Kunstmuseum Basel 2004 Collection

Baigneur assis au bord de l eau c. 1876 oil
Baigneur assis au bord de l eau, c. 1876, oil on canvas, 29 x 21 cm, unmarked, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Paul Cezanne, Aix-en-Provence 1839-1906 Aix-en-Provence

artists mother 1890 oil canvas mounted cardboard
The artists mother, 1890, oil on canvas, mounted on cardboard, 24 x 18 cm, signed and dated o. R.: A.J. 1890, signed verso: A

Selfportrait 1911 oil linen textured cardboard
Selfportrait, 1911, oil on linen textured cardboard, 54 x 51 cm, signed and dated o. R.: A. Jawlensky 1911, Inscribed by a foreign hand: self-portrait, Stiftung Im Obersteg

Child verso Frauenkopf c. 1908 / 10 c. 1909 oil
Child [verso: Frauenkopf, c. 1908/10], c. 1909, oil and tempera on linen textured cardboard, 53.5 x 50 cm, signed o. L.: A

Village Murnau 1908 oil cardboard 49 x 53. 5 cm
Village Murnau, 1908, oil on cardboard, 49 x 53.5 cm, signed and dated, l.: A. Jawlensky. inscribed, signed and dated verso: o.l. in black: N.4. A

Nature morte au violon pain et poisson 1922 oil
Nature morte au violon, pain et poisson, around 1922, oil on canvas, 65 x 54 cm, signed and dated, l.: Soutine, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine

La jeune Anglaise 1934 oil panel 56 x 34 cm signed
La jeune Anglaise, around 1934, oil on panel, 56 x 34 cm, signed above: Soutine, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine, Smilowitschi bei Minsk 1893-1943 Paris

Le printemps 1910 / 11 bronze 168 x 50 x 31 cm
Le printemps, 1910/11, bronze, 168 x 50 x 31 cm, signed on the plinth: A. Maillol, Giesserstempel: C. Valsuani Cire perdue, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004

Vierges du pharaon 1937 / 42 fingerprint black ink
Vierges du pharaon, 1937/42, fingerprint, black ink on paper, 43 x 58 cm, inscribed and signed. M.: Fourth of you pharaon, inscribed on the reverse: Vierges du pharaon, Stiftung Im Obersteg

Le faisan mort 1926 / 27 oil canvas 52 x 72 cm
Le faisan mort, around 1926/27, oil on canvas, 52 x 72 cm, signed and dated. l.: Soutine, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine

Abstract head Apollo 1931 oil linen textured cardboard
Abstract head: Apollo, 1931, oil on linen textured cardboard, mounted on a carpenters plate, 43 x 33 cm, signed and dated. l.: A.J. dated u. r.: 31, signed, dated and inscribed on the reverse: A

L enfant de choeur 1927 oil canvas 77. 5 x 39 cm
L enfant de choeur, around 1927, oil on canvas, 77.5 x 39 cm, signed and dated, l.: Soutine, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine

La sirAšne 1900 oil gold powder fiberboard 27 x 22 cm
La sirene, around 1900, oil and gold powder on fiberboard, 27 x 22 cm, signed and dated, l.: Odilon Redon, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Odilon Redon

La cuisiniAšre au tablier bleu 1930 oil canvas
La cuisiniere au tablier bleu, around 1930, oil on canvas, 128 x 50.5 cm, unmarked, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine, Smilowitschi bei Minsk 1893-1943 Paris

Abstract Head Pink-Light Blue 1929 oil cardboard
Abstract Head: Pink-Light Blue, 1929, oil on cardboard, 37 x 27 cm, signed and dated, l.: A. J. dated u. r.: 29, inscribed, dated and signed verso: Rosa-hellblau 1929 31. Mr

Abstract Head Mystery 1925 oil linen textured cardboard
Abstract Head: Mystery, 1925, oil on linen textured cardboard, 42.5 x 32.5 cm, signed and dated. l.: A. J. dated u. r.: 25, inscribed, signed and dated verso: Composition N 10 A

Smoker 1917 pastel cardboard 151 x 52. 5 cm inscribed verso
Smoker, 1917, pastel on cardboard, 151 x 52.5 cm, inscribed verso: 723, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Robert Genin, Vysokoe bei Smolensk 1884-1943 Moskau

Meditation N. 30 1934 oil paper mounted cardboard
Meditation N. 30, 1934, oil on paper, mounted on cardboard, 15.5 x 12 cm, signed and dated. l.: A. J. dated u. r.: 34, signed, dated and inscribed: A. Jawlensky 1934 NiN

Abstract head Evening 1927 oil charcoal linen-textured cardboard
Abstract head: Evening, 1927, oil and charcoal on linen-textured cardboard, 43 x 33.5 cm, Signed et al.: A. J. dated below: VII 27, signed, dated and inscribed: A. Jawlensky. 1927. Wiesbadens head

