Joseph Turner Collection (#5)

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819

Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819. Creator: JMW Turner
Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819

Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819

Interior of a Church (Liber Studiorum, part XIV, plate 70), January 1, 1819

Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813-23

Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811. Creator: JMW Turner
Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816

Berry Pomeroy Castle (Liber Studiorum, part XII, plate 58), January 1, 1816

Entrance of Calais Harbour (Liber Studiorum, part XI, plate 55), January 1, 1816

Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816. Creator: JMW Turner
Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814

Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816

Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812. Creator: JMW Turner
River Wye (Liber Studiorum, part X, plate 48), May 23, 1812

Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812

The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812

Calm (Liber Studiorum, part IX, plate 44), April 23, 1812. Creator: JMW Turner
Calm (Liber Studiorum, part IX, plate 44), April 23, 1812

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812

Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812

The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811

Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812. Creator: JMW Turner
Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811

Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811

Near Blair Athol, Scotland (Liber Studiorum, part VI, plate 30), June 1, 1811

London from Greenwich (Liber Studiorum, part V, plate 26), January 1, 1811

Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811. Creator: JMW Turner
Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811

St. Catharines Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811

From Spensers Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811

Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811. Creator: JMW Turner
Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811

Hind Head Hill, On the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811

Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811

The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809

Little Devils Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809

Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809

Young Anglers (Liber Studiorum, part VII), June 1, 1811. Creator: JMW Turner
Young Anglers (Liber Studiorum, part VII), June 1, 1811

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808

Dunstanborough Castle (Liber Studiorum, part III, plate 14), June 10, 1808

The Bridge in Middle Distance (Liber Studiorum, part III, plate 13), June 10, 1808

Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808

Holy Island Cathedral (Liber Studiorum, part III, plate 11), February 20, 1808

Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808

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Joseph Turner was a renowned British artist who left an indelible mark on the art world with his breathtaking masterpieces. Born in 1775, Turner's talent and passion for painting were evident from a young age. His works spanned various genres, showcasing his versatility and artistic prowess. One of his most iconic paintings, "The Fighting Temeraire, " created in 1839, captures the majestic beauty of a ship being towed to its final resting place. The ethereal colors and delicate brushstrokes transport viewers into a realm of tranquility and nostalgia. In "A First Rate Taking in Stores" (1818), Turner depicts the bustling activity surrounding a naval vessel as it prepares for its journey. The attention to detail is remarkable, highlighting both the grandeur and intricacies of maritime life. Turner's fascination with architecture is evident in pieces like "Brinkburn Priory, Northumberland" (c1830). Here he skillfully portrays the ruins of this historical site against dramatic skies, evoking a sense of mystery and melancholy. His love for nature shines through in works such as "Scarborough" (1909), where he captures the rugged beauty of coastal cliffs amidst crashing waves. Similarly, "Barnard Castle" (1909) showcases Turner's ability to capture light and atmosphere while depicting serene landscapes. Turner also ventured into mythological themes with pieces like "Ulysses Deriding Polyphemus" (1829), which presents an epic encounter between man and monster. This painting demonstrates his mastery at conveying drama through vivid imagery. Not limited to traditional subjects or mediums, Turner experimented with different styles throughout his career. In "Shoeburyness Fisherman Hailing a Whitstable Hoy, " he combines elements of marine art with narrative storytelling to create an engaging composition that captivates viewers' imagination. Even portraits were not beyond Turner's reach.