Leonardo Da Vinci Collection (#17)

Four drawings of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of ecclesiastical architecture, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of ecclesiastical architecture, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of plans for a castle, and of a nude figure, washed with Indian ink, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of projects for castles and villas, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of projects for castles and villas, c1472-c1519 (1883). Fom the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Drawing of projects for castles and villas, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of projects for castles and villas, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Two architectural drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two architectural drawings, c1472-c1519 (1883): a sketch for decorations from the Trivulzi Manuscript and a plan for a royal residence from the Codex Atlanticus

Architecture for castles, c1472-c1519 (1883). Artist: Leonardo da Vinci
Architecture for castles, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Architecture for castles, c1472-c1519 (1883). Artist: Leonardo da Vinci
Architecture for castles, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two plans for canals in a town, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two plans for canals in a town, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Two drawings of plans for towns, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two drawings of plans for towns, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of a walking horse, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a walking horse, c1472-c1519 (1883). Probably a study for the Sforza Monument. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Drawn in charcoal, pen and Indian ink. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Four drawings of allegorical representations, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of allegorical representations, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of an allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of an allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). Artist: Cesare da Sesto
Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Studies for allegorical compositions, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies for allegorical compositions, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). Artist: Leonardo da Vinci
Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of the head of a criminal, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci
Bust of a boy, c1472-c1519 (1883). A study, in red chalk, for the figure of the Infant Christ in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Artist: Leonardo da Vinci
Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Done with the brush and Indian ink on greenish paper, the lights heightened with white

A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci
A female head, c1472-c1519 (1883). A preparatory drawing in silverpoint on brown-toned paper for the Angel in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the theory of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883. Artist: Leonardo da Vinci
Charcoal drawing, representing a deluge, c1472-c1519 (1883) From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Three drawings, c1472-c1519 (1883). A representation of natural phenomena, and two sketches of a male figures. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of natural phenomena, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci
Study of female hands, drawn with the silverpoint on yellowish tinted paper, heightened with white, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH

Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a bust and minor sketches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Charcoal drawing of a female figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing in red chalk illustrating the theory of the movements of the human figure and sketch in pen and ink of warriors fighting, c1472-c1519 (1883)

Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). One drawn with a pen, the other in silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.