Leaning Forwards Collection (#5)

Repos au bain, 1888 (oil on canvas)
1197499 Repos au bain, 1888 (oil on canvas) by Ralli, Theodore Jacques (1852-1909); 45.7x38.1 cm; Private Collection; Photo eChristies Images; French, out of copyright

Man Tipping his Hat, c. 1872-1875 (pencil on paper)
1195569 Man Tipping his Hat, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930); 21.5x18.1 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Alpleben, Triptych; Alpleben, Triptychon, 1918 (oil on canvas)
824429 Alpleben, Triptych; Alpleben, Triptychon, 1918 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 70x80.3 cm; Private Collection; (add.info.: Alpleben, Triptych; Alpleben, Triptychon)

Zoological Garden II; Zoologischer Garten II, 1912 (watercolour
824419 Zoological Garden II; Zoologischer Garten II, 1912 (watercolour, pen and black ink and pencil on paper) by Macke, August (1887-1914); 43.6x49.7 cm; Private Collection; (add.info)

Two Nudes in the Room; Zwei Akte im Raum, 1914 (oil on canvas)
824298 Two Nudes in the Room; Zwei Akte im Raum, 1914 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 101.6x75 cm; Private Collection; (add.info.: Two Nudes in the Room; Zwei Akte im Raum)

Harvest, Tying the Sheaves, 1902 (oil on canvas)
991398 Harvest, Tying the Sheaves, 1902 (oil on canvas) by Clausen, George (1852-1944); 89x63.5 cm; Private Collection; (add.info.: Harvest, Tying the Sheaves. Sir George Clausen (1852-1944)

The Chariot of Apollo, 1907-1908 (oil on canvas)
988902 The Chariot of Apollo, 1907-1908 (oil on canvas) by Redon, Odilon (1840-1916); 100.3x81.2 cm; Private Collection; (add.info.: The Chariot of Apollo; Le Char d Apollon)

Watching the Fiance pass by, 1886 (oil on canvas)
987328 Watching the Fiance pass by, 1886 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 66x51 cm; Private Collection; (add.info.: Watching the Fiance pass by; L Attente - Le Fiance qui Passe)

My Hobby (oil on canvas)
987323 My Hobby (oil on canvas) by Bjorck, Oscar Gustaf (1860-1929); 123.1x146.1 cm; Private Collection; (add.info.: My Hobby; Min Hobby. Oscar Gustaf Bjorck (1860-1929). Oil on canvas

Getting out of the Bath (Woman Drying Herself), c. 1885 (pastel over monotype on paper)
988512 Getting out of the Bath (Woman Drying Herself), c.1885 (pastel over monotype on paper) by Degas, Edgar (1834-1917); 44x24 cm; Private Collection; (add.info)

Potato Gatherer, 1885 (black chalk on paper)
988447 Potato Gatherer, 1885 (black chalk on paper) by Gogh, Vincent van (1853-90); 27.9x22.2 cm; Private Collection; (add.info.: Potato Gatherer; Arracheur de Pommes de Terres)

The Artists Studio, (oil on canvas)
989612 The Artists Studio, (oil on canvas) by Biard, Francois Auguste (1798-1882); 46.3x61.6 cm; Private Collection; (add.info.: The Artists Studio. Francois Auguste Biard (1798-1882). Oil on canvas

Reading the News, 1887 (oil on canvas)
989987 Reading the News, 1887 (oil on canvas) by Webb, Charles Meer (1830-1895); 94x126 cm; Private Collection; (add.info.: Reading the News. Charles Meer Webb (1830-1895). Oil on canvas

Profile of a Dancer, (charcoal with white chalk on blue paper)
988316 Profile of a Dancer, (charcoal with white chalk on blue paper) by Degas, Edgar (1834-1917); 46x30 cm; Private Collection; (add.info.: Profile of a Dancer; Danseuse vue de Profil)

Leaving the Alhambra, 1887 (oil on canvas)
989325 Leaving the Alhambra, 1887 (oil on canvas) by Moore, Harry Humphrey (1844-1926); 63x37 cm; Private Collection; (add.info.: Leaving the Alhambra. Harry Humphrey Moore (1844-1926)

Wood Ibis, Scarlet Flamingo, White Ibis, c. 1828-1829 (hand-coloured engraving)
985841 Wood Ibis, Scarlet Flamingo, White Ibis, c.1828-1829 (hand-coloured engraving) by Wilson, Alexander (1766-1813) (after); 37.8x29.8 cm; Private Collection; (add.info.: Wood Ibis)

An Illustration from Les Fleurs du Mal by Charles Baudelaire
985599 An Illustration from Les Fleurs du Mal by Charles Baudelaire, with a Portrait of the Author, c.1899 (colour etching) by Rassenfosse

The Necklace, (oil on canvas)
984930 The Necklace, (oil on canvas) by Miller, Richard Emil (1875-1943); 66.4x71.4 cm; Private Collection; (add.info.: The Necklace. Richard Edward Miller (1875-1943). Oil on canvas

The First Meal, c. 1894 (oil on canvas)
1772163 The First Meal, c.1894 (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 109.2x97.8 cm; Private Collection; (add.info.: The First Meal. Henry Herbert La Thangue (1859-1929)

