Kircher Collection (page 5)

"Unveiling the Mysteries of Kircher: A Journey into the Mind of Athanasius Kircher" Step into the captivating world of Athanasius Kircher

Kircher Collection: Early form of magic lantern, 17th century

Early form of magic lantern, 17th century
Early magic lantern. Illustration depicting a very early form of magic lantern. Light enters the window at left and reflects from a framed mirror to illuminate designs on an octagonal drum

Kircher Collection: Water clock, design from 1646

Water clock, design from 1646
Water clock. Design for a water clock taken from Kirchers Ars magna lucis et umbrae, printed at Rome in 1646

Kircher Collection: Concentrating sunlight, 17th century

Concentrating sunlight, 17th century
Concentrating sunlight. Illustration showing various methods of concentrating sunlight in order to ignite some material. The main illustration depicts a lens mounted on a castle turret being used to

Dragon (Kircher)
A two-legged non-flying dragon, perceived as an animal species rather than an otherworldly monster

Nineveh / Calmet
NINEVEH - A plan of the city according to Diodorus Siculus and Father Kircher

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"Unveiling the Mysteries of Kircher: A Journey into the Mind of Athanasius Kircher" Step into the captivating world of Athanasius Kircher, a polymath whose thirst for knowledge knew no bounds. His works spanned from maps of Atlantis to intricate cross-sections of the Earth, revealing subterranean wonders that lay hidden beneath our feet. In his groundbreaking book "MUNDUS SUBETERRANEUS, " Kircher depicted a mesmerizing vision of our planet's core engulfed in fire, surrounded by enchanting lakes and rivers flowing beneath us. This engraving transports us to an otherworldly realm where imagination meets scientific curiosity. Kircher's insatiable quest for understanding led him to explore sea monsters and mermaids in his 1662 masterpiece "Schott Sea Monsters and Mermaids. " These fantastical creatures captured both his fascination with marine life and his ability to blend artistry with scientific observation. Venturing further into ancient civilizations, we discover Kircher's Egyptian solar system model. Through meticulous craftsmanship, he recreated celestial bodies as revered deities within their mythological context. The intricacy of this model showcases not only his technical skill but also his deep appreciation for cultural history. One cannot overlook the whimsical yet ingenious "FLOWER CLOCK" designed by Kircher in 1643. By using sunflowers as natural time indicators, he ingeniously merged botany with horology – a testament to his innovative thinking that transcended conventional boundaries. Kirchner's imaginative mind even ventured into fictional realms like an imaginary voice amplifier showcased in copper engravings by Arnold van Westerhout in 1723. Inspired by Kircher's ideas, this device amplifies voices beyond what was thought possible during its time – a glimpse into how far ahead he was compared to contemporary thinkers. Delving deeper into celestial systems, we encounter historical depictions meticulously crafted by Kircher himself.