Abstract Head Green Gold Looking Green 1926 oil
Abstract Head: Green Gold Looking Green, 1926, oil on linen textured cardboard, 34.5 x 24.5 cm, Signed & Painted. l.: A. J. dated u. r.: 26, inscribed and signed verso: ii Inner Looking, A

La grenouille 1910 pastel oil paper mounted cardboard
La grenouille, 1910, pastel and oil on paper, mounted on cardboard, 58.5 x 49.5 cm, signed and dated a. l.: Suzanne Valadon 1910, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004

L enfant au jouet 1919 oil canvas 81 x 64. 5 cm
L enfant au jouet, around 1919, oil on canvas, 81 x 64.5 cm, signed and dated, l.: Soutine, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine

Abstract Head Black-Yellow-Violet 1922 oil linen textured cardboard
Abstract Head: Black-Yellow-Violet, around 1922, oil on linen textured cardboard, 36 x 27.5 cm, signed and dated. l.: A. J

Mystical head Girls head frontal verso Sketch
Mystical head: Girls head (frontal) [verso: Sketch of a womans head], 1918, oil and pencil on paper-coated cardboard, 40 x 30 cm, signed and dated u. l.: A

Variation Twilight 1916 oil linen textured cardboard
Variation: Twilight, around 1916, oil on linen textured cardboard, 36 x 27 cm, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Alexej von Jawlensky, Torschok/Twer 1864-1941 Wiesbaden

Variation Orange Path 1916 oil charcoal linen textured cardboard
Variation: The Orange Path, 1916, oil and charcoal on linen textured cardboard, 37.5 x 26 cm, signed and dated u. l.: A.J. 16, signed, dated and inscribed: A. Jawlensky. 1916. N

Large variation 1915 oil pencil linen textured paper
Large variation, 1915, oil and pencil on linen textured paper, mounted on hardboard, 52 x 37.5 cm, signed and dated a. r.: A. Jawlensky

Juniors Head 1911 oil board 53. 5 x 49. 5 cm signed
Juniors Head, 1911, oil on board, 53.5 x 49.5 cm, signed and dated, l.: A. Jawlensky, inscribed, signed and dated verso: N.41. A

Baltic Sea 1911 oil linen textured cardboard
On the Baltic Sea, 1911, oil on linen textured cardboard, 50 x 54 cm, signed and dated u. r.: A. Jawlensky. 1911, . signed, dated and inscribed: A. Jawlensky 1911 N.7

Balinese I 1926 oil canvas 68 x 54 cm signed o. L
Balinese (I), around 1926, oil on canvas, 68 x 54 cm, signed o. L.: Ge, Inscribed on the reverse: Astor Armand Benett, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Robert Genin

Mother 1917 pastel cardboard 151 x 52. 5 cm signed
Mother, 1917, pastel on cardboard, 151 x 52.5 cm, signed and dated u. l.: R. Genin 17, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Robert Genin, Vysokoe bei Smolensk 1884-1943 Moskau

Balinesin II 1926 oil canvas 90. 5 x 62 cm Original signed
Balinesin (II), around 1926, oil on canvas, 90.5 x 62 cm, Original signed: Genin, the inscribed part was cut off and attached to the back of the picture, Stiftung Im Obersteg

Volagie 1937 / 42 fingerprint black ink paper 44 x 58 cm
Volagie, 1937/42, fingerprint, black ink on paper, 44 x 58 cm, inscribed o. L.: Volagie, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Louis Soutter

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"Exploring the Artistic Treasures of Kunstmuseum Basel, 2004" Step into a world of artistic brilliance at Kunstmuseum Basel in 2004. This renowned museum showcased an array of captivating artworks that left visitors spellbound. One such masterpiece was "Baigneur assis au bord de l'eau, " a mesmerizing oil painting from around 1876. The artist skillfully captured the tranquility of a seated bather by the water's edge, evoking a sense of serenity and contemplation. Another notable piece was "Artist's Mother, " an exquisite oil on canvas mounted on cardboard created in 1890. This heartfelt portrayal depicted the tender bond between an artist and his mother, showcasing their deep connection through brushstrokes filled with love and admiration. Intriguingly, there was also a self-portrait from 1911, rendered in oil on textured linen cardboard. The artist delved into their own psyche, revealing their innermost thoughts and emotions through this introspective artwork. The exhibition also featured "Child verso Frauenkopf, " an enigmatic composition painted around 1908-1909. With delicate brushwork and vibrant colors, this piece invited viewers to ponder upon its hidden meanings and symbolism. Transporting visitors to picturesque landscapes was "Village Murnau. " Painted in 1908 on cardboard measuring just under fifty square centimeters, this small yet powerful artwork captured the essence of rural life with its vivid hues and expressive strokes. A still-life titled "Nature morte au violon pain et poisson" from 1922 showcased the artist's mastery over light and texture as they brought together musical instruments, bread, and fish onto one canvas—a harmonious blend of objects that stirred curiosity within observers. Amongst these remarkable pieces stood out "La jeune Anglaise, " an elegant portrait painted in oils on panel during1934.