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Late Baroque Collection (#3)

Late Baroque, also known as the Rococo period, was a time of artistic brilliance and extravagance

Background imageLate Baroque Collection: Portrait of a Gentleman (oil on canvas)

Portrait of a Gentleman (oil on canvas)
7085243 Portrait of a Gentleman (oil on canvas) by Largilliere, Nicolas de (1656-1746); Private Collection; French, out of copyright

Background imageLate Baroque Collection: Portrait of a Lady, 1789 (oil)

Portrait of a Lady, 1789 (oil)
7085225 Portrait of a Lady, 1789 (oil) by Loo, Charles-Amedee-Philippe van (1719-95); 64.5x53.7 cm; Private Collection; French, out of copyright

Background imageLate Baroque Collection: The Bad News (oil on canvas)

The Bad News (oil on canvas)
7085137 The Bad News (oil on canvas) by Fragonard, Jean-Honore (1732-1806); Private Collection; French, out of copyright

Background imageLate Baroque Collection: Portrait of Miss Mariah Copley (oil)

Portrait of Miss Mariah Copley (oil)
7076505 Portrait of Miss Mariah Copley (oil) by Romney, George (1734-1802); 76.8x63.2 cm; Private Collection; English, out of copyright

Background imageLate Baroque Collection: The Vicar of Wakefield

The Vicar of Wakefield
3750732 The Vicar of Wakefield by Rackham, Arthur (1867-1939); (add.info.: The Vicar of Wakefield by Oliver Goldsmith originally Published in 1766)

Background imageLate Baroque Collection: Abraham offering to Melchizedec a tithe from the spoils after the victory over the peoples of

Abraham offering to Melchizedec a tithe from the spoils after the victory over the peoples of the Valley of Shaveh
3573768 Abraham offering to Melchizedec a tithe from the spoils after the victory over the peoples of the Valley of Shaveh by Anastasi, Giovanni (1653-1704); Il Palazzo Mastai & Museo PIO IX

Background imageLate Baroque Collection: Turkish arms

Turkish arms
3573691 Turkish arms by Bimbi, Bartolomeo (1648-1725); Museum of Still Life, deposits, Poggio a Caiano, Florence, Tuscany

Background imageLate Baroque Collection: Gibraltar during the American War of Independence

Gibraltar during the American War of Independence
3781941 Gibraltar during the American War of Independence by Bartolozzi, Francesco (1727-1815); (add.info.: Gibraltar during the American War of Independence)

Background imageLate Baroque Collection: John Russell, 4th Duke of Bedford

John Russell, 4th Duke of Bedford
3850850 John Russell, 4th Duke of Bedford by Reynolds, Joshua (1723-92); (add.info.: John Russell, 4th Duke of Bedford copied from the portrait by Thomas Gainsborough); Photo © Derek Bayes

Background imageLate Baroque Collection: Lake of Albano and Castel Gandolfo

Lake of Albano and Castel Gandolfo
3854259 Lake of Albano and Castel Gandolfo by Cozens, John Robert (1752-99); (add.info.: Lake of Albano and Castel Gandolfo by John Robert Cozens, c. 1783- 88)

Background imageLate Baroque Collection: William Godwin by James Northcote

William Godwin by James Northcote
3782815 William Godwin by James Northcote by Northcote, James (1746-1831); (add.info.: William Godwin by James Northcote. British writer and political philosopher)

Background imageLate Baroque Collection: George Frederic Handel monument, Westminster Abbey

George Frederic Handel monument, Westminster Abbey
3849822 George Frederic Handel monument, Westminster Abbey by Roubilliac, Louis Francois (1695-1762); (add.info.: George Frederic Handel monument, , unveiled in 1762. Westminster Abbey, London UK)

Background imageLate Baroque Collection: George Frederic Handel monument, Westminster Abbey

George Frederic Handel monument, Westminster Abbey
3849819 George Frederic Handel monument, Westminster Abbey by Roubilliac, Louis Francois (1695-1762); (add.info.: George Frederic Handel monument, Westminster Abbey, London UK)

