Lazarus Collection (#7)

Mount Olives Bethphage Bethany Church Lazarus
Mount of Olives, Bethphage and Bethany Bethany, Church of Lazarus. 1948, West Bank, Bethany, Middle East

Mount Olives Bethany Tomb Lazarus 1900 West Bank
Mount of Olives, Bethany, Tomb of Lazarus 1900, West Bank, Bethany

Environs Jerusalem Lazarus Tomb American Colony
Environs of Jerusalem. Lazarus Tomb American Colony, Jerusalem. 1898, West Bank, Bethany, Israel

Tomb Lazarus 1898 West Bank Bethany
Tomb of Lazarus. 1898, West Bank, Bethany

Church Lazarus Bethany 1940 West Bank
Church of Lazarus in Bethany. 1940 West Bank

Bethany Village Church Lazarus 1940 West Bank
Bethany. Village showing Church of Lazarus. 1940, West Bank, Bethany

Lazarus Bosom Abraham Rich Man Hell Follower
Lazarus in the Bosom of Abraham, The Rich Man in Hell; Follower of Hans Schilling (German, active 1459 - 1467), from the Workshop of Diebold Lauber (German, active 1427 - 1467); Hagenau, Alsace

Lazarus Soul Carried Abraham Master James IV
Lazaruss Soul Carried to Abraham; Master of James IV of Scotland (Flemish, before 1465 - about 1541); Bruges, Belgium; about 1510 - 1520; Tempera colors, gold

Raising Lazarus Strasbourg France early 16th
The Raising of Lazarus; Strasbourg, France; early 16th century; Tempera colors on parchment; Leaf: 13.5 x 10.5 cm (5 5, 16 x 4 1, 8 in.)

Second Temptation Christ Third Temptation Raising
The Second Temptation of Christ; The Third Temptation of Christ; The Raising of Lazarus; The Entry into Jerusalem; Paris, France; about 1250 - 1260; Tempera colors, gold leaf

Healing Paralytic Raising Lazarus Lake Van Turkey
The Healing of the Paralytic; The Raising of Lazarus; Lake Van, Turkey; 1386; Black ink and watercolors on paper bound between wood boards covered with dark brown kidskin; Leaf: 24 x 16.5 cm (9 7)

Initial D Raising Lazarus Georges Trubert French
Initial D: The Raising of Lazarus; Georges Trubert (French, active Provence, France 1469 - 1508); Provence, France; about 1480 - 1490; Tempera colors, gold leaf, gold and silver paint

Raising Lazarus Norfolk perhaps written East Anglia
The Raising of Lazarus; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Lazarus Rich Man 1550 Jacopo Bassano Italian
Lazarus and the Rich Man, c. 1550. Jacopo Bassano (Italian, ca. 1510-1592). Oil on canvas; framed: 176 x 251 x 12 cm (69 5/16 x 98 13/16 x 4 3/4 in.); unframed: 146 x 221 cm (57 1/2 x 87 in.)

Christ House Lazarus 1510 Hans Burgkmair German
Christ in the House of Lazarus, 1510. Hans Burgkmair (German, 1473-1531). Woodcut

Printed Book Hours Rome fol 73r Lazarus 1510
Printed Book of Hours (Use of Rome): fol. 73r, Lazarus, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Resurrection Lazarus Giovanni Benedetto Castiglione
The Resurrection of Lazarus. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching

Fragment Double Capital Mary Martha Raising Lazarus
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus, 1145-1165. Southwest France, Ariege, region of Foix, mid-12th century

The Raising Of Lazarus Engraved Bys Allen From The National Illustrated Family Bible Published C1870

The Parable of the Rich Man and the Beggar Lazarus, 17th century. Artist: Frans Francken II
The Parable of the Rich Man and the Beggar Lazarus, 17th century. Found in the collection of the State Art Museum, Yekaterinburg, Russia

The Raising of Lazarus. 16th century, by Onufri
The Raising of Lazarus. 16th century. Painted by Onufri. National Museum of Medieval Art. Korce. Republic of Albania

SKYLITZER, John (9th century). Madrid Skylitzes
" SKYLITZER, John (9th century). Madrid Skylitzes " Synopsis historiarum". Synopsis of Histories about the reigns of the Byzantine emperors. 12th c

The Raising of Lazarus
Artist: Palma, Jacopo il giovane (after) - Title: The Raising of Lazarus - Date: N/A - Original Medium and Size: Oil on Canvas 45.7 x 67

Emma Lazarus
EMMA LAZARUS American poet: author of inscription on the Statue of Liberty Date: 1849 - 1887

Washing ore to extract gold. Water is fed into a sieve containing crushed ore. Solution containing ore in suspension is fed along collecting pans, often lined with dark woollen cloth

The Raising of Lazarus, ca 1518. Artist: Piombo, Sebastiano, del (1485-1547)
The Raising of Lazarus, ca 1518. Found in the collection of the National Gallery, London

The Rich Man and the Poor Lazarus, 1625. Artist: Terbrugghen, Hendrick Jansz (1588-1629)
The Rich Man and the Poor Lazarus, 1625. Found in the collection of the Centraal Museum, Utrecht

The Raising of Lazarus (after Rembrandt), 1890. Artist: Gogh, Vincent, van (1853-1890)
The Raising of Lazarus (after Rembrandt), 1890. Found in the collection of the Van Gogh Museum, Amsterdam

