Jukes Collection

Highbury Place, Highbury, Islington, London, 1787. Artist: Robert Pollard
West view of Highbury Place, Highbury, London, 1787; with cattle in the foreground

The Doctor Dismissing Death, 1785. 1785. Creators: Peter Simon, Francis Jukes
The Doctor Dismissing Death, 1785

Vauxhall Gardens, Lambeth, c1785, (1942). Creators: Robert Pollard, Francis Jukes
Vauxhall Gardens, Lambeth, c1785, (1942). Vauxhall Gardens in south London was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes
The Bilsden (Billesdon) Coplow Day, c18th century. After Charles Loraine Smith (1751-1835). From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Bascule Bridge and New Docks at Kingston-upon-Hull, Yorkshire, 1786 (coloured aquatint)
468883 Bascule Bridge and New Docks at Kingston-upon-Hull, Yorkshire, 1786 (coloured aquatint) by Thew, Robert (1758-1802); Private Collection; (add.info.: Engraved by the artist and aquatinted by F)

A View of Moorea ( Morea, One of the Friendly Islands ) (handcoloured aquatint)
828340 A View of Moorea ( Morea, One of the Friendly Islands ) (handcoloured aquatint) by Cleveley, John the Younger (1747-86) (after); 44x60.6 cm; Private Collection; (add.info)

The Doctor Dismissing Death, September 15, 1785. September 15, 1785
The Doctor Dismissing Death, September 15, 1785

Wet Parsons, 1785. 1785. Creators: Francis Jukes, Peter Simon
Wet Parsons, 1785

A Visit to the Uncle, December 20, 1794. December 20, 1794
A Visit to the Uncle, December 20, 1794

Back view of Salvadore House Academy, Tooting, Wandsworth, London, 1787. Scene showing parents or guardians with the boys of the academy involved in various activities, including kite flying

A View at Battersea, 1784. Artist: Francis Jukes
A View at Battersea, 1784. View looking across the Thames

A horse-drawn carriage disappearing over a hill on the Edgware Road, London, 1799

Satire on the national debt, 1782 (1785). Artist
Satire on the national debt, 1782 (1785). An historical, emblematical, patriotical and political print representing the English Balloon or National Debt in the year 1782

The interior of the Pantheon, Oxford Street, London, 1785. Artist: Francis Jukes
The interior of the Pantheon, Oxford Street, London, 1785. A view of the interior of the Pantheon, showing Mr Lunardis Balloon as exhibited in 1784

A view of Mr Metcalfs mill near Bromley, Bow, Poplar, London, 1785. Artist
A view of Mr Metcalfs mill near Bromley, Bow, Poplar, London, 1785

A view of St Jamess Church, Clerkenwell, Islington, London, 1789. Parts of the church lie exposed as builders go about construction work. Set within a circular composition

A view of the Tower and Arch of St Jamess Church, Clerkenwell, Islington, London, 1789. Parts of the church lie exposed as builders go about construction work. Set within a circular composition

Caen Wood, St Pancras, London, 1799. Artist: John Rathbone
View of Caen Wood from Hampstead Heath, London, 1799; shows Kenwood House in the distance

View near Brixton Causeway, Lambeth, London, 1785. Artist: Francis Jukes
View near Brixton Causeway, Lambeth, London, 1785; showing a cottage with a cart outside

Vincenzo Lunardis balloon ascending from Artillery Ground, City Road, Finsbury, London, 1784
City Road, Finsbury, London, 1784; scene of Vincenzo Lunardis balloon ascending from Artillery Ground, with crowds watching below

Highbury, Islington, London, 1787. Artist: Robert Pollard
Highbury, Islington, London, 1787; north view of Highbury and Canonbury House. In the foreground figures work in the field gathering hay

General view of Hampstead, London, 1794. Artist: Francis Jukes
General view of Hampstead, London, 1794 showing the North End

Somerset House, London, 1777. Artist: WG Moss
View of the entrance to Somerset House on the Strand, London, 1777; with a carriage and cart. Somerset House was designed by William Chambers and built between 1776 and 1786

Assassination attempt on King George III, 1786. Artist: Francis Jukes
Scene depicting the attempt made by Margaret Nicholson to assassinate King George III at the entrance to St Jamess Palace, London, on August 2, 1786; showing the assassin approaching the King

Now, Contract, Says Dick, By Jove Those D--d Quornites Shall Now See The Trick, 1790, (1922). Artist: Francis Jukes
Now, Contract, Says Dick, By Jove Those D--d Quornites Shall Now See The Trick, 1790, (1922). After Charles Loraine Smith (1751-1835)

Rallus phippensis
Buff-banded Rail, Rallus phippensis, collected by JB Jukes in Port Essington, Northern Territory, Australia on August 1843 Date: 1843

Drawings Prints, Print, Wet Parsons, Artist, Subject, Aquatint, Designed, Etched
Drawings and Prints, Print, Wet Parsons, Artist, Artist, Subject, Aquatint by, Designed by, Etched by, Francis Jukes, Thomas Rowlandson, Peter Simon, William Parsons, British

MOUNT VERNON, 1800. Mount Vernon, the home of George Washington on the Potomac River in Virginia. Aquatint, 1800, by Francis Jukes after Alexander Robertson

Conrad / Typhoon / Engine-Rm
TYPHOON Short story by Joseph Conrad Jukes and Rout in the engine room Date: First published: 1902

Conrad / Typhoon / On Deck
TYPHOON Short story by Joseph Conrad Captain MacWhirr & Jukes on the bridge Date: First published: 1902

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"Jukes: Capturing Life's Moments in 18th Century England" Step into the world of Francis Jukes, a renowned artist and printmaker whose works beautifully depict various aspects of life in 18th century England. From bustling city scenes to serene landscapes, Jukes' artistry brings history alive. In "The Doctor Dismissing Death, " created in 1785 by Jukes alongside Peter Simon, we witness a powerful image of a doctor triumphing over death itself. This captivating piece showcases the resilience and determination of humanity even in the face of mortality. Another masterpiece by Jukes is "Vauxhall Gardens, Lambeth, " dating back to around 1785. Collaborating with Robert Pollard this time, he captures the vibrant atmosphere and joyous gatherings at one of London's most famous pleasure gardens. The lively scene transports us to an era filled with music, dancing, and merriment. Journeying further north to Kingston-upon-Hull, Yorkshire, we encounter "Bascule Bridge and New Docks. " Created as a colored aquatint in 1786, this artwork showcases the industrial progress taking place during that time. It stands as a testament to human ingenuity and innovation. Venturing beyond English shores, Jukes presents us with "A View of Moorea (Morea), One of the Friendly Islands. " This hand-colored aquatint provides a glimpse into exotic lands far away from home. With its lush greenery and tranquil waterscapes, it invites viewers on an imaginary voyage across distant seas. "Wet Parsons" is yet another collaboration between Francis Jukes and Peter Simon from 1785. In this satirical piece depicting clergymen caught out in heavy rainstorms without shelter or umbrellas, humor intertwines with social commentary on daily life during that period. Moving forward to December 20th, 1794 we find ourselves visiting Salvadore House Academy in Tooting, Wandsworth, London.