Background imageLate Baroque Collection: Womans costume in reign of George II (1727-1760)

Womans costume in reign of George II (1727-1760)
3780852 Womans costume in reign of George II (1727-1760) by Calthrop, Dion Clayton (1875-1937); (add.info.: Womans costume in reign of George II (1727 -1760)

Background imageLate Baroque Collection: Mans costume in reign of Anne I (1702-1714)

Mans costume in reign of Anne I (1702-1714)
3780847 Mans costume in reign of Anne I (1702-1714) by Calthrop, Dion Clayton (1875-1937); (add.info.: Mans costume in reign of Anne I (1702 -1714)

Background imageLate Baroque Collection: Opera Costume, from the Menus Plaisirs Collection, facsimile by A

Opera Costume, from the Menus Plaisirs Collection, facsimile by A
STC135414 Opera Costume, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils (colour litho) by French School

Background imageLate Baroque Collection: Minton vase, 1862 (ceramic)

Minton vase, 1862 (ceramic)
BAL1418 Minton vase, 1862 (ceramic) by English School, (19th century); Private Collection; English, out of copyright

Background imageLate Baroque Collection: Portrait of Ferdinand VI (Fernando VI, 1713-1759), king of Spain

Portrait of Ferdinand VI (Fernando VI, 1713-1759), king of Spain
AIS5377203 Portrait of Ferdinand VI (Fernando VI, 1713-1759), king of Spain, 18th century (oil on canvas) by Loo, Louis Michel van (1707-71); Ministry of Foreign Affairs, Madrid

Background imageLate Baroque Collection: Interior view of the Rotunda of Ranelagh in London, 1754 (oil on canvas)

Interior view of the Rotunda of Ranelagh in London, 1754 (oil on canvas)
6219557 Interior view of the Rotunda of Ranelagh in London, 1754 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 75.5x46 cm; National Gallery, London, UK; Italian, out of copyright

Background imageLate Baroque Collection: Facade of the Church of Saint-Sulpice, Paris (photo)

Facade of the Church of Saint-Sulpice, Paris (photo)
904716 Facade of the Church of Saint-Sulpice, Paris (photo) by Servandoni, Giovanni Niccolo (1695-1766); (add.info.: Designed by Jean-Nicolas Servan)

Background imageLate Baroque Collection: The Virgin Enthroned between Saints Carlo Borromeo and Ignatius of Loyola, c

The Virgin Enthroned between Saints Carlo Borromeo and Ignatius of Loyola, c
703348 The Virgin Enthroned between Saints Carlo Borromeo and Ignatius of Loyola, c.1685 (oil on canvas) by Maratti, Carlo (1625-1713); Santa Maria in Vallicella, Rome

Background imageLate Baroque Collection: Sauce boat made for the table of Mme. de Pompadour, bearing her coat of arms, Paris

Sauce boat made for the table of Mme. de Pompadour, bearing her coat of arms, Paris
BAL1134 Sauce boat made for the table of Mme. de Pompadour, bearing her coat of arms, Paris, 1745-55 (silver & parcel-gilt) by Joubert, Francois (fl.1749); Musee des Arts Decoratifs, Paris

Background imageLate Baroque Collection: Costume design for Phrygienne, in Dardanus, a libretto by Leclerc de Labruere

Costume design for Phrygienne, in Dardanus, a libretto by Leclerc de Labruere
STC135411 Costume design for Phrygienne, in Dardanus, a libretto by Leclerc de Labruere, composed by Jean-Philippe Rameau (1683-1764) facsimile by A

Background imageLate Baroque Collection: HMS Discovery

HMS Discovery
3781940 HMS Discovery by Cooke, Edward William (1811-80) (after); (add.info.: HMS Discovery, from a drawing by Edward William Cooke, R.A)

Background imageLate Baroque Collection: Gullivers travels by Johnathan Swift

Gullivers travels by Johnathan Swift
3750929 Gullivers travels by Johnathan Swift by Rackham, Arthur (1867-1939); (add.info.: Gullivers travels by Johnathan Swift. First Published in 1726. Caption: Gulliver and the apples)

