Kufic Collection (#2)

India, Delhi, Detail of inscriptions on Qutub Minar

Calligraphic Exercise Showing Measurements of Individual Letters, 18th / 19th century
Calligraphic Exercise Showing Measurements of Individual Letters, 18th/19th century

Islam. Tombstone of al-Ghaliya, daughter of Abd al-Jabbar
Islamic art. Tombstone of al-Ghaliya, daughter of Abd al-Jabbar, son of al- Ala. 9th century. Basalt : 69x45x13 cm. al-Ma la cementery, Mecca. National Museum, Riyadh. Saudi Arabia

Spain. Aragon. La Puebla de Castro. Mudejar aljarfe (14th. Century) in the Choir of the Church of San Roman de Castro. Polychrome wood with pictorial representations of storied scenes

Kufic scripture. Detail. Marble
Marble plaque with kufic scripture. 10th-11th centuries. Detail. Fatimid Period, Egypt. Pergamon Museum. Berlin. Germany

India, Delhi. Carved stone minaret at Qutub Minar

Jar with a Kufic Pattern; Unknown; Montelupo, Italy, Europe; mid-15th century; Tin-glazed earthenware; Object: H: 18.1 x Diam. [lip]: 9.53 x W: 13.02cm (H: 7 1/8 x Diam. [lip]: 3 3/4 x W: 5 1/8 in.)

Example of Kufic writing - Aleppo, Syria. Kufic is the oldest calligraphic form of the various Arabic scripts and consists of a modified form of the old Nabataean script. Date: circa 1920s

Spain, Castilla-La Mancha, Toledo. El Transito synagogue. Ornate carved wall with Hebrew & Kufic inscriptions with heraldic shield

Detail of decoration on minaret dating from 12th century, including Kufic inscription in turquoise glazed tiles, Minaret of Jam, UNESCO World Heritage Site, Ghor (Ghur, Ghowr) Province, Afghanistan

Minaret of Bahram Shah, with square Kufic and Noshki script, dating from the early 12th century, Ghazni, Afghanistan, Asia

Mortar hole in the Minaret of Bahram Shah, one of two 12th century minarets believed to have served as models for the Minaret of Jam, with square Kufic and Noshki script, Ghazni, Afghanistan, Asia

One of two early 12th century minarets built by Sultan Mas ud 111 and Bahram Shah, that served as models for the Minaret of Jam, decorated with square Kufic and Noshki script, Ghazni, Afghanistan

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Kufic, an ancient Arabic script, holds a rich history and cultural significance. Its distinctive geometric forms can be seen in various artistic expressions throughout the centuries. One example is a mesmerizing mosaic adorned with Arab and Kufic calligraphy on the top of a wall. This intricate artwork showcases the beauty script combined with vibrant colors, creating a captivating visual experience. Delving into manuscripts, we discover a Kufic manuscript from India's Delhi region. The delicate inscriptions on the Qutub Minar reveal the mastery of this script in architectural contexts. It serves as a testament to its enduring presence across different cultures and time periods. Exploring further, we encounter an intriguing table displaying ancient written alphabets. Among them stands out Kufic script, highlighting its importance as one of humanity's earliest modes of written communication. Moving towards Islamic heritage, we find tombstones engraved with Kufic inscriptions such as that belonging to al-Ghaliya, daughter of Abd al-Jabbar. These epitaphs not only commemorate individuals but also showcase the elegance and precision inherent in Kufic calligraphy. Turning our attention to religious texts like The Qur'an, we come across pages from copies dating back several centuries. Whether it is a 9th/10th-century creation or one from the 13th/14th century, these manuscripts exemplify how Kufic has been used for preserving sacred knowledge over generations. In artistry beyond religious contexts lies an enigmatic painting titled "Old Man Attended by Visitors. " Although its creator remains unknown, it features elements influenced by Kufic aesthetics—a testament to how this script transcends boundaries between secular and spiritual realms. Even in more recent times like England during c. 1870 or Eastern regions during the 11th century AD. , examples like panels or Quran leaves demonstrate that despite evolving styles and influences over time—Kufic continues to captivate and inspire.