Dancer and Abonne, at the Opera; Danseuse et Abonne, a l opera, c
1768110 Dancer and Abonne, at the Opera; Danseuse et Abonne, a l opera, c.1905 (oil on canvas) by Forain, Jean Louis (1852-1931); 50.2x61 cm; Private Collection; (add.info.: Dancer and Abonne)

The Lonely; Der Einsame, 1911 (bronze with brown patina)
826512 The Lonely; Der Einsame, 1911 (bronze with brown patina) by Barlach, Ernst (1870-1938); 60.5 High cm; Private Collection; (add.info.: The Lonely; Der Einsame. Ernst Barlach (1870-1938)

Woman in Arabic Dress Reading; Femme en Blouse arabe lisant, 1919 (oil on canvas)
826567 Woman in Arabic Dress Reading; Femme en Blouse arabe lisant, 1919 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 39.2x40.4 cm; Private Collection; (add.info)

Their Lucky Day, (oil on canvas)
823045 Their Lucky Day, (oil on canvas) by Goodwin, Philip Russell (1882-1935); 61.2x84.1 cm; Private Collection; (add.info.: Their Lucky Day. Philip Russell Goodwin (1882-1935). Oil on canvas

The New Arrival, (oil on canvas)
827255 The New Arrival, (oil on canvas) by Langley, Walter (1852-1922); 109.5x122 cm; Private Collection; (add.info.: The New Arrival. Walter Langley (1852-1922). Oil on canvas

An Elegant Lady, Standing full-length, (black, red and white chalk)
827229 An Elegant Lady, Standing full-length, (black, red and white chalk) by Helleu, Paul Cesar (1859-1927); 74.2x56 cm; Private Collection; (add.info.: An Elegant Lady, Standing full-length)

The Gypsy Couple, 1887 (oil on canvas)
827114 The Gypsy Couple, 1887 (oil on canvas) by Roll, Alfred (1846-1919); 93x66.6 cm; Private Collection; (add.info.: The Gypsy Couple. Ernest-Joseph Laurent (1859-1929). Oil on canvas

A Chinese Butcher and a Chinese Grocer, (oil on canvas)
828309 A Chinese Butcher and a Chinese Grocer, (oil on canvas) by Chinese School (19th century); 19.1x27.8 cm; Private Collection; (add.info.: A Chinese Butcher and a Chinese Grocer)

The Musicians; Les musiciens, c. 1930 (oil on canvas)
826069 The Musicians; Les musiciens, c.1930 (oil on canvas) by Lebasque, Henri (1865-1937); 94x128 cm; Private Collection; (add.info.: The Musicians; Les musiciens. Henri Lebasque (1865-1937)

Fern Gatherers in the Bois d Amour at Pont Aven; Les Ramasseuses de Fougeres au Bois
826049 Fern Gatherers in the Bois d Amour at Pont Aven; Les Ramasseuses de Fougeres au Bois d Amour a Pont Aven, c.1910 (oil on canvas) by Serusier

Alathea, 1895 (oil on canvas)
985476 Alathea, 1895 (oil on canvas) by Alexander, John White (1856-1915); 61.3x33.4 cm; Private Collection; (add.info.: Alathea. John White Alexander (1856-1915). Oil on canvas. Painted in 1895

Wood Ibis (Tantalus Loculator), 1834 (hand-coloured engraving)
986189 Wood Ibis (Tantalus Loculator), 1834 (hand-coloured engraving) by Audubon, John James (1785-1851) (after); 96.5x64 cm; Private Collection; (add.info.: Wood Ibis (Tantalus Loculator)

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"Leaning Forwards: A Captivating Glimpse into Artistic Expressions" In the realm of art, leaning forwards becomes a powerful gesture that unveils stories untold and emotions unspoken. From The Jewel Box's delicate pencil strokes to the vibrant hues of Bathing's oil on canvas, artists have captured this intriguing posture in various forms. The Barber of Suez portrays a man leaning forward with anticipation, his eyes filled with curiosity as he awaits transformation. Meanwhile, A Lady Playing the Piano in an Interior showcases elegance and grace through her gentle lean towards the keys, creating harmonious melodies that resonate within our souls. Study for A Parisian Cafe reveals a man engrossed in his newspaper while seated at a cafe table; his slight lean signifies immersion in knowledge and current affairs. On another note, the Poster advertising the 1932 Summer Olympic Games held in Los Angeles captures athletes leaning forward with determination and strength as they strive for victory. Mending the Net depicts fishermen huddled together, their bodies bending forward as they repair their tools - symbolizing resilience amidst challenges faced by those who depend on nature's bounty. The Tea Party invites us into an intimate gathering where friends lean closer to share laughter and secrets over steaming cups of tea. Within The Kitchen; La cuisine lies bustling activity as chefs lean towards pots and pans, infusing flavors into culinary creations that tantalize taste buds. Hercules at the Feet of Omphale narrates ancient mythology through its depiction of Hercules humbly bowing before Omphale - showcasing vulnerability beneath immense strength. A Male Nude Pulled by Another Male portrays intimacy between two figures bound by trust; their intertwined bodies subtly convey longing through their shared inclination forward. Lastly, The Sultan's Favorites presents opulence personified as beautiful women recline luxuriously while one leans seductively towards her companion.