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Kohl Collection (#2)

"Kohl: Uniting Cultures and Celebrating Artistic Expressions" From the Woman of the Algerian Berber Ouled Nails Tribe

Background imageKohl Collection: Japanese peasants, 1895. Artist: Armand Kohl

Japanese peasants, 1895. Artist: Armand Kohl
Japanese peasants, 1895. From The Universal Geography with Illustrations and Maps, division XIV, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: Newcastle Sanatorium, Jamaica, c1890. Artist: A Kohl

Newcastle Sanatorium, Jamaica, c1890. Artist: A Kohl
Newcastle Sanatorium, Jamaica, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: General view of Havana, taken from Casablanca, c1890. Artist: A Kohl

General view of Havana, taken from Casablanca, c1890. Artist: A Kohl
General view of Havana, taken from Casablanca, c1890. The capital of Cuba. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: General view of Fort-De-France, Martinique, c1890. Artist: A Kohl

General view of Fort-De-France, Martinique, c1890. Artist: A Kohl
General view of Fort-De-France, Martinique, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: Port Limon and Uvas Island, c1890. Artist: A Kohl

Port Limon and Uvas Island, c1890. Artist: A Kohl
Port Limon and Uvas Island, c1890. Puerto Limon in Costa Rica. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: Port-Au-Prince, Haiti, c1890. Artist: A Kohl

Port-Au-Prince, Haiti, c1890. Artist: A Kohl
Port-Au-Prince, Haiti, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: General view of Hopetown, Abaco Island, c1890. Artist: A Kohl

General view of Hopetown, Abaco Island, c1890. Artist: A Kohl
General view of Hopetown, Abaco Island, Bahamas, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: General view of San Juan Bautista, Puerto Rico, c1890. Artist: A Kohl

General view of San Juan Bautista, Puerto Rico, c1890. Artist: A Kohl
General view of San Juan Bautista, Puerto Rico, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: Escuintla, Guatemala, c1890. Artist: A Kohl

Escuintla, Guatemala, c1890. Artist: A Kohl
Escuintla, Guatemala, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageKohl Collection: Dankar, Lahul and Spiti, India, 1895. Artist: Armand Kohl

Dankar, Lahul and Spiti, India, 1895. Artist: Armand Kohl
Dankar, Lahul and Spiti, India, 1895. From The Universal Geography with Illustrations and Maps, division XVI, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. Artist: Armand Kohl

Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. Artist: Armand Kohl
Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. From The Universal Geography with Illustrations and Maps, division XVI, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: The Vega at anchor in Konyam Bay, Siberia, Russia, 1895. Artist: Armand Kohl

The Vega at anchor in Konyam Bay, Siberia, Russia, 1895. Artist: Armand Kohl
The Vega at anchor in Konyam Bay, Siberia, Russia, 1895. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: Cliffs in the Yellow Earth, north of Tai-Yeun, Shanxi, China, 1895. Artist: Armand Kohl

Cliffs in the Yellow Earth, north of Tai-Yeun, Shanxi, China, 1895. Artist: Armand Kohl
Cliffs in the Yellow Earth, north of Tai-Yeun, Shanxi, China, 1895. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: Pyatigorsk, Russia, 1895. Artist: Armand Kohl

Pyatigorsk, Russia, 1895. Artist: Armand Kohl
Pyatigorsk, Russia, 1895. As seen from the Mashuka Slopes. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: Georgian men, 1895. Artist: Armand Kohl

Georgian men, 1895. Artist: Armand Kohl
Georgian men, 1895. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: The Dui Valley, Sakhalin, Russia, 1895. Artist: Armand Kohl

The Dui Valley, Sakhalin, Russia, 1895. Artist: Armand Kohl
The Dui Valley, Sakhalin, Russia, 1895. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: Cinnamon packing, India, 1895. Artist: Armand Kohl

Cinnamon packing, India, 1895. Artist: Armand Kohl
Cinnamon packing, India, 1895. From The Universal Geography with Illustrations and Maps, division XV, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: Todas, India, 1895. Artist: Armand Kohl

Todas, India, 1895. Artist: Armand Kohl
Todas, India, 1895. The Toda people are a small pastoral community who live on the isolated Nilgiri plateau of Southern India

Background imageKohl Collection: Buddhist monastery, Yuen-Fu on the Min, South of Fuchu-Fu, c1890. Artist: Armand Kohl

Buddhist monastery, Yuen-Fu on the Min, South of Fuchu-Fu, c1890. Artist: Armand Kohl
Buddhist monastery, Yuen-Fu on the Min, South of Fuchu-Fu, c1890. Monastery in a cave in China. Illustration from The Universal Geography with Illustrations and Maps, Division XIII

