Joseph Constantine Collection

Stamford Lincolnshire, from Sketches from Nature, 1822. 1822
Stamford Lincolnshire, from " Sketches from Nature", 1822

The Tanfield Arch in 1804, (1945). Creator: Joseph Constantine Stadler
The Tanfield Arch in 1804, (1945). The Causey Arch near Stanley in County Durham is the worlds oldest surviving single arch railway bridge

Captain Bowling introduced to Narcissa, May 12, 1800. May 12, 1800
Captain Bowling introduced to Narcissa, May 12, 1800

Temple at Strawberry Hill, from Sketches from Nature, 1822. 1822
Temple at Strawberry Hill, from " Sketches from Nature", 1822

The Seat of M. Mitchell Esq. Hengar, Cornwall, from Sketches from Nature"
The Seat of M. Mitchell Esq. Hengar, Cornwall, from " Sketches from Nature", 1822

A View near Richmond, from Sketches from Nature, 1822. 1822
A View near Richmond, from " Sketches from Nature", 1822

Village of St. Udy, Cornwall, from Sketches from Nature, 1822. 1822
Village of St. Udy, Cornwall, from " Sketches from Nature", 1822

White Lion Inn. Ponders End, Middlesex, from Sketches from Nature, 1822
White Lion Inn. Ponders End, Middlesex, from " Sketches from Nature", 1822

Fowey, Cornwall, from Sketches from Nature, 1822. 1822
Fowey, Cornwall, from " Sketches from Nature", 1822

A View in Devonshire, from Sketches from Nature, 1822. 1822
A View in Devonshire, from " Sketches from Nature", 1822

A View of Camelford, Cornwall, from Sketches from Nature, 1822. 1822
A View of Camelford, Cornwall, from " Sketches from Nature", 1822

Rodericks Examination at Surgeons Hall, May 12, 1800. May 12, 1800
Rodericks Examination at Surgeons Hall, May 12, 1800

Sea Bathing, from Poetical Sketches of Scarborough, 1813. 1813
Sea Bathing, from " Poetical Sketches of Scarborough", 1813

The Sands, from Poetical Sketches of Scarborough, 1813. 1813
The Sands, from " Poetical Sketches of Scarborough", 1813

Widow Ducker & Her Nymphs, from Poetical Sketches of Scarborough, 1813
Widow Ducker & Her Nymphs, from " Poetical Sketches of Scarborough", 1813

The Post Office, from Poetical Sketches of Scarborough, 1813. 1813
The Post Office, from " Poetical Sketches of Scarborough", 1813

The Departure, from Poetical Sketches of Scarborough, 1813. 1813
The Departure, from " Poetical Sketches of Scarborough", 1813

Spa Terrace, from Poetical Sketches of Scarborough, 1813. 1813
Spa Terrace, from " Poetical Sketches of Scarborough", 1813

Wet Quakers, from Poetical Sketches of Scarborough, 1813. 1813
Wet Quakers, from " Poetical Sketches of Scarborough", 1813

The Ball Room, from Poetical Sketches of Scarborough, 1813. 1813
The Ball Room, from " Poetical Sketches of Scarborough", 1813

Cornelian Bay, from Poetical Sketches of Scarborough, 1813. 1813
Cornelian Bay, from " Poetical Sketches of Scarborough", 1813

The Warm Bath, from Poetical Sketches of Scarborough, 1813. 1813
The Warm Bath, from " Poetical Sketches of Scarborough", 1813

The Terrace, from Poetical Sketches of Scarborough, 1813. 1813
The Terrace, from " Poetical Sketches of Scarborough", 1813

Boot & Shoe Shop, from Poetical Sketches of Scarborough, 1813. 1813
Boot & Shoe Shop, from " Poetical Sketches of Scarborough", 1813

Shower Bath, from Poetical Sketches of Scarborough, 1813. 1813
Shower Bath, from " Poetical Sketches of Scarborough", 1813

The Church, from Poetical Sketches of Scarborough, 1813. 1813
The Church, from " Poetical Sketches of Scarborough", 1813

The Castle, from Poetical Sketches of Scarborough, 1813. 1813
The Castle, from " Poetical Sketches of Scarborough", 1813

A Trip to Scarbro, from Poetical Sketches of Scarborough, 1813. 1813
A Trip to Scarbro, from " Poetical Sketches of Scarborough", 1813

View of Dawlish from the West Cliff, 1817, (1943). Creator: Joseph Constantine Stadler
View of Dawlish from the West Cliff, 1817, (1943). The town of Dawlish on the south coast of Devon. From " English Cities and Small Towns", by John Betjeman. [Collins, London, 1943]

The Departure, 1813. Creators: Joseph Constantine Stadler, Thomas Rowlandson
The Departure, 1813. Tourists loading luggage onto a carriage in the rain as they leave their lodging house in Scarborough, Yorkshire

