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Livesay Collection

Richard Livesay was a British artist active in the late 18th century

Background imageLivesay Collection: Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Background imageLivesay Collection: Middelburg Market

Middelburg Market
A lino cut of two women with baskets and containers of market goods, in Middelburg, a town in Loudoun County, Virginia, United States. Date: circa 1931

Background imageLivesay Collection: Arms for the Foundling Hospital, December 22, 1781. Creator: Unknown

Arms for the Foundling Hospital, December 22, 1781. Creator: Unknown
Arms for the Foundling Hospital, December 22, 1781

Background imageLivesay Collection: The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British

The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British
The Complicated R_____n, 1794 (?). Mocking the preface of Jonathan Richardson Sr.s " Explanatory Notes and Remarks on Miltons Paradise Lost. After William Hogarth

Background imageLivesay Collection: A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay

A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay
A Parson Joining the Hands of Two People, October 1788. After William Hogarth

Background imageLivesay Collection: Surprised Woman from Hogarths 'Morning', October 1788

Surprised Woman from Hogarths "Morning", October 1788
Surprised Woman from Hogarths " Morning", October 1788

Background imageLivesay Collection: The Parsons Head, October 1788. Creator: Richard Livesay

The Parsons Head, October 1788. Creator: Richard Livesay
The Parsons Head, October 1788. After William Hogarth

Background imageLivesay Collection: Tail-Piece, November 27, 1781. Creator: Richard Livesay

Tail-Piece, November 27, 1781. Creator: Richard Livesay
Tail-Piece, November 27, 1781. After William Hogarth

Background imageLivesay Collection: From an Original Sketch of William Hogarths in the Collection of Mr

From an Original Sketch of William Hogarths in the Collection of Mr. Morrison, March 1, 1782

Background imageLivesay Collection: Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn b

Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, November 27, 1781. After William Hogarth

Background imageLivesay Collection: Frontispiece to 'The Jacobites Journal', November 27, 1781

Frontispiece to "The Jacobites Journal", November 27, 1781
Frontispiece to " The Jacobites Journal", November 27, 1781. After William Hogarth

Background imageLivesay Collection: The Charmers of the Age, March 1, 1782. Creator: Richard Livesay

The Charmers of the Age, March 1, 1782. Creator: Richard Livesay
The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth

Background imageLivesay Collection: Boys Peeping at Nature, 1782. Creator: Richard Livesay

Boys Peeping at Nature, 1782. Creator: Richard Livesay
Boys Peeping at Nature, 1782. After William Hogarth

Background imageLivesay Collection: Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781

Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781. After William Hogarth

Background imageLivesay Collection: John Fothergill / Livesay

John Fothergill / Livesay
JOHN FOTHERGILL English physician who practised in London and maintained a botanical garden. Date: 1712 - 1780



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Richard Livesay was a British artist active in the late 18th century. His works encompassed various themes and subjects, ranging from satirical illustrations to religious scenes. One of his notable pieces is "Satan, Sin and Death, " inspired by John Milton's epic poem Paradise Lost. Created after 1790, this artwork captures the dark and dramatic essence of the literary masterpiece. Livesay's talent extended beyond traditional art forms as seen in his etching titled "Arms for the Foundling Hospital. " This piece, created on December 22, 1781, showcases his versatility as an artist while depicting an unknown creator. The intricate details and emotive expressions highlight Livesay's skillful craftsmanship. In October 1788, Livesay unveiled two captivating artworks: "A Parson Joining the Hands of Two People" and "Surprised Woman from Hogarths 'Morning'". These illustrations demonstrate Livesay's ability to capture human emotions with precision and humor. Additionally, he created another intriguing piece during that time called "The Parsons Head, " showcasing his attention to detail in portraiture. It also collaborated with William Hogarth on several projects such as "Tail-Piece" (November 27, 1781) and a frontispiece for "The Jacobites Journal" (also November 27, 1781). These collaborations exemplify their shared artistic vision and mutual respect within London's vibrant art scene. One of Livesay's most celebrated works is titled "The Charmers of the Age, " completed on March 1st, 1782. This illustration encapsulates society's fascination with charismatic individuals during that era while displaying Livesay's keen observation skills through detailed character portrayals. Throughout his career spanning over three decades after 1790 until at least the mid-1820s when he passed away; Richard Livesay left behind a diverse body of work that continues to captivate art enthusiasts today.