Background imageKohl Collection: View of Ghardaia, Algeria, c1890. Artist: Armand Kohl

View of Ghardaia, Algeria, c1890. Artist: Armand Kohl
View of Ghardaia, Algeria, c1890. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Ouled Nail dancer, Algeria, c1890. Artist: Armand Kohl

Ouled Nail dancer, Algeria, c1890. Artist: Armand Kohl
Ouled Nail dancer, Algeria, c1890. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: The ruins of the Praetorium, Lambaesis, Algeria, c1890. Artist: Armand Kohl

The ruins of the Praetorium, Lambaesis, Algeria, c1890. Artist: Armand Kohl
The ruins of the Praetorium, Lambaesis, Algeria, c1890. Roman ruins. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Old town, Algiers, c1890. Artist: Armand Kohl

Old town, Algiers, c1890. Artist: Armand Kohl
Old town, Algiers, c1890. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Cliffs of the Igharghar, taken from the north of Temassinin, c1890. Artist: Armand Kohl

Cliffs of the Igharghar, taken from the north of Temassinin, c1890. Artist: Armand Kohl
Cliffs of the Igharghar, taken from the north of Temassinin, c1890. Tunisian landscape. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited)

Background imageKohl Collection: The Mejerda at Slugia, above Mejez-el-Bad, c1890. Artist: Armand Kohl

The Mejerda at Slugia, above Mejez-el-Bad, c1890. Artist: Armand Kohl
The Mejerda at Slugia, above Mejez-el-Bad, c1890. The River Mejerda near Medjez-el-Bab, Tunisia. Illustration from The Universal Geography with Illustrations and Maps, Division XXI

Background imageKohl Collection: View of Blida, Algeria, c1890. Artist: Armand Kohl

View of Blida, Algeria, c1890. Artist: Armand Kohl
View of Blida, Algeria, c1890. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Algiers, Algeria, c1890. Artist: Armand Kohl

Algiers, Algeria, c1890. Artist: Armand Kohl
Algiers, Algeria, c1890. View from the Kheir El-Din Pier. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: The El-Kantara Gorge, Tunisia, 1895. Artist: Armand Kohl

The El-Kantara Gorge, Tunisia, 1895. Artist: Armand Kohl
The El-Kantara Gorge, Tunisia, 1895. From The Universal Geography with Illustrations and Maps, division XXI, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: View of Kairwan, Tunisia, c1890. Artist: Armand Kohl

View of Kairwan, Tunisia, c1890. Artist: Armand Kohl
View of Kairwan, Tunisia, c1890. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Oran, Algeria, c1890. Artist: Armand Kohl

Oran, Algeria, c1890. Artist: Armand Kohl
Oran, Algeria, c1890. View taken from the marine. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Background imageKohl Collection: Cabes, Tunisia, 1895. Artist: Armand Kohl

Cabes, Tunisia, 1895. Artist: Armand Kohl
Cabes, Tunisia, 1895. As seen from the Jara Gardens. From The Universal Geography with Illustrations and Maps, division XXI, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: Constantine, Algeria, c1890. Artist: A Kohl

Constantine, Algeria, c1890. Artist: A Kohl
Constantine, Algeria, c1890. View of Constantine, taken from the Mansura route. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London)

Background imageKohl Collection: The prison of St Paul, Ephesus, Turkey, 1895. Artist: Armand Kohl

The prison of St Paul, Ephesus, Turkey, 1895. Artist: Armand Kohl
The prison of St Paul, Ephesus, Turkey, 1895. From The Universal Geography with Illustrations and Maps, division XVII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: The ruined fortress of Veramin, Persia (Iran), 1895. Artist: Armand Kohl

The ruined fortress of Veramin, Persia (Iran), 1895. Artist: Armand Kohl
The ruined fortress of Veramin, Persia (Iran), 1895. From The Universal Geography with Illustrations and Maps, division XVII, written by Elisee Reclus and published by Virtue & Co

Background imageKohl Collection: Aleppo, Syria, 1895. Artist: Armand Kohl

Aleppo, Syria, 1895. Artist: Armand Kohl
Aleppo, Syria, 1895. From The Universal Geography with Illustrations and Maps, division XVII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: The Bridge of Dezful, Iran, 1895. Artist: Armand Kohl

The Bridge of Dezful, Iran, 1895. Artist: Armand Kohl
The Bridge of Dezful, Iran, 1895. From The Universal Geography with Illustrations and Maps, division XVII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageKohl Collection: Ouled Nail, Algeria - Southern Algerian Berber Woman

Ouled Nail, Algeria - Southern Algerian Berber Woman
Women from the tribe of Ouled Nail in Southern Algeria in their very distinctive and elaborate traditional clothing. The women earned money through belly dancing

