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Leaded Glass Collection (#2)

Leaded glass, a timeless art form that has graced the windows of magnificent structures throughout history

Background imageLeaded Glass Collection: Leadenhall Street, 18th century, (1925). Creator: Unknown

Leadenhall Street, 18th century, (1925). Creator: Unknown
Leadenhall Street, 18th century, (1925). Situated in the City of London, the historic nucleus of modern London as well its primary financial district

Background imageLeaded Glass Collection: TIFFANY LAMP. Wisteria leaded glass and bronze table lamp in the form of a tree

TIFFANY LAMP. Wisteria leaded glass and bronze table lamp in the form of a tree, by Louis Comfort Tiffany, c1900

Background imageLeaded Glass Collection: Europe, France, Burgundy, Nievre, Nevers

Europe, France, Burgundy, Nievre, Nevers. Crucifix in Nevers Cathedral (Cathedrale Saint-Cyr-et-Sainte-Julitte de Nevers)

Background imageLeaded Glass Collection: Design for Living Room in a Small House, c1900, (1905). Artist: John Archibald Campbell

Design for Living Room in a Small House, c1900, (1905). Artist: John Archibald Campbell
Design for Living Room in a Small House, c1900, (1905). From The Studio Volume 35. [London Offices of the Studio, London, 1905]

Background imageLeaded Glass Collection: How Long!, c1889, (1917). Artist: Herbert Gustave Schmalz

How Long!, c1889, (1917). Artist: Herbert Gustave Schmalz
How Long!, c1889, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageLeaded Glass Collection: Reception room, office and residence of Frederick Sterner, New York, 1922

Reception room, office and residence of Frederick Sterner, New York, 1922. Frederick Sterner (1862-1931) was a British-born American architect. From The Architectural Forum Volume XXXVII

Background imageLeaded Glass Collection: Details of south wall in court - house of Carll Tucker, Mount Kisco, New York, 1925

Details of south wall in court - house of Carll Tucker, Mount Kisco, New York, 1925. Artist: Walker and Gillette
Details of south wall in court - house of Carll Tucker, Mount Kisco, New York, 1925. From The Architectural Forum Volume XLII. [Rogers and Manson, New York, 1925]

Background imageLeaded Glass Collection: The March of Intellect, or, Old Bull in a Fix, (Now Grandfather its your move)

The March of Intellect, or, Old Bull in a Fix, (Now Grandfather its your move). Stereoscope Detail

Background imageLeaded Glass Collection: Woman at a Window, 1654 (panel)

Woman at a Window, 1654 (panel)
XAM74869 Woman at a Window, 1654 (panel) by Vrel or Frel, Jacobus (fl.1654-62); 66x47.5 cm; Kunsthistorisches Museum, Vienna, Austria; Dutch, out of copyright

Background imageLeaded Glass Collection: Man at a Window, 1653 (oil on canvas)

Man at a Window, 1653 (oil on canvas)
XAM72443 Man at a Window, 1653 (oil on canvas) by Hoogstraten, Samuel van (1627-78); 111x86.5 cm; Kunsthistorisches Museum, Vienna, Austria; Dutch, out of copyright

Background imageLeaded Glass Collection: In a residential section of Auray, France, I captured a cat perched on a windowsill

In a residential section of Auray, France, I captured a cat perched on a windowsill with a flowerbox

Background imageLeaded Glass Collection: The decorated vaulted ceiling in St. Marys church

The decorated vaulted ceiling in St. Marys church
The ornately decorated vaulted ceiling in the Church of St Mary in Krakow, Poland.Very famous in this basilica is the altarpiece of Veit Stoss

Background imageLeaded Glass Collection: The decorated ceiling in St. Marys church, Krakow

The decorated ceiling in St. Marys church, Krakow
The ornately decorated vaulted ceiling in the Church of St Mary in Krakow, Poland




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Leaded glass, a timeless art form that has graced the windows of magnificent structures throughout history. From Louis Sullivan's Babson House to Charles Rennie Mackintosh's table in Scotland, these masterpieces showcase the intricate beauty and craftsmanship of leaded glass. Intriguing narratives unfold within each pane, like Mordecai overhearing a conspiracy or witnessing The Birth and Naming of Saint John the Baptist. These scenes transport us back to the Netherlands in 1525, where unknown creators skillfully captured moments frozen in time. The Lovers in a Garden window from 1520/30 evokes an air of romance and mystery as we peer into their secret rendezvous. Meanwhile, Tiffany & Co's lamp shade from 1899/1909 illuminates any room with its vibrant colors and delicate patterns. Even though some structures have been lost to time, like Ravinia Park Casino Building demolished in 1986, their leaded glass windows remain as remnants of architectural splendor. They tell stories through stained glass brushstrokes - A Nun Kneeling before Saint John the Evangelist transports us to Germany circa 1500 while The Hanging of Judas takes us to Alsace around 1520. Traveling further back in time, we encounter a Roundel with Elder of the Apocalypse from France dating back to1250/75. Its ancient allure captivates our imagination as we ponder its significance centuries later. Similarly captivating is Saints and Worshippers in Adoration from France circa1510/15; it invites contemplation on devotion and spirituality. Lastly, Harvey Ellis' window created around 1900 showcases his unique style that seamlessly blends elegance with simplicity. Each piece tells its own story but collectively they celebrate leaded glass as an enduring art form that transcends time and borders. From grand cathedrals to humble abodes, these leaded glass creations continue to mesmerize viewers with their beauty and craftsmanship.