Leopard Skin Collection (#2)

Adam and Eve, 1916-17 (oil on canvas)
6219380 Adam and Eve, 1916-17 (oil on canvas) by Klimt, Gustav (1862-1918); 173x60 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Portrait of a Woman as Diana, 1752 (oil on canvas)
491252 Portrait of a Woman as Diana, 1752 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 100.4x79.5 cm; Cleveland Museum of Art, OH, USA; Bequest of John L. Severance; French, out of copyright

Autumn: Vintage Festival, 1877 (oil on canvas)
BIR99631 Autumn: Vintage Festival, 1877 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 74.9x38 cm; Birmingham Museums and Art Gallery; English, out of copyright

The Women of Amphissa, 1887 (oil on canvas)
CLK339996 The Women of Amphissa, 1887 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 122.5x184.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Angelica and Medoro, 1763 (oil on canvas)
3492918 Angelica and Medoro, 1763 (oil on canvas) by Boucher, Francois (1703-70); 66.7 x 56.2 cm; Metropolitan Museum of Art, New York

An Inmutef priest making an offering, from the Tomb of Ramesses IX (r
XIR216930 An Inmutef priest making an offering, from the Tomb of Ramesses IX (r.1126-1108 BC) New Kingdom (wall painting) by Egyptian 20th Dynasty (1200-1085 BC); Valley of the Kings, Thebes

The African Native Choir, 1891 (woodburytype)
MGS172131 The African Native Choir, 1891 (woodburytype) by English School, (19th century); 9.8x14.6 cm; Private Collection; (add.info.: singers from Cape Colony, South Africa)

Bacchus Reclining, detail from The Punishment of Lycurgus, 2rd-3rd century (mosaic)
XIR212982 Bacchus Reclining, detail from The Punishment of Lycurgus, 2rd-3rd century (mosaic) by Roman; Musee Archeologique, Saint-Romain-en-Gal, France; out of copyright

The Holy Family (oil on canvas)
BAT97482 The Holy Family (oil on canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence, Tuscany

Mars and Venus (oil on board)
AGN125631 Mars and Venus (oil on board) by Etty, William (1787-1849); 24.8x17.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Decius Mus Addressing the Legions, c. 1616 (oil on hardboard
5954191 Decius Mus Addressing the Legions, c.1616 (oil on hardboard, transferred from wood and canvas) by Rubens, Peter Paul (1577-1640); 80.7x84.7 cm; National Gallery of Art, Washington DC

Akasini, King of Assinie, 1780 (coloured engraving)
468730 Akasini, King of Assinie, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Ruler of a kingdom near Ouidah in the Benin region of the Gold Coast)

Horsekeepers, or Ghorawallahs, c. 1860s (b / w photo)
495535 Horsekeepers, or Ghorawallahs, c.1860s (b/w photo) by Hooper, Willoughby Wallace (1837-1912); Private Collection; (add.info)

Music, c. 1883-85 (oil on canvas) (detail of 250639)
LGH250637 Music, c.1883-85 (oil on canvas) (detail of 250639) by Leighton, Frederic (1830-96); 84x231 cm; Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Portrait of the Artists Wife Marian Huxley in her Wedding Dress
658684 Portrait of the Artists Wife Marian Huxley in her Wedding Dress, 1880 (oil on canvas) by Collier, John (1850-1934); 112x91.5 cm; Private Collection; (add.info)

Relief depicting the deceased seated before an offering table with bread (painted stone)
XIR185984 Relief depicting the deceased seated before an offering table with bread (painted stone) by Egyptian, Old Kingdom (c.2613-2181 BC); Saqqara

Jupiter, in the Guise of Diana, and Callisto, 1763 (oil on canvas)
3492917 Jupiter, in the Guise of Diana, and Callisto, 1763 (oil on canvas) by Boucher, Francois (1703-70); 64.8 x 54.9 cm; Metropolitan Museum of Art, New York

Mademoiselle de Migieu as Diana, 1742 (oil on canvas)
HEH416432 Mademoiselle de Migieu as Diana, 1742 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 101x81 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Noon-Day Rest, 1910 (oil on canvas)
NUL48850 Noon-Day Rest, 1910 (oil on canvas) by Godward, John William (1861-1922); Private Collection; English, out of copyright

Ancient Sport (oil on canvas)
BON110513 Ancient Sport (oil on canvas) by Kilburne, George Goodwin (1839-1924); 106.5x132 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

The Judgement of Paris, from The Childrens Hour: Stories from the Classics
IL262816 The Judgement of Paris, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Nude on Leopard Skin, Le Cannet, 1926 (oil on canvas)
1196086 Nude on Leopard Skin, Le Cannet, 1926 (oil on canvas) by Lebasque, Henri (1865-1937); 97x162 cm; Private Collection; Photo eChristies Images; French, out of copyright

Two maenads offer wine to Dionysos c. 1796 (copper engraving)
3959718 Two maenads offer wine to Dionysos c.1796 (copper engraving) by Tischbein, Johann Heinrich Wilhelm (1751-1829); Private Collection; (add.info)