The White Lily, c1800, (1948). Creator: Joseph Constantine Stadler
The White Lily, c1800, (1948). From " The Saturday Book", Eighth Year, edited by Leonard Russell. [Hutchinson, London, 1948]

View of Streatley and Goring in Berkshire and Oxfordshire, 1793. The two vilages stand on opposite banks of the Thames

View of Reading from Caversham, Berkshire, 1793. Artist: Joseph Constantine Stadler
View of Reading from Caversham, Berkshire, 1793

Wallingford, Berkshire, 1790. Artist: Joseph Constantine Stadler
Wallingford, Berkshire, 1790. Wallingford Bridge, a 900 foot long medieval bridge over the Thames, is on the right

View of Abingdon from Nuneham Park, Berkshire, 1793. Artist: Joseph Constantine Stadler
View of Abingdon from Nuneham Park, Berkshire, 1793

The Hans-Town Association exercising at their ground in Knightsbridge, London, 1799

Westminster Bridge, Westminster Abbey and Westminster Hall, London, 1789. View with boats on the River Thames

Green Park, Westminster, London, 1814. Artist: Joseph Constantine Stadler
Green Park, Westminster, London, 1814. View of the Grand Pavillion, showing the Temple of Concord erected for the 1814 peace celebrations, with figures walking in the park

Meuxs Brewery, Tottenham Court Road, London, c1830. Artist: Joseph Constantine Stadler
Meuxs Brewery, Tottenham Court Road, London, c1830. View with a street scene including carts carrying barrels and a family possibly purchasing wares from a street seller

The Admiralty, Whitehall, Westminster, London, 1818. Artist: Joseph Constantine Stadler
The Admiralty, Whitehall, Westminster, London, 1818

Fleet Street from St Dunstan in the West to Temple Bar, City of London, 1802. Artist
Fleet Street from St Dunstan in the West to Temple Bar, City of London, 1802. View showing figures and horse-drawn traffic in the street, and the shop of Ebenezer and James Clark

Custom House, City of London, 1817. Artist: Joseph Constantine Stadler
Custom House, City of London, 1817. South view of the new Custom House, with figures on the waterside and boats on the water

Interior view of St Lukes Hospital, Old Street, Finsbury, London, 1809. Artist
Interior view of St Lukes Hospital, Old Street, Finsbury, London, 1809. Showing caricatures of the patients and staff

Interior view of Dr Fishers apartments, Charterhouse, Finsbury, London, 1816

Old London Bridge, 1795. Artist: Joseph Constantine Stadler
Old London Bridge, 1795. View of old London Bridge, St Magnus the Martyr and the Monument from the south west with boats on the River Thames

Blackfriars Bridge, London, 1795. Artist: Joseph Constantine Stadler
Blackfriars Bridge, London, 1795. View of Blackfriars Bridge from Somerset Place with boats on the River Thames and figures on the riverbank. The bridge, designed by Robert Mylne, opened in 1769

View of Greenwich, London, 1795. Artist: Joseph Constantine Stadler
View of Greenwich and the River Thames behind, London, 1795

The River Thames at Battersea, London, 1795. Artist: Joseph Constantine Stadler
The River Thames at Battersea, London, 1795. View of Battersea, the River Thames and Chelsea from East Wandsworth, showing farm animals and the surrounding countryside

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Joseph Constantine was a talented artist known for his detailed sketches of various landscapes and architectural structures. Born in Stamford, Lincolnshire, his passion for art led him to create stunning depictions of the world around him. One of his notable works is "The Tanfield Arch, " which showcases the impressive architecture from 1804. With intricate details and precise lines, Constantine captured the beauty of this historical landmark. In another piece titled "Captain Bowling introduced to Narcissa, " he portrayed a captivating scene that took place on May 12th, 1800. Through his skilled brushstrokes, he brought this moment to life with vivid colors and expressive characters. Constantine's talent extended beyond people and events; he also depicted various natural wonders such as the Temple at Strawberry Hill. His sketch from 1822 beautifully captures the serenity and grandeur of this iconic structure. "The Seat of M. Mitchell Esq. , Hengar" transports viewers to Cornwall through Constantine's artwork. The attention to detail in this piece allows us to immerse ourselves in the picturesque landscape surrounding Mr. Mitchell's estate. From Richmond to St. Udy Village, Constantine's sketches offer glimpses into different parts of England during the early nineteenth century. Each drawing tells its own story, showcasing both rural charm and urban life like at White Lion Inn in Ponders End or Fowey Harbor in Cornwall. Devonshire comes alive through Constantine's eyes with "A View in Devonshire. " The rolling hills and quaint cottages evoke a sense of tranquility that can only be found within nature itself. Lastly, "A View of Camelford" takes us back once again to Cornwall as we witness its rugged beauty captured by Joseph Constantine's masterful handiwork. Through these sketches from nature created between 1822-1945 (and one dated May 12th, 1800), Joseph Constantine's artistic prowess shines.