Background imageKohl Collection: Czech Republic. Prague. Fountain of Kohl by Hieronymus Kohl

Czech Republic. Prague. Fountain of Kohl by Hieronymus Kohl
Czech Republic. Prague. Castle. Fountain of Kohl or Lions, by Hieronymus Kohl, 1686 (first courtyard). Castle complex (Hradcany)

Background imageKohl Collection: Ancient Egyptian Kohl Eye Makeup

Ancient Egyptian Kohl Eye Makeup
Detail of eye makeup and hairstyle of Mennas wife or daughter from the wall paintings of the Tomb of Menna, Scribe of the Fields in the 18th Dynasty

Background imageKohl Collection: Girl of the Ouled Nails - Algeria - North Africa

Girl of the Ouled Nails - Algeria - North Africa
Woman from the tribe of Ouled Nail in Southern Algeria in their very distinctive and elaborate traditional clothing. The women earned money through belly dancing

Background imageKohl Collection: Woman of the Berber Algerian tribe of Ouled Nail

Woman of the Berber Algerian tribe of Ouled Nail
Woman from the tribe of Ouled Nail in Southern Algeria in their very distinctive and elaborate traditional clothing. The women earned money through belly dancing

Background imageKohl Collection: Hans-Jochen Vogel (born 3 February 1926) German politician. Vogel was Mayor of Munich from 1960-72

Hans-Jochen Vogel (born 3 February 1926) German politician. Vogel was Mayor of Munich from 1960-72. After the general election in 1972 he became Federal Minister for Regional Planning

Background imageKohl Collection: Wolfgang Amadeus Mozart, 1793. Artist: Kohl, Clemens (1754-1807)

Wolfgang Amadeus Mozart, 1793. Artist: Kohl, Clemens (1754-1807)
Wolfgang Amadeus Mozart, 1793. From a private collection

Background imageKohl Collection: Woman in kohl eye costume

Woman in kohl eye costume.. Lithograph with pochoir stencil handcolouring from Our Fancy Dress Costumes, Paris, 1928

Background imageKohl Collection: Boxes containing beauty products, kohl and colored powder for eyelids

Boxes containing beauty products, kohl and colored powder for eyelids
Egyptian civilization - Boxes containing beauty products, kohl and colored powder for eyelids

Background imageKohl Collection: EGYPT: COSMETIC POTS. Ancient Egyptian pots for eye makeup. Left: in the shape of a pillar

EGYPT: COSMETIC POTS. Ancient Egyptian pots for eye makeup. Left: in the shape of a pillar, with the stick for applying the makeup. Center: in the shape of a monkey

Background imageKohl Collection: Women of the Ouled-Nails resting, Algeria

Women of the Ouled-Nails resting, Algeria
Women of the Ouled-Nails resting and drinking tea. Women from the tribe of Ouled Nail in Southern Algeria in their very distinctive and elaborate traditional clothing

Background imageKohl Collection: Ouled-Nahils, Algeria - Southern Algerian Woman

Ouled-Nahils, Algeria - Southern Algerian Woman
Woman from the tribe of Ouled Nail in Southern Algeria in their very distinctive and elaborate traditional clothing. The women earned money through belly dancing




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"Kohl: Uniting Cultures and Celebrating Artistic Expressions" From the Woman of the Algerian Berber Ouled Nails Tribe, known for their captivating beauty enhanced by kohl-lined eyes, to the mesmerizing Dance of the Ouled Nails in Southern Algeria, North Africa - kohl has played a significant role in cultural traditions. In 1895, artist Armand Kohl captured the enchanting landscapes of Mount Hermon in Syria and the majestic Temples at Patan in Nepal. His artistic prowess showcased how kohl transcends borders and connects diverse regions through its historical significance. The Bust of Queen Nefertiti, sculpted by Thutmose at Tell el-Amarna, stands as a testament to ancient Egyptian royalty's love for adorning their eyes with this dark pigment. Similarly, the Colossus of Ramesses II from the Temple of Gerf Hussein in Nubia showcases how even pharaohs embraced kohl's allure. Moving into modern times, Airbus A310 10+25 Herman Kohl takes flight as a symbol of progress and innovation. Named after aviator Herman Kohl who made groundbreaking journeys across continents using aircraft technology. Even beyond aviation marvels lies another tribute to kohl's influence - Prague's Fountain created by Hieronymus Kohl. This masterpiece reflects how art can be inspired by everyday objects like makeup products such as kohl. As we admire these diverse representations connected through one word - "kohl, " let us appreciate its ability to bridge cultures throughout history while simultaneously celebrating human creativity and expression.