Book of Hours, Detail: Dives tormented by demons and watched by the soul of Lazarus, c. 1500. From a private collection

The Resurrection of Lazarus (from Lettres batardes), ca 1490-1510. Artist: Poyet, Jean (active 1483-1497)
The Resurrection of Lazarus (from Lettres batardes), ca 1490-1510. Found in the collection of the The Huntington, California

The Raising of Lazarus. Artist: Vos, Simon de (1603-1676)
The Raising of Lazarus. Found in the collection of the National Gallery, London

The Rich Man being led to Hell, c. 1647-1648. Artist: Teniers, David, the Younger (1610-1690)
The Rich Man being led to Hell, c. 1647-1648. Found in the collection of the National Gallery, London

The Raising of Lazarus, late 16th or 17th century. Artist: Alessandro Tiarini
The Raising of Lazarus, late 16th or 17th century. Found in the collection of the State Art Museum, Yekaterinburg, Russia

The Raising of Lazarus, 1512. Artist: Albrecht Durer
The Raising of Lazarus, 1512. Durer, Albrecht (1471-1528). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Preparation of copper and silver to be alloyed for production of coins, 1683. Copper is melted (1) while an apprentice (9) soaks birch twigs in water

Baptism of Jesus and the Raising of Lazarus, 1336. Artist: Sargis Pidsak
Baptism of Jesus and the Raising of Lazarus, 1336. In the top of the image Jesus is being baptised by his cousin St John the Baptist

The Raising of Lazarus, mid 15th century. Artist: Albert van Ouwater
The Raising of Lazarus, mid 15th century. Jesus raised Lazarus, brother of Martha and Mary (left) from the tomb after four days. The scene is set inside a church

The Raising of Lazarus, c1268. Artist: T oros Roslin
The Raising of Lazarus, c1268. Martha and Mary, sisters of Lazarus, kneel at Jesus feet as Lazarus is led from tomb in his shroud

Jesus raising Lazarus after four days, c1280
Jesus raising Lazarus after four days c1280. Martha and Mary, sisters of Lazarus, kneel at Jesus feet. From an Armenian Evangelistary

Popular Russian religious print, 19th century. Episodes in the ministry of Jesus including the miracle of the Raising of Lazarus (bottom left)

Jesus performing miracles, 1394. Artist: Rotakes
Jesus performing miracles, 1394. Jesus curing the man possessed of a devil (top) and raising Lazarus, brother of Martha and Mary, after four days (bottom)

Project for a Wall Decoration of a vault, 16th century. Artist: Perino del Vaga
Project for a Wall Decoration of a vault, 16th century

Crystallization of saltpetre (nitre, potassium nitrate, or KN03), 1683. Saltpetre is the principal ingredient in gunpowder, and is still used in the preservation of some foods

Checking the quality of saltpetre (nitre, potassium nitrate, or KN03), 1683. Saltpetre is the principal ingredient in gunpowder, and is still used in the preservation of some foods

Laboratory for refining gold and silver, showing typical laboratory equipment, 1683. 1) Athanor or Slow Harry, a self-feeding furnace maintaining a constant temperature

Production of saltpetre (nitre, potassium nitrate, or KN03), 1683. Nitre beds, heaps of manure mixed with chalky earth. These were watered with urine and manure water

Distillation of Nitric Acid, 1683. Also known as Aqua Fortis or Parting Acid, nitric acid was widely used in the refining and assaying of metals

Athanor or Slow Harry, a self-feeding furnace maintaining a constant temperature, 1683. Centre: 1) Athanor or Slow Harry ; 2) side chambers containing reagents; 3) glass receivers

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Lazarus: A Tale of Resurrection, Faith, and Musical Inspiration" In the enchanting engraving from 1870 titled "Lazarus at the Rich Man's Door, " we witness a poignant scene that speaks volumes about social inequality. The image captures Lazarus, a destitute beggar, yearning for compassion and sustenance while being ignored by the wealthy. Contrasting this depiction is another mesmerizing engraving from the same period called "The Resurrection of Lazarus. " Here, we are transported to Bethany near Jerusalem, where Jesus performs an extraordinary miracle by raising Lazarus from death itself. This powerful moment symbolizes hope triumphing over despair and showcases divine intervention. Delving deeper into history, we discover Richard Penlake's book on modern Palestine published around 1910. Within its pages lies a glimpse into the biblical village of Bethany – home to Martha, Mary, and Lazarus. This serene setting serves as a backdrop for their remarkable story of faith and friendship with Jesus. Moving beyond visual artistry alone, music also pays homage to Lazarus' tale. In an intriguing gathering depicted in 1853 titled "Musical Gathering of Composers and Musicians, " artists find inspiration in his resurrection narrative. Through harmonious melodies or soul-stirring compositions like "Dives and Lazarus, " they seek to capture the essence of this profound event through their craft. Rembrandt van Rijn's etching masterpiece from 1642 further immortalizes this biblical account in his work titled "The Raising of Lazarus: Small Plate. " With meticulous detail and masterful technique characteristic of Rembrandt's style, he brings forth emotions that resonate across centuries – awe at witnessing life restored against all odds. Andrea Vicentino adds yet another layer to our understanding with his painting circa 1600 named "The Raising of Lazarus.