Latin Motto Collection

Portrait Amalia van Solms bust lace flat collar
Portrait of Amalia van Solms, bust with lace flat collar and pearl cords, jewelery on chest in oval frame with Latin motto. In lower margin Latin inscription in three lines

Portrait Wolfgang Willem Palatinate Neuburg bust
Portrait of Wolfgang Willem of the Palatinate Neuburg, bust with chain of Knightly Order of the Golden Fleece in an oval frame with a Latin motto. In lower margin Latin inscription in four lines

Portrait Johan Maurits Count Nassau-Siegen bust
Portrait of Johan Maurits, Count of Nassau-Siegen, bust with flat collar and armor in oval frame with Latin motto. In Latin margin in four lines

Portrait Floris II Count Pallandt bust pleated collar
Portrait of Floris II, Count of Pallandt, bust with pleated collar and chain in oval frame with Latin motto. Four lines of Latin inscription below. Willem Jacobsz

Portrait Hendrik count van den Bergh bust armor
Portrait of Hendrik, count van den Bergh, bust in armor with lace collar, in oval frame with Latin motto. In lower margin Latin inscription in five lines. Hendrik count van den Bergh, Willem Jacobsz

Portrait Catharina van den Bergh Countess Pallandt
Portrait of Catharina van den Bergh, Countess of Pallandt, bust with flat collar in oval frame with Latin motto. Below four lines of Latin inscription, Catharina van den Bergh (Countess of Pallandt)

The Emblem of England, October 1690 (engraving) (b / w photo)
XJF271060 The Emblem of England, October 1690 (engraving) (b/w photo) by English School, (17th century); Private Collection; (add.info.: William III of Orange (1650-1702); King of England

The General Histoire of Virginia, New England and the Summer Isles, 1624 (engraving)
XJF264744 The General Histoire of Virginia, New England and the Summer Isles, 1624 (engraving) (b/w photo) by English School

Portrait of Floris II, Count of Pallandtzaal, Willem Jacobsz. Delff, Floris II van Pallandt (graaf van Culemborg), 1627

Portrait of William I, Prince of Orange, Willem Jacobsz. Delff, Maurits (prins van Oranje), Frederik Hendrik (prins van Oranje), 1624

Portrait of Wolfgang Willem van de Palts-Neuburg, Willem Jacobsz. Delff, 1630

Portrait of Axel Oxenstierna, Willem Jacobsz. Delff, Staten-Generaal, 1636

Portrait of Floris II, Count of Pallandt, print maker: Willem Jacobsz. Delff, Michiel Jansz van Mierevelt, Floris II van Pallandt graaf van Culemborg, 1627

Portrait of Frederick Henry of the Palatinate, son of the King of Bohemia at the age of 15, Willem Jacobsz. Delff, States General, 1629

Portrait of Frederick V, Elector Palatine, King of Bohemia, Willem Jacobsz. Delff, States General, 1632

Sylva Sylvarum title page, 1627
Sylva Sylvarum title page. This natural history book was written by the English philosopher and statesman Sir Francis Bacon (1561-1626). It was published posthumously in London in 1627

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"Latin Mottos: A Glimpse into the Rich History of Portraits and Emblems" Step back in time as we explore a collection of captivating portraits, each adorned with intricate details and accompanied by Latin mottos that reveal profound meanings. In the first portrait, Amalia van Solms graces us with her presence, her bust exuding elegance. Her lace flat collar adds a touch of delicacy to her regal demeanor. Next, Wolfgang Willem Palatinate Neuburg captivates us with his commanding presence. His bust emanates power and authority, leaving no doubt about his noble lineage. Johan Maurits Count Nassau-Siegen's bust follows suit, radiating an air of wisdom and intellect. The Latin motto accompanying this portrait hints at his deep understanding of life's complexities. Floris II Count Pallandt's pleated collar accentuates his refined taste while adding a dash of sophistication to his likeness. His bust tells tales of valor and chivalry through its intricate craftsmanship. Hendrik count van den Bergh stands tall in armor, symbolizing strength and resilience. This portrait reminds us that sometimes battles must be fought both on the battlefield and within ourselves. Catharina van den Bergh Countess Pallandt enchants us with her gracefulness captured in paint. Her gentle spirit shines through as she gazes upon us from centuries past. Moving beyond portraits, we delve into engravings that hold significant historical value. The Emblem of England transports us to October 1690 when this emblem represented national pride amidst turbulent times. The General Histoire takes us even further back to 1624 when Virginia, New England, and the Summer Isles were still shrouded in mystery for many Europeans seeking adventure across uncharted waters. As our journey continues through time, we encounter more remarkable portraits.