Lhote Collection

Types des Contes de Canterbury, L Hote et le Cuisinier (engraving)
3629648 Types des Contes de Canterbury, L Hote et le Cuisinier (engraving) by French School, (19th century); Private Collection; (add.info.: Types des Contes de Canterbury, L Hote et le Cuisinier)

The Temple of Amada in Nubia, 19th century. Artist: Nestor l Hote
The Temple of Amada in Nubia, 19th century. The Temple of Amada was originally built by Thutmose III and his son Amenhotep II in the 15th century BC. It was dedicated to Amun-Re and Re-Horakhty

The Nile, Egypt, 19th century. Artist: Nestor l Hote
The Nile, Egypt, 19th century. From the collection of the Bibliotheque Nationale de France, Paris

Abu Simbel, Egypt, 19th century. Artist: Nestor l Hote
Abou Simbel, Egypt, 19th century. View of the twin temples carved out of the rock overlooking the Nile by Rameses II in the 13th century BC

Karnak, Egypt, 19th century. Artist: Nestor l Hote
Karnak, Egypt, 19th century. From the collection of the Bibliotheque Nationale de France, Paris

Ancient Egyptian temple, 19th century. Artist: Nestor l Hote
Ancient Egyptian temple, 19th century. From the collection of the Bibliotheque Nationale de France, Paris

Mural from El-Kab, Egypt, 1841. Artist: Nestor l Hote
Mural from El-Kab, Egypt, 1841. El-Kab is the site of the Ancient Egyptian city of Nekheb. From the collection of the Bibliotheque Nationale de France, Paris

Paris: Le Mot 1914-1915 Bound folio
Paris: Le Mot. 1914-1915. Bound folio with a book cover by A.G. Gonon and a book plate for H.P. Gassier (French cartoonist - 1883-1951)

Jean-Baptiste Oudry, On trouve le corps mort de l hote que l on avait cache, French, 1686 - 1755, 1727, black chalk heightened with white chalk on blue laid paper

Extraterrestrials
Drawing discovered by Henri Lhote at Tassilin-Ajer in southern Algeria, interpreted by some theorists as depicting the Great Martian God Date: circa 7000 BC

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Nestor l'Hote, a talented artist of the 19th century, captured the essence of various landscapes and cultures through his remarkable works. From the enchanting tales depicted in "Types des Contes de Canterbury" to the intriguing engraving of "L'Hote et le Cuisinier, " his artistry transported viewers into captivating narratives. One can almost feel the ancient aura emanating from L'Hote's depictions of Egypt. The Temple of Amada in Nubia stands tall and majestic, its grandeur immortalized by his skillful brushstrokes. The Nile river flows gracefully across one canvas, reflecting both serenity and mystery as it winds through Egypt's timeless landscape. Abu Simbel emerges as a testament to human ingenuity under L'Hote's hand. This awe-inspiring temple complex is brought to life with intricate details that showcase its architectural marvels. Similarly, Karnak reveals itself as an imposing sanctuary dedicated to Egyptian gods, inviting us to explore its hidden chambers and sacred rituals. Delving deeper into history, L'Hote unveils an ancient Egyptian temple adorned with vibrant murals from El-Kab. These vivid illustrations offer glimpses into a long-lost civilization's daily lives and beliefs—a window into their rich cultural heritage. Beyond these evocative scenes from Egypt lies another facet of L'Hote's talent—the bound folio titled "Paris: Le Mot 1914-1915. " Within its pages lie untold stories waiting for discovery—perhaps capturing moments in Parisian life during those tumultuous years or offering insights into society at that time. Nestor l'Hote was not merely an artist but also a storyteller who painted with colors instead of words. His masterpieces transport us across continents and centuries, allowing us to immerse ourselves in worlds both real and imagined—an invitation we gladly accept each time we gaze upon his extraordinary works.