La Motte Philip H Collection

The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal... 1854. Creator: Unknown
The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal Palace, 1854. Renaissance sculpture in south London

The English Mediaeval Court, at the Crystal Palace, Sydenham, 1854. Creator: Unknown
The English Mediaeval Court, at the Crystal Palace, Sydenham, [South London], 1854....the central monument is the splendid altar-tomb and recumbent effigies of Edward the Black Prince

The International Exhibition: group of articles by Messrs. Minton and Co. 1862. Creator: Unknown
The International Exhibition: group of articles by Messrs. Minton and Co. 1862. The central object...is one of a pair of vases of considerable magnitude, supported on a group of four Parian Cupids

The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Creator: Unknown
The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Saddle...from a design supplied by Philip H. De la Motte

View in Central Hall, Art Treasures Exhibition, Manchester, 1857

The Upper Gallery, 1854. Creator: Philip Henry Delamotte
The Upper Gallery, 1854

Progress of the Crystal Palace at Sydenham, 1854. Creator: Philip Henry Delamotte
Progress of the Crystal Palace at Sydenham, 1854

[Carving a Sphinx], 1854. Creator: Philip Henry Delamotte
[Carving a Sphinx], 1854

[Storeroom with Artisans and Plaster Casts, Crystal Palace], 1852

Evening, 1854. Creator: Philip Henry Delamotte
Evening, 1854

The Visit of the Emperor and Empress to the Crystal Palace, 1855

[The Grounds Looking Towards Penge], 1854. Creator: Philip Henry Delamotte
[The Grounds Looking Towards Penge], 1854

Rivaulx Abbey. General View from the South, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. General View from the South, 1850s

Rivaulx Abbey. The Triforium Arches, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. The Triforium Arches, 1850s

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Philip Henry Delamotte: A Victorian Artist's Journey through Time and Space Philip Henry Delamotte (1813-1879) was a prolific English painter, best known for his works depicting historical and architectural subjects. Delamotte's art was showcased in various exhibitions during the mid-19th century, including the International Exhibition of 1862, where his works were displayed alongside those of Minton and Co. And A. Davis. Delamotte's connection to the Crystal Palace is evident in his painting "Progress of the Crystal Palace at Sydenham," which captures the construction of the iconic structure. His other works, such as "The Upper Gallery" and "Carving a Sphinx," also reflect the grandeur and intricacy of the Crystal Palace. Delamotte's fascination with history and architecture is further evident in his depictions of Rivaulx Abbey, which he captured in various views, including the general view from the south and the triforium arches. These works showcase Delamotte's skill in capturing the intricacies of Gothic architecture and the beauty of the natural surroundings. Delamotte's works were also displayed in the Art Treasures Exhibition in Manchester in 1857 and the View in Central Hall in 1854. His painting "Evening" and "The Visit of the Emperor and Empress to the Crystal Palace" capture the grandeur and majesty of the Crystal Palace and the events that took place there. Delamotte's art serves as a window into the past, providing a glimpse into the Victorian era and the fascination with history and architecture that defined it. His works continue to inspire and captivate audiences today, offering a glimpse into the beauty and intricacy of the past.