Background imageLate Baroque Collection: Eclipse at Newmarket, with a Groom and a Jockey

Eclipse at Newmarket, with a Groom and a Jockey
3854251 Eclipse at Newmarket, with a Groom and a Jockey by Stubbs, George (1724-1806); (add.info.: Eclipse at Newmarket, with a Groom and a Jockey by George Stubbs, c)

Background imageLate Baroque Collection: George Frederic Handel statue by Roubiliac

George Frederic Handel statue by Roubiliac
3849828 George Frederic Handel statue by Roubiliac by Roubilliac, Louis Francois (1695-1762); Victoria & Albert Museum, London

Background imageLate Baroque Collection: Group in Florence by Thomas Patch

Group in Florence by Thomas Patch
3849895 Group in Florence by Thomas Patch by Patch, Thomas (1720-82); (add.info.: Group in Florence by Thomas Patch, English painter)

Background imageLate Baroque Collection: Still life with flowers and fruit

Still life with flowers and fruit
3573699 Still life with flowers and fruit by Bimbi, Bartolomeo (1648-1725); Museum of Still Life, deposits, Poggio a Caiano, Florence, Tuscany

Background imageLate Baroque Collection: Saint Louis of France giving the Holy Thorn to Beato Bartholomew of Breganze

Saint Louis of France giving the Holy Thorn to Beato Bartholomew of Breganze
3574127 Saint Louis of France giving the Holy Thorn to Beato Bartholomew of Breganze by Carboncino, Giovanni (c.1672-92); Cathedral, Vicenza, Veneto, Italy; (add.info.: Artist: Carboncino)

Background imageLate Baroque Collection: Still-life of fruit

Still-life of fruit
3573757 Still-life of fruit by Cassana, Niccolo (1659-1714); Museum of Still Life, deposits, Poggio a Caiano, Florence, Tuscany, Italy; (add.info.: Kept in storage at Palazzo Pitti in Florence)

Background imageLate Baroque Collection: Gullivers travels by Johnathan Swift

Gullivers travels by Johnathan Swift
3750932 Gullivers travels by Johnathan Swift by Rackham, Arthur (1867-1939); (add.info.: Gullivers travels by Johnathan Swift. First Published in 1726. Caption: Gulliver and the frog)

Background imageLate Baroque Collection: Vase of flowers (fresco)

Vase of flowers (fresco)
3574046 Vase of flowers (fresco) by Ferrari, Francesco (1634-1708); Villa Nani Mocenigo, Canda, Rovigo, Italy; (add.info.: Artist: Ferrari)

Background imageLate Baroque Collection: Allegory of Justice and Cousel (fresco)

Allegory of Justice and Cousel (fresco)
3574044 Allegory of Justice and Cousel (fresco) by Ferrari, Francesco (1634-1708); Villa Nani Mocenigo, Canda, Rovigo, Italy; (add.info.: Artist: Ferrari)

Background imageLate Baroque Collection: Edmund Burke

Edmund Burke
3781937 Edmund Burke by Reynolds, Joshua (1723-92); (add.info.: Edmund Burke, engraving after work by Sir Joshua Reynolds, 1767-1769)

Background imageLate Baroque Collection: Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac

Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac
STC135413 Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A

Background imageLate Baroque Collection: Monsieur Jeliotte as Pigmalion, in Pigmalion, a libretto by Lamotte

Monsieur Jeliotte as Pigmalion, in Pigmalion, a libretto by Lamotte
STC135407 Monsieur Jeliotte as Pigmalion, in Pigmalion, a libretto by Lamotte, composed by Jean-Philippe Rameau (1683-1764) 1748 (colour engraving) by French School

Background imageLate Baroque Collection: Vase of Flowers, 1722 (oil on panel)

