Joseph Mallord William Collection (page 4)

Bridges of St. Cloud and Sevres, c1835. Creator: J Radclyffe
Bridges of St. Cloud and Sevres, c1835. View of the French countryside, with bridges over the River Seine. Engraving after a watercolour. [Longman & Co, London]

Troyes, c1833, (mid-late 19th century). Creator: JC Armytage
Troyes, c1833, (mid-late 19th century). View of the town of Troyes on the River Seine in France. Engraving after a watercolour. [Longman & Co, London]

J. M. W. Turner, R. A. (1775-1851). Creator: Unknown
J.M.W. Turner, R.A. (1775-1851). Portrait print of British landscape painter Joseph Mallord William Turner, after a chalk drawing by Charles Turner made in 1842

Lucerne and the Righi: Early Dawn, c1840s, (c1900). Creator: Unknown
Lucerne and the Righi: Early Dawn, c1840s, (c1900). Sunrise over the mountain known as the Rigi, overlooking Lake Lucerne in Switzerland. Print after a painting by Joseph Mallord William Turner

Hornby Castle from Tatham Church, c1822. Creator: William Radclyffe
Hornby Castle from Tatham Church, c1822. Rural scene with cows and milkmaids. Hornby Castle in Yorkshire was a medieval (14th-15th century) courtyard castle

The Arsenal, c1840, (1925). Creator: JMW Turner
The Arsenal, c1840, (1925). Venice: An Imaginary View of the Arsenale, scene in Italy. The Venetian Arsenal was a complex of shipyards and armories, painting in the Tate Gallery, London

Venice-Canaletti Painting, c1833, (1925). Creator: JMW Turner
Venice-Canaletti Painting, c1833, (1925). Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting. 19th century view of Venice, Italy, painting in the Tate Gallery, London

Venice, 1840, (c1950). Creator: JMW Turner
Venice, 1840, (c1950). Venice from the Giudecca, painting in the Victoria & Albert Museum, London. Romantic and dream-like impression of the ancient Italian city

Cremorne, Chelsea, London, 1852. Artist: Wilson
Cremorne, Chelsea, London, 1852. View of Cremorne, showing the house (on the right) in which JMW Turner died

View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882

Hythe, Kent, 1824. Artist: JMW Turner
Hythe, Kent, 1824. View from a cliff top with infantrymen making their way uphill with cannon. A defensive gun emplacement sits in the foreground

Inside of Tintern Abbey, Monmouthshire, c1794. Artist: JMW Turner
Inside of Tintern Abbey, Monmouthshire, c1794. From the collection of the British Museum, London

The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

J. M. W. Turner, R. A. c1842, (1911). Artist: Charles Turner
J. M. W. Turner, R.A. c1842, (1911). Joseph Mallord William Turner (1775-1851) an English Romanticist landscape painter. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Hastings, 19th century, (1910). Artist: JMW Turner
Hastings, 19th century, (1910). Joseph Mallord William Turner, (1775-1851) was an English Romanticist landscape painter, renowned for his oil paintings

The approach to Venice, 1844, (1917). Artist: JMW Turner
The approach to Venice, 1844, (1917). Painting held at the National Gallery of Art, Washington. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Heidelberg With A Rainbow, c1840, (1917). Artist: JMW Turner
Heidelberg With A Rainbow, c1840, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

St. Germains, 1835. Artist: James BaylieAllen
St. Germains, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

View on the Seine, between Mantes and Vernon, 1837. Artist: Edward Paxman Brandard
View on the Seine, between Mantes and Vernon, 1837. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1837]

Bridge of St. Cloud from Sevres, 1835. Artist:s Fisher
Bridge of St. Cloud from Sevres, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

Melun, 1835. Artist:s Fisher
Melun, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

Saint Denis, 1835. Artist: William Miller
Saint Denis, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

JMW Turner, RA, (late 19th century). The celebrated landscape painter at work. From Cassells Illustrated History of England, Vol IX. (Colorised black and white print)

Winchelsea, Sussex, 1812, (1923). Artist: JMW Turner
Winchelsea, Sussex, 1812, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

The Clyde, c1807, (1923). Artist: JMW Turner
The Clyde, c1807, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

London from Greenwich Park, c1809, (1923). Artist: JMW Turner
London from Greenwich Park, c1809, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Heidelberg-Sunset, c1840, (1918). Artist: JMW Turner
Heidelberg-Sunset, c1840, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Plymouth, Devonshire, c1830. Artist: JMW Turner
Plymouth, Devonshire, c1830. From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

Drawing Room, Farnley, 1818. Artist: JMW Turner
Drawing Room, Farnley, 1818. Farnley Hall is a stately home in Farnley, North Yorkshire, England. From The Studio Volume 55, [London Offices of the Studio, London, 1912]

Devonshire Bridge with Cottage, 1813. Artist: JMW Turner
Devonshire Bridge with Cottage, 1813. Painting held at The Tate, London. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

Kirby Lonsdale Church Yard, 19th century. Artist: C Heath
Kirby Lonsdale Church Yard, 19th century. After an original painting of c1818 by JMW Turner

Abingdon, 19th century. Artist: C Cousen
Abingdon, 19th century. After an original painting of c1806 by JMW Turner

Heidelberg, 19th century. Artist: TA Prior
Heidelberg, 19th century. View of the German city of Heidelberg. After an original painting of c1844-c1845 by JMW Turner

The Opening of the Walhalla, 19th century. Artist: C Cousen
The Opening of the Walhalla, 19th century. A view of the River Danube near Regensburg, Bavaria, showing the Neoclassical Walhalla Temple on the riverbank

The Lake of Lucerne, 19th century. Artist: R Wallis
The Lake of Lucerne, 19th century. After an original painting by JMW Turner

Whitstable, Kent, 19th century. Artist: J Horsburgh
Whitstable, Kent, 19th century. View towards the town with people working on the oyster beds. After an original painting by JMW Turner

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Joseph Mallord William Turner, known as JMW Turner, was a renowned British artist who left an indelible mark on the art world. His works are characterized by their stunning use of light and color, capturing the essence of nature and human emotions. One of his most famous paintings is "The Fighting Temeraire, " created in 1839. This masterpiece depicts the majestic ship being towed to its final berth to be broken up. The contrast between the fading glory of the warship and the vibrant sunset symbolizes both progress and nostalgia. In "Whitby" from 1824, Turner portrays a picturesque coastal town with its iconic abbey ruins perched on cliffs overlooking the sea. The play of light on water creates a sense of tranquility that permeates this breathtaking scene. Turner's self-portrait from 1799 reveals his introspective side as he gazes directly at us with piercing eyes. It captures not only his physical appearance but also hints at his artistic genius and passion for capturing fleeting moments in time. "Launceston" from 1909 showcases Turner's ability to capture architectural beauty through delicate brushstrokes. The ancient castle stands tall against a dramatic sky, evoking a sense of history and grandeur. "A First Rate Taking in Stores, " painted in 1818, depicts a massive warship being resupplied while docked at port. Through skillful use of light and shadow, Turner brings life to this bustling maritime scene filled with sailors going about their duties. "The Angel Standing in the Sun, " completed in 1846, demonstrates Turner's fascination with biblical themes. This ethereal painting portrays an angelic figure bathed in celestial light amidst swirling clouds—a testament to his mastery over atmospheric effects. In "Ulysses Deriding Polyphemus" from 1829 (1904), we witness another mythological subject brought to life by Turner's imagination.