John Rewald Collection

The Orchard, 1879, (1939). Creator: Camille Pissarro
The Orchard, 1879, (1939). Jardin potager a l Hermitage. Pontoise. Kitchen garden at the Hermitage, Pontoise, northern France. Painting in the Musee d Orsay, Paris

Landscape in Arles near the Alyscamps, 1888 (1939). Artist: Paul Gauguin
Landscape in Arles near the Alyscamps, 1888 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald

The Red Roofs, 1877, (1939). Creator: Camille Pissarro
The Red Roofs, 1877, (1939). Les toits rouges, coin de village, effet d hiver. Red roofs, corner of a village, winter. Bare trees in a French village. Painting in the Musee d Orsay, Paris

Kitchen-Garden with Flowering Fruit-Trees, 1877, (1939). Creator: Camille Pissarro
Kitchen-Garden with Flowering Fruit-Trees, 1877, (1939). Printemps. Pruniers en fleurs. Spring. Plum trees in blossom. Painting in the Musee d Orsay, Paris

Landscape at Eragny, 1897, (1939). Creator: Camille Pissarro
Landscape at Eragny, 1897, (1939). Paysage a Eragny. Cows grazing outside a village in northern France. Painting in the Musee d Orsay, Paris. From " Camille Pissarro", by John Rewald

The Harvest, 1876, (1939). Creator: Camille Pissarro
The Harvest, 1876, (1939). La moisson. Crops in a field in France. Painting in the Musee d Orsay, Paris. From " Camille Pissarro", by John Rewald. [Collins, London, 1939]

The Road, 1870, (1939). Creator: Camille Pissarro
The Road, 1870, (1939). La route de Louveciennes. Autumn scene at Louveciennes in northern France. Painting in the Musee d Orsay, Paris. From " Camille Pissarro", by John Rewald

Seated Peasant Woman, 1881, (1939). Creator: Camille Pissarro
Seated Peasant Woman, 1881, (1939). La bergere. The shepherdess. French peasant girl with a stick. Painting in the Musee d Orsay, Paris. From " Camille Pissarro", by John Rewald

Chaponval, 1880, (1939). Creator: Camille Pissarro
Chaponval, 1880, (1939). Paysage a Chaponval. Landscape at Chaponval in northern France. Painting in the Musee d Orsay, Paris. From " Camille Pissarro", by John Rewald

The Woodcutter, 1878, (1939). Creator: Camille Pissarro
The Woodcutter, 1878, (1939). Bords de l Oise, pres de Pontoise, temps gris. On the banks of the River Oise, near Pontoise, grey weather. Scene in northern France

The Entrance to a Village, 1872, (1939). Creator: Camille Pissarro
The Entrance to a Village, 1872, (1939). The entrance to the village of Voisins near Louveciennes in northern France. Painting in the Musee d Orsay, Paris

And the Gold of their Bodies, 1901 (1939). Artist: Paul Gauguin
And the Gold of their Bodies, 1901 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Tahitian Women on the Beach, 1891 (1939). Artist: Paul Gauguin
Tahitian Women on the Beach, 1891 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

The White Horse, 1898 (1939). Artist: Paul Gauguin
The White Horse, 1898 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Haere Mai, 1891 (1939). Artist: Paul Gauguin
Haere Mai, 1891 (1939). Found in the collection of the Guggenheim Museum. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium)

Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Artist: Paul Gauguin
Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Annah the Javanese (born 1880/81) was Gauguin?s lover and model

Still Life with Fruit, Brittany, 19th century (1939). Artist: Paul Gauguin
Still Life with Fruit, Brittany, 19th century (1939). Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)

Little Breton Boy with a Goose, 1889 (1939). Artist: Paul Gauguin
Little Breton Boy with a Goose, 1889 (1939). Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)

The Green Christ, 1889 (1939). Artist: Paul Gauguin
The Green Christ, 1889 (1939). Found in the collection of the Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium

Landscape in Brittany, 1888 (1939). Artist: Paul Gauguin
Landscape in Brittany, 1888 (1939). Found in the collection of the Indianapolis Museum of Art. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

La Belle Angele, 1889 (1939). Artist: Paul Gauguin
La Belle Angele, 1889 (1939). Found in the collection of the Musee d Orsay, Paris, France. The portrait depicts Madame Angele Satre, the Innkeeper at Pont-Aven

Self Portrait in a Hat, 1893-1894 (1939). Artist: Paul Gauguin
Self Portrait in a Hat, 1893-1894 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Portrait of an Old Man with a Stick, 1889-1890 (1939). Artist: Paul Gauguin
Portrait of an Old Man with a Stick, 1889-1890 (1939). Found in the collection of the Musee de la Ville de Paris. Plate taken from Gauguin, by John Rewald

Self Portrait with the Yellow Christ, 1889 (1939). Artist: Paul Gauguin
Self Portrait with the Yellow Christ, 1889 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald

For sale as Licensed Images

Choose your image, Select your licence and Download the media

John Rewald was a renowned art historian and critic who dedicated his life to studying and promoting the works of influential artists. Born in 1912, he developed a deep passion for art from an early age and went on to become one of the leading experts on Impressionism. Rewald's extensive research led him to discover and analyze numerous masterpieces by Camille Pissarro, a key figure in the Impressionist movement. He meticulously studied Pissarro's paintings such as "The Red Roofs" (1877) and "Kitchen-Garden with Flowering Fruit-Trees" (1877), appreciating their vibrant colors and exquisite brushwork. Another notable work that captivated Rewald was Pissarro's "Landscape at Eragny" (1897). This painting showcased the artist's ability to capture nature's beauty with remarkable precision, leaving viewers in awe of its serene atmosphere. "The Harvest" (1876) by Pissarro also caught Rewald's attention due to its depiction of rural life during that era. The painting portrayed farmers working diligently under the scorching sun, symbolizing their connection with the land. Rewald delved into various other aspects of Pissarro's oeuvre, exploring themes like landscapes ("The Road, " 1870), portraits ("Seated Peasant Woman, " 1881), village scenes ("Chaponval, " 1880), orchards ("The Orchard, " 1879), woodcutters ("The Woodcutter, " 1878), and village entrances ("The Entrance to a Village, " 1872). In addition to his studies on Pissarro, Rewald also admired Paul Gauguin’s artistic contributions. One particular piece that fascinated him was Gauguin’s "And the Gold of their Bodies" (1901). This artwork displayed Gauguin’s unique style characterized by bold colors and symbolic representations.