

Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight, 1799. Creator: JMW Turner
Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight; Harlech Castle, from Twgwyn Ferry, Summers Evening Twilight, 1799

Background imageJmw Turner Collection: La locomotive, 1873. Creator: Felix Bracquemond

La locomotive, 1873. Creator: Felix Bracquemond
La locomotive, 1873. [After Turners Rain, Steam and Speed]

Background imageJmw Turner Collection: Boats Carrying Out Anchors to the Dutch Men of War, c. 1804. Creator: JMW Turner

Boats Carrying Out Anchors to the Dutch Men of War, c. 1804. Creator: JMW Turner
Boats Carrying Out Anchors to the Dutch Men of War, c. 1804

Background imageJmw Turner Collection: The Evening of the Deluge, c. 1843. Creator: JMW Turner

The Evening of the Deluge, c. 1843. Creator: JMW Turner
The Evening of the Deluge, c. 1843

Background imageJmw Turner Collection: Rotterdam Ferry-Boat, 1833. Creator: JMW Turner

Rotterdam Ferry-Boat, 1833. Creator: JMW Turner
Rotterdam Ferry-Boat, 1833

Background imageJmw Turner Collection: Approach to Venice, 1844. Creator: JMW Turner

Approach to Venice, 1844. Creator: JMW Turner
Approach to Venice, 1844

Background imageJmw Turner Collection: The Junction of the Thames and the Medway, 1807. Creator: JMW Turner

The Junction of the Thames and the Medway, 1807. Creator: JMW Turner
The Junction of the Thames and the Medway, 1807

Background imageJmw Turner Collection: Mortlake Terrace, 1827. Creator: JMW Turner

Mortlake Terrace, 1827. Creator: JMW Turner
Mortlake Terrace, 1827

Background imageJmw Turner Collection: Venice: The Dogana and San Giorgio Maggiore, 1834. Creator: JMW Turner

Venice: The Dogana and San Giorgio Maggiore, 1834. Creator: JMW Turner
Venice: The Dogana and San Giorgio Maggiore, 1834

Background imageJmw Turner Collection: The Dogana and Santa Maria della Salute, Venice, 1843. Creator: JMW Turner

The Dogana and Santa Maria della Salute, Venice, 1843. Creator: JMW Turner
The Dogana and Santa Maria della Salute, Venice, 1843

Background imageJmw Turner Collection: Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, pa

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, part XIII, plate 62), January 1, 1819

Background imageJmw Turner Collection: Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819. Creator: JMW Turner

Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819. Creator: JMW Turner
Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819

Background imageJmw Turner Collection: The Source of the Arvaron in the Valley of Chamouni, Savoy (Liber Studiorum, pa

The Source of the Arvaron in the Valley of Chamouni, Savoy (Liber Studiorum, part XII, plate 60), January 1, 1816

Background imageJmw Turner Collection: The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63), January 1, 1819

The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63), January 1, 1819

Background imageJmw Turner Collection: Bonneville, Savoy (Liber Studiorum, part XIII, plate 64), January 1, 1819

Bonneville, Savoy (Liber Studiorum, part XIII, plate 64), January 1, 1819

Background imageJmw Turner Collection: Inverary Castle and Town, Scotland (Liber Studiorum, part XIII, plate 65), January 1

Inverary Castle and Town, Scotland (Liber Studiorum, part XIII, plate 65), January 1, 1816

Background imageJmw Turner Collection: Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part X

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819

Background imageJmw Turner Collection: Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819. Creator: JMW Turner

Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819. Creator: JMW Turner
Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819

Background imageJmw Turner Collection: Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819

Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819

Background imageJmw Turner Collection: Interior of a Church (Liber Studiorum, part XIV, plate 70), January 1, 1819

Interior of a Church (Liber Studiorum, part XIV, plate 70), January 1, 1819

Background imageJmw Turner Collection: Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819

Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819

Background imageJmw Turner Collection: Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813-23

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813-23

Background imageJmw Turner Collection: Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811. Creator: JMW Turner

Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811. Creator: JMW Turner
Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811

Background imageJmw Turner Collection: Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816

Background imageJmw Turner Collection: Berry Pomeroy Castle (Liber Studiorum, part XII, plate 58), January 1, 1816

Berry Pomeroy Castle (Liber Studiorum, part XII, plate 58), January 1, 1816

Background imageJmw Turner Collection: Entrance of Calais Harbour (Liber Studiorum, part XI, plate 55), January 1, 1816

Entrance of Calais Harbour (Liber Studiorum, part XI, plate 55), January 1, 1816

Background imageJmw Turner Collection: Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816. Creator: JMW Turner

Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816. Creator: JMW Turner
Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816

Background imageJmw Turner Collection: Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814

Background imageJmw Turner Collection: Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816

Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816

Background imageJmw Turner Collection: Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812

Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812

Background imageJmw Turner Collection: River Wye (Liber Studiorum, part X, plate 48), May 23, 1812. Creator: JMW Turner

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812. Creator: JMW Turner
River Wye (Liber Studiorum, part X, plate 48), May 23, 1812

Background imageJmw Turner Collection: Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812

Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812

Background imageJmw Turner Collection: The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812

The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812

Background imageJmw Turner Collection: Calm (Liber Studiorum, part IX, plate 44), April 23, 1812. Creator: JMW Turner

Calm (Liber Studiorum, part IX, plate 44), April 23, 1812. Creator: JMW Turner
Calm (Liber Studiorum, part IX, plate 44), April 23, 1812

Background imageJmw Turner Collection: Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812

Background imageJmw Turner Collection: Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812

Background imageJmw Turner Collection: Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812

Background imageJmw Turner Collection: Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812

Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812

Background imageJmw Turner Collection: The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812

The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812

Background imageJmw Turner Collection: Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811

Background imageJmw Turner Collection: Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812. Creator: JMW Turner

Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812. Creator: JMW Turner
Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812

Background imageJmw Turner Collection: Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811

Background imageJmw Turner Collection: Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811

Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811




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JMW Turner, a renowned English artist of the 19th century, captivated audiences with his breathtaking landscapes and evocative seascapes. His masterpieces continue to inspire awe and admiration even today. One of his most iconic works is "The Fighting Temeraire" from 1839. In this painting, Turner beautifully captures the fading glory of a warship being towed away by a steam-powered tugboat. The contrast between the majestic vessel and the modern machinery symbolizes the passing of an era. In "Whitby" painted in 1824, Turner showcases his mastery in capturing light and atmosphere. The scene depicts the picturesque coastal town bathed in golden hues as sunlight dances on the water's surface. Turner also left behind a self-portrait from 1799, revealing glimpses into his own persona. With intense eyes and disheveled hair, he presents himself as an enigmatic figure immersed in artistic contemplation. His fascination with historical subjects can be seen in "Ulysses Deriding Polyphemus" from 1829 (1904). This dramatic piece portrays Ulysses taunting Cyclops while sailing away from danger—a testament to Turner's ability to bring ancient myths to life through vivid brushstrokes. Not limited to grand scenes, Turner captured smaller moments too. In "Shoeburyness Fisherman Hailing a Whitstable Hoy, " he immortalized everyday life along England's coastlines during that time period—showcasing fishermen at work against a backdrop of turbulent waves. Throughout his career, Turner often returned to Brinkburn Priory in Northumberland for inspiration. He depicted its ruins multiple times over several decades—an exploration of decay juxtaposed against nature's enduring beauty. Another notable artwork is "Crossing the Brook" created around 1815. Here we see serene countryside scenery where figures traverse a brook amidst lush greenery, showcasing Turner's ability to convey tranquility and harmony.