John Everett Collection (#2)

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

The North-West Passage, 1874 (1906). Artist: John Everett Millais
The North-West Passage, 1874 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Thomas Carlyle, 1877 (1906). Artist: John Everett Millais
Thomas Carlyle, 1877 (1906). Carlyle (1795-1881) was a Scottish, philosopher, historian and writer. From Cassells Illustrated History of England, Vol. VIII

Miss Eveleen Tennant, 1874 (1906). Artist: John Everett Millais
Miss Eveleen Tennant, 1874. After an original painting by Sir John Everett Millais (1829-1896). From The Connoisseur VOL. XIV, 1906

William Ewart Gladstone, taken from a series of cigarette cards, 1935
William Ewart Gladstone. From the painting by Sir John E. Millais, at the National Portrait Gallery. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas

Death the Reaper, 1895. Artist: P Naumann
Death the Reaper, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Autumn Leaves, 1895. Artist: Henry Macbeth-Raeburn
Autumn Leaves, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901

The studio of John Everett Millais, c1880-1882. A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co, London, c1880-1882

Forbidden Fruit, c1880-1882. Artist: Charles Waltner
Forbidden Fruit, c1880-1882. After the painting by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais
A Ruined Devotee of the Turf, c1880-1882. Facsimile of the original drawing by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Study for The Ransom, 1899. Artist: Andre & Sleigh
Study for The Ransom, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

The Boyhood of Raleigh, 1908-1909. Sir Walter Raleigh (1554-1618) was a famed English writer, poet, courtier and explorer

Sir Isumbras at the Ford, c19th century (1923). Artist: John Everett Millais
Sir Isumbras at the Ford, c19th century (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Saint Stephen, 1895 (1926). Artist: John Everett Millais
Saint Stephen, 1895 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

A study of a nude, 1913. Artist: John Everett Millais
A study of a nude, 1913. Attributed to Sir John Millais. Sir John Everett Millais, 1st Baronet, (1829-1896) was a British painter and illustrator

James Clarke Hook, British artist, c1880-1882. Artist: Otto Theodor Leyde
James Clarke Hook, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

The North West Passage, 1874 (c1880-1882). Artist: A Mongin
The North West Passage, 1874 (c1880-1882). A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

John Everett Millais, British artist, c1880-1882. Artist: Charles Waltner
John Everett Millais, British artist, c1880-1882. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

Youth, 19th century. Artist: John Everett Millais
Youth, 19th century

Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Artist: Cassell, Petter & Galpin
Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848

A Yeoman of the Guard, c1905. Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London, c1905). Original painting by Sir John Everett Millais

Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield
Walter William Ouless, portrait painter, 1880. He first exhibited at the Royal Academy in 1869. He was elected Associate of the Academy in 1877, and Royal Academician in 1881

JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. Artist: Lock & Whitfield
JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church

Speak! Speak!, 1895, (1912). Artist: John Everett Millais
Speak! Speak!, 1895, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Sir John Everett Millais, Pre-Raphaelite painter, (1899). Artist: E Stodart
Sir John Everett Millais, Pre-Raphaelite painter, (1899). An engraving from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881. Artist: John Everett Millais
Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881

The Bishop and the Knight, 1862. Artist: John Everett Millais
The Bishop and the Knight, 1862. The Knight kneels in penitence before the Bishop who, on hearing his sin, refuses to shrive him. From The Cornhill Magazine. (London, 1862)

Illustration for the poem Last Words by Owen Meredith, 1860. Artist: John Everett Millais
Illustration for the poem Last Words by Owen Meredith, 1860. Will watching and listening at his friends deathbed. Owen Meredith was the pseudonym of Edward Robert Bulwer Lytton (1831-1891)

John Everett Millais, British Pre-Raphaelite painter, c1880
John Everett Millais, British Pre-Raphaelite painter, c1870. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

Drawings Prints, Print, Foolish Virgins, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

Drawings Prints, Print, Bride Lammermoor, Publisher, Artist, Engraver, Knoedler Co
Drawings and Prints, Print, The Bride of Lammermoor, Publisher, Artist, Engraver, Publisher, After, Knoedler and Co. Sir John Everett Millais, Thomas Oldham Barlow, Thomas Agnew & Sons, Ltd

Drawings Prints, Print, Good Samaritan, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

CM18 6992 John Everett, Austin 7 Ulster Sport
John Everett, Austin 7 Ulster Sport, Standard & Modified Pre-war Sports Cars, VSCC, Formula Vintage, Round 1, Silverstone, April 2017, Silverstone, April 2017, April, Chris McEvoy, circuit racing

CM16 6293 John Everett, Austin 7 Ulster Sport
John Everett, Austin 7 Ulster Sport, VSCC, The Bob Gerard Memorial Trophy, Mallory Park, September 24th 2016. cars, Chris McEvoy, circuit racing, cjm-photography, classic cars, historic cars

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John Everett Millais was a renowned British artist who lived from 1829 to 1896. He is widely recognized for his exceptional talent and contribution to the Pre-Raphaelite Brotherhood, an influential art movement in the Victorian era. One of his notable works is "My First Sermon, " painted in 1863. This masterpiece depicts a young girl listening intently to her first sermon, capturing the innocence and curiosity of youth. In a similar vein, "My Second Sermon" (1864) showcases another child engrossed in religious contemplation. Millais also portrayed prominent figures of his time, such as John Ruskin, a leading art critic and philosopher. His portrait of Ruskin completed between 1853-1854 reveals Millais' skill in capturing intricate details and conveying personality through brushstrokes. The artist's versatility shines through various subjects he explored throughout his career. For instance, "Sir Isumbras at the Ford" (1857) portrays an Arthurian legend with vivid colors and meticulous attention to detail. On the other hand, "Autumn Leaves" (1856) captures a group of young women amidst falling leaves, symbolizing transience and change. In addition to these captivating pieces, Millais created artworks inspired by literature like Anthony Trollope's novel Framley Parsonage ("Scene from Framley Parsonage, " 1860). This painting brings fictional characters to life with its rich storytelling quality. "The Blind Girl" (1856), one of Millais' most celebrated works, depicts a blind beggar girl accompanied by her sister. The emotional depth conveyed through their expressions evokes empathy from viewers. Another remarkable creation is "Ophelia" (1851-2), based on Shakespeare's play Hamlet. This iconic piece showcases Millais' mastery over nature as he meticulously renders every leaf floating on water while portraying Ophelia's tragic demise. Millais' artistic prowess extended beyond paintings.