Vase of Flowers, 1722 (oil on panel)
FIA5397331 Vase of Flowers, 1722 (oil on panel) by Huysum, Jan van (1682-1749); 80.3 A-- 61 cm; J. Paul Getty Museum, Los Angeles, USA; Dutch, out of copyright

Background imageLate Baroque Collection: The Minuet by John Zoffany

The Minuet by John Zoffany
3849617 The Minuet by John Zoffany by Zoffany, Johann (1733-1810); (add.info.: The Minuet by John (Johann) Zoffany, German painter (1733 - 1810). Mezzotint by A. Cox.); Photo © Derek Bayes

Background imageLate Baroque Collection: Still life with a basket of artichokes (fresco)

Still life with a basket of artichokes (fresco)
3574048 Still life with a basket of artichokes (fresco) by Ferrari, Francesco (1634-1708); Villa Nani Mocenigo, Canda, Rovigo

Background imageLate Baroque Collection: Still life with thistles (fresco)

Still life with thistles (fresco)
3574047 Still life with thistles (fresco) by Ferrari, Francesco (1634-1708); Villa Nani Mocenigo, Canda, Rovigo, Italy; (add.info.: On a wall of the Villa Nani Mocenigo in Canda Artist: Ferrari)

Background imageLate Baroque Collection: Costume design for the Magician, in Dardanus, a libretto by Leclerc de Labruere

Costume design for the Magician, in Dardanus, a libretto by Leclerc de Labruere
STC135410 Costume design for the Magician, in Dardanus, a libretto by Leclerc de Labruere, composed by Jean-Philippe Rameau (1683-1764) facsimile by A

Background imageLate Baroque Collection: Charles Grey, 2nd Earl Grey

Charles Grey, 2nd Earl Grey
3782821 Charles Grey, 2nd Earl Grey by Romney, George (1734-1802); (add.info.: Charles Grey, 2nd Earl Grey by George Romney)

Background imageLate Baroque Collection: Womans costume in reign of George I (1714-1727)

Womans costume in reign of George I (1714-1727)
3780850 Womans costume in reign of George I (1714-1727) by Calthrop, Dion Clayton (1875-1937); (add.info.: Womans costume in reign of George I (1714 -1727)

Background imageLate Baroque Collection: Mans costume in reign of George I (1714-1727)

Mans costume in reign of George I (1714-1727)
3780848 Mans costume in reign of George I (1714-1727) by Calthrop, Dion Clayton (1875-1937); (add.info.: Mans costume in reign of George I (1714 -1727)




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Late Baroque, also known as the Rococo period, was a time of artistic brilliance and extravagance. It was characterized by intricate details, ornate designs, and a sense of opulence that permeated every aspect of life. One notable artwork from this era is "Diana at the Bath" by Louis Desplaces. This painting captures the essence with its delicate brushstrokes and sensual subject matter. The artist skillfully portrays Diana, the goddess of hunting and chastity, in a vulnerable yet captivating pose. Another prominent figure during this period was Jonathan Swift, whose novel "Gulliver's Travels" satirized society's flaws through fantastical tales. Swift used wit and irony to critique political corruption and social inequality prevalent in his time. The Late-Baroque mausoleum of Marshal Maurice de Saxe stands as a testament to the grandeur of this era. Its elaborate architecture showcases intricate carvings and lavish decorations that reflect the wealth and power associated with late Baroque aesthetics. Andrea Miglionico's "Annunciation to Saint Zachari" exemplifies the religious themes often depicted during this period. The painting depicts an angel announcing Mary's miraculous conception to her husband Zachari. The use of vibrant colors and dramatic lighting adds depth to this sacred scene. The Day of Atonement or Yom Kippur holds great significance for Jewish people worldwide. During late Baroque times, communities would come together for solemn prayers and fasting on this holy day as they sought forgiveness for their sins. In portraiture, George Richmond captured William Wilberforce's likeness with remarkable precision during late Baroque times. Wilberforce was an influential British politician who dedicated his life to abolishing slavery in England. Ceiling frescoes were popular decorative elements during late Baroque times; one such example is seen in a sketch by an unknown artist dating back to 1740.