Joseph Mallord William Turner Collection (#9)

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

The Splugen Pass, c1841, (1938). Artist: JMW Turner
The Splugen Pass, c1841, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Forum Romanum, 1818, (1938). Artist: JMW Turner
Forum Romanum, 1818, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Linlithgow Palace, Scotland, c1810, (1938). Artist: JMW Turner
Linlithgow Palace, Scotland, c1810, (1938). Painting held at the Walker Art Gallery, Liverpool. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Letter from JMW Turner, c1840 (1904). Artist: JMW Turner
Letter from JMW Turner, c1840 (1904). Joseph Mallord William Turner (1775-1851) English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

A Swiss Lake, 1909. Artist: JMW Turner
A Swiss Lake, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Venice: Casa Grimani and the Rialto, 1909. Artist: JMW Turner
Venice: Casa Grimani and the Rialto. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Joseph Mallord William Turner, 1775 - 1851, also known as J. M. W. Turner and William Turner. English Romantic painter, printmaker and watercolourist

Egremont Castle Cumberland Joseph Mallord William Turner
Egremont Castle, Cumberland. Joseph Mallord William Turner (British, 1775-1851). Ink and wash;

Flüelen Lake Lucerne 1845 Joseph Mallord William Turner
Fluelen, from the Lake of Lucerne, 1845. Joseph Mallord William Turner (British, 1775-1851). Watercolor with gouache and scratch-away; sheet: 29.2 x 47.9 cm (11 1/2 x 18 7/8 in.)

Acropolis Pnyx Athens Greece Joseph Mallord William Turner
The Acropolis from the Pnyx, Athens, Greece. Joseph Mallord William Turner (British, 1775-1851). Brown wash and white heightening on gray paper; sheet: 26.5 x 36.5 cm (10 7/16 x 14 3/8 in.)

Napoleons Logement Quai Conti 1835 John Horsburgh
Napoleons Logement, Quai Conti, 1835. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving

Napoleons Logement Quai Conti 1836 John Horsburgh
Napoleons Logement, Quai Conti, 1836. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving

Liber Studorium Ben Arthur Scotland 1818 Thomas Guff Lupton
Liber Studorium: Ben Arthur, Scotland, c. 1818. Thomas Guff Lupton (British, 1791-1873), Drawn, etched, and published by Joseph Mallord William Turner, after Joseph Mallord William Turner (British)

Mt Rigi Dawn 1910 Frank Short British 1857-1945
Mt. Rigi at Dawn, 1910. Frank Short (British, 1857-1945), after Joseph Mallord William Turner (British, 1775-1851). Mezzotint on chine colle; sheet: 47.6 x 60.5 cm (18 3/4 x 23 13/16 in.); image

Little Devils Bridge 1886 Frank Short British
Little Devils Bridge, 1886. Frank Short (British, 1857-1945), Robert Dunthorne, London, after Joseph Mallord William Turner (British, 1775-1851)

Lost Sailor 1896 Frank Short British 1857-1945
The Lost Sailor, 1896. Frank Short (British, 1857-1945), after Joseph Mallord William Turner (British, 1775-1851). Mezzotint; sheet: 24.8 x 34 cm (9 3/4 x 13 3/8 in.); platemark

Moonlight Medway Chatham 1920 Frank Short British
Moonlight on the Medway at Chatham, 1920. After Frank Short (British, 1857-1945), Joseph Mallord William Turner (British, 1775-1851)

Ben Arthur Scotland 1884 Frank Short British
Ben Arthur, Scotland, 1884. Frank Short (British, 1857-1945), after Joseph Mallord William Turner (British, 1775-1851). Etching printed in brown; sheet

Stonehenge Daybreak 1897 Frank Short British
Stonehenge at Daybreak, 1897. Frank Short (British, 1857-1945), after Joseph Mallord William Turner (British, 1775-1851). Mezzotint

Joseph Mallord William Turner, 1775 A

View London Greenwich 1825 Watercolor ink traces
Artokoloro

Chatel Argent Val d Aosta Villeneuve 1836 Watercolor
Artokoloro

Fort L Essillon Val de la Maurienne France 1836
Artokoloro

Joseph Mallord William Turner and J. C. Easling, British (active 1812-1833), Saint
Joseph Mallord William Turner and J.C. Easling, British (active 1812-1833), Saint Catherines Hill Near Guilford, 1811, etching and mezzotint

Joseph Mallord William Turner and Thomas Hodgetts, British (1775-1851), Ville de Thun, published 1816, etching and mezzotint

Joseph Mallord William Turner and Thomas Goff Lupton, British (1775-1851), Solway Moss, published 1816, etching and mezzotint

Joseph Mallord William Turner and Samuel William Reynolds I (British, 1775 - 1851), The Woman of Samaria, published 1819, etching and mezzotint

Joseph Mallord William Turner and William Say, British (1768-1834), Tenth Plague of Egypt
Joseph Mallord William Turner and William Say (British, 1768 - 1834), Tenth Plague of Egypt, published 1816, etching and mezzotint

Joseph Mallord William Turner and Henry Edward Dawe (British, 1775 - 1851), The Source of the Arveron, published 1816, etching and mezzotint

Joseph Mallord William Turner and George Clint (British, 1770 - 1854), Procris and Cephalus, published 1812, etching and mezzotint

Joseph Mallord William Turner and Robert Dunkarton (British, 1775 - 1851), Water Mill, published 1812, etching and mezzotint

Joseph Mallord William Turner and W. T. Annis and J
Joseph Mallord William Turner and W.T. Annis and J.C. Easling (British, active early 19th century), The Mildmay Sea-Piece, published 1812, etching, mezzotint, and aquatint

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Joseph Mallord William Turner, one of the greatest British landscape painters, left an indelible mark on the art world with his breathtaking works. In "The Fighting Temeraire, " painted in 1839, Turner captures the poignant scene of a once-mighty warship being towed to its final resting place, symbolizing the end of an era. His mastery is further showcased in "Launceston" from 1909, where he skillfully portrays the tranquil beauty of a rural town. Turner's ability to depict maritime scenes shines through in "A First Rate Taking in Stores" from 1818 and "Shoeburyness Fisherman Hailing a Whitstable Hoy. " These paintings transport viewers to bustling harbors and evoke a sense of adventure on the open seas. Meanwhile, his historical piece "Ulysses Deriding Polyphemus" showcases his imagination as he brings ancient Greek mythology to life. Not limited to seascapes alone, Turner also captured architectural wonders like Brinkburn Priory in Northumberland and Boston Lincolnshire. Through these pieces, he demonstrates his keen eye for detail and ability to convey both grandeur and serenity simultaneously. In addition to landscapes and architecture, Turner also ventured into portraiture with his self-portrait created around 1841. This intimate glimpse into the artist's own visage allows us insight into his introspective nature. Whether it be capturing picturesque towns like Scarborough or exploring distant locales such as Portsmouth or Loch Fyne, Turner's work transports us across time and space. His use of light and color creates ethereal atmospheres that stir emotions within us all. Even today, JMW Turner continues to inspire artists worldwide with his innovative techniques and boundless creativity. His legacy lives on through these masterpieces that continue captivating audiences over centuries.