A Wandering Sadhu, c. 1900 (opaque w / c on paper)
874044 A Wandering Sadhu, c.1900 (opaque w/c on paper) by Lal, Chajju (fl.1900); 23.2 x17.5 cm; San Diego Museum of Art, USA; (add.info)

Military Life at Sierra Leone (engraving)
1055175 Military Life at Sierra Leone (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Military Life at Sierra Leone)

From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching)
1067970 From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching) by Chinese School; Dallas Museum of Art, Texas, USA; gift of Mrs. B. Hopkins; Chinese, out of copyright

President Nelson Mandela seen here being greeted in St James Park on the second of his state visit to London by South African musician. He was so thrilled he broke into a dance

Figure of a Moor, 1882. Creator: Carlo Ascenzi
Figure of a Moor, 1882

Sadashiva worshipped by Parvati, ca. 1690. Creator: Devidasa
Sadashiva worshipped by Parvati, ca. 1690. Attributed to Devidasa

In the Studio, before 1887. Creator: Arnoldo Tamburini
In the Studio, before 1887

Cartouche in the Form of a Flayed Tiger Supported by Centaurs, 1647

Black Groom with an Arabian Horse, 1649 / 1650. Creator: Stefano della Bella
Black Groom with an Arabian Horse, 1649/1650

De Forest Interior, 1878. Creator: Walter L. Palmer
De Forest Interior, 1878

Portrait Of A Young Woman Sitting On Marble Seat, 1882. Creator: William Oliver
Portrait Of A Young Woman Sitting On Marble Seat, 1882

Hide and Seek, c. 1877. Creator: James Tissot
Hide and Seek, c. 1877

An Aztec Sculptor, 1887. Creator: George de Forest Brush
An Aztec Sculptor, 1887

Autumn Vintage Festival, 1877. Creator: Sir Lawrence Alma-Tadema
Autumn Vintage Festival, 1877

Portrait of Nicholas Gaze and His Son and St Nicholas, 1525. Creator: Unknown
Portrait of Nicholas Gaze and His Son and St Nicholas, 1525

Morgan-le-Fay, 1864. Creator: Frederick Augustus Sandys
Morgan-le-Fay, 1864 Artist: Frederick Sandys. Morgan le Fay is a powerful enchantress in the Arthurian legend. Early appearances of Morgan do not elaborate her character beyond her role as either a

Plate 15: a Polish nobleman, facing away, holding his horse covered in leopard skin, four men and a horse in background, from Diversi capricci, ca. 1644-47

La Matinee (L heureuse Union), after 1789. Creator: Louis Bosse
La Matinee (L heureuse Union), after 1789

The Members of the Albrecht Durer Society for the Election Year 1843-1844 (Der Albrecht Du... 1843)
The Members of the Albrecht Durer Society for the Election Year 1843-1844 (Der Albrecht Durer Verein seinen Mitgliedern fur das Verwaltungs-Jahr 1843-1844), 1843

The Four Philosophers: Justus Lipsius, Hugo Grotius, Peter Paul Rubens, and Philip Rubens, 1770-82

Drunkenness of Bacchus, 1630-57. 1630-57. Creator: Jonas Suyderhoef
Drunkenness of Bacchus, 1630-57

Hunting Trophies, ca. 1870. Creator: Unknown
Hunting Trophies, ca. 1870

Madame Bergeret de Frouville as Diana, 1756. Creator: Jean-Marc Nattier
Madame Bergeret de Frouville as Diana, 1756

Salome, 1870. Creator: Henri Alexandre Georges Regnault
Salome, 1870

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"Leopard Skin: A Captivating Symbol of Power and Beauty" In Bacchus, 1867 (w/c & bodycolour on paper), the artist skillfully captures the allure as it adorns the god of wine and revelry. The vibrant colors bring to life the sensuality associated with this exotic pattern. Venus Binding her Hair showcases a goddess draped in elegance, enhancing her divine beauty with a touch of leopard print. This timeless depiction highlights how even celestial beings are drawn to its captivating charm. David and Goliath (oil on canvas) portrays David's triumph over his formidable foe, but amidst the battle scene lies an intriguing detail - David's sling is adorned with a strip of leopard skin. It symbolizes his courage and determination in facing insurmountable odds. Cleopatra, scene from Anthony and Cleopatra by William Shakespeare (1564-1616) (litho) presents Egypt's legendary queen wrapped in luxurious garments that include hints of leopard print. Her regal attire reflects her seductive power over both men and empires alike. Interior of a Brazilian Rancho in the Province of Santa Paulo with a Travelling Merchant, his Slaves, and Merchandise (oil on board) depicts an enchanting tableau where even amid rustic surroundings, leopard skins add an air of opulence to this bustling marketplace. Female Slaves Presented to Octavian, 1883 (oil on canvas) unveils ancient Rome's decadence as female slaves are presented before Octavian while wearing delicate veils embellished with touches of leopard print. It represents their subjugation yet also hints at their untamed spirit within. The Confidante, 1910 (oil on canvas), shows two women engaged in intimate conversation while one drapes herself languidly across a chaise lounge covered in sumptuous leopard fabric. The painting exudes an aura both mysterious and alluring.