Leonardo Da Vinci Collection (#2)

Caricatures and deformities after Leonardo. Two heads, 1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. Two heads, 1645.

Caricatures and deformities after Leonardo. Two distorted heads, 1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. Two distorted heads, 1645. Depicts two deformed heads. The man on the left seems to be a caricature of Dante

Caricatures and deformities after Leonardo. The old man with curly hair, c.1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. The old man with curly hair, c.1645. A profile of an old man, facing left. He has a mane of curly hair

Caricatures and deformities after Leonardo. The old man with gaps between his teeth, c.1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. The old man with gaps between his teeth, c.1645. The ferocious aspect of this elderly man is emphasised by his massive chin and few remaining teeth

Portrait of Leonardo da Vinci, Italian Renaissance artist
5893206 Portrait of Leonardo da Vinci, Italian Renaissance artist.; (add.info.: Portrait of Leonardo da Vinci, Italian Renaissance artist and polymath, 1452-1519. Leonard de Vinci)

Proportions of the human body after Leonardo's studies, also called Vitruvian man
528748 Proportions of the human body after Leonardo's studies, also called Vitruvian man. Male human body with limbs extended, superimposed on a grid and a circle

Leonardo da Vinci, Italian Renaissance artist, 1827 (lithograph)
5912824 Leonardo da Vinci, Italian Renaissance artist, 1827 (lithograph); (add.info.: Leonardo da Vinci, Italian Renaissance artist, 1452-1519)

"We have found the Mona Lisa in Florence", front page of Excelsior, 13th December 1913 (litho)
LSE3714166 "We have found the Mona Lisa in Florence", front page of Excelsior, 13th December 1913 (litho); Private Collection; (add.info)

Mona Lisa Bubble Gum
Taudalpoi

Portrait of Leonardo da Vinci (1452-1519), engraving
AIS5336064 Portrait of Leonardo da Vinci (1452-1519), engraving; (add.info.: Portrait of Leonardo da Vinci (Leonardo Da Vinci, 1452-1519), Italian painter. Engraving); © Iberfoto

LEONARDO DA VINCI (1452-1519) (engraving)
CUL4862202 LEONARDO DA VINCI (1452-1519) (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: LEONARDO DA VINCI (1452-1519) Madrid. National Library); Photo © JBP/AIC

In the art pen at Ellis Island, 1908 (engraving)
1579917 In the art pen at Ellis Island, 1908 (engraving); (add.info.: Lawrence, Gainsborough, D. Teniers, Rubens, Raphael, Da Vinci, Titian, Durer, Velasquez, Van Dyke)

Portrait of Leonard de Vinci (Leonardo da Vinci), 1910 (chromolithograph)
JAB4119094 Portrait of Leonard de Vinci (Leonardo da Vinci), 1910 (chromolithograph); Photo ©Jaime Abecasis

The Virgin of the Rocks, 1601-1700. Creator: Leonardo da Vinci
The Virgin of the Rocks, 1601-1700

St Catherine of Alexandria, 1495-1532. Creators: Leonardo da Vinci, Bernardino Luini
St Catherine of Alexandria, 1495-1532

AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Creator: Heritage Images
AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Leonardo (1452-1519) was an Italian polymath of the High Renaissance - artist, inventor, engineer, scientist, theorist, sculptor

AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Creator: Heritage Images
AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Leonardo (1452-1519) was an Italian polymath of the High Renaissance - artist, inventor, engineer, scientist, theorist, sculptor

AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Creator: Heritage Images
AI IMAGE - Portrait of Leonardo da Vinci, 1500s, (2023). Leonardo (1452-1519) was an Italian polymath of the High Renaissance - artist, inventor, engineer, scientist, theorist, sculptor

The Death of Leonardo da Vinci in the Arms of François I, c1781. Creator: Francois Guillaume Menageot
The Death of Leonardo da Vinci in the Arms of Francois I, c1781

Grotesque head in profile, c15th century. Creator: Anon
Grotesque head in profile, c15th century

François Ier reçoit les derniers soupirs de Léonard de Vinci, 1818. Creator: Jean-Auguste-Dominique Ingres
Francois Ier recoit les derniers soupirs de Leonard de Vinci, 1818

Two Putti with Lamb, n.d. Creator: School of Leonardo da Vinci Italian, 1452-1519
Two Putti with Lamb, n.d

Allegory: Combat of Animals in the Presence of Man with Shield, 1515/20. Creator: Master of the Beheading of St
Allegory: Combat of Animals in the Presence of Man with Shield, 1515/20

Skater Monalisa
Dikhotomy

Da Vinci
Andreas Magnusson

The Last Supper Engraving
Engraved illustration of The Last Supper Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862. Copyright has expired on this artwork. Digitally restored

Leda and the Swan, 16th century. Found in the Collection of Galleria Borghese, Rome

Self-Portrait (Lucan portrait), ca. 1505-1510. Found in the collection of Museo delle Antiche Genti di Lucania

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

Furry Mona
Tomas Härstedt

Monas sunset
Tomas Härstedt

Studies of central plan buildings, folio 17v from Paris Manuscript B, 1488-90 (pen & ink on paper)
XJF308749 Studies of central plan buildings, folio 17v from Paris Manuscript B, 1488-90 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); 22x16 cm; Bibliotheque de l'Institut de France

Black and white print portrait of Leonardo da Vinci
Leonardo da Vinci

Last Supper, by Leonardo da Vinci, wood engraving, published 1873
The Last Supper. Woodcut engraving after the famous fresco (1494-98) by Leonardo da Vinci (Italian painter, 1452 - 1519) in Milian, published in 1873

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Mona Lisa (La Joconde), 1820-60. Creator: Augustine Fauchery
Mona Lisa (La Joconde), 1820-60

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.