Loggia Collection (#38)

Russia, St Petersburg, Hermitage Museum. Catherine the Great was so impressed by engravings of Raphaels frescoes in the Vatican that in 1787

Main entrance of the Fraternity Clubs Building, New York City, 1924. Detail showing the Italian loggia on the second floor

Roma - View of the City from the Logia by Bramante in Castle St. Angelo, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Detail of entrance loggia, First Church of Christ, Scientist, Meriden, Connecticut, 1922. From The Architectural Forum Volume XXXVII. [Rogers and Manson, New York, 1922]

Villa Torre Galli The Loggia, 1910. Artist: John Singer Sargent
Villa Torre Galli The Loggia, 1910. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Ca d Oro, Venice, Italy, late 19th or early 20th century. This palace on the Grand Canal was built in the first half of the 15th century

The loggia, Cranborne Manor House, Dorset, 1924-1926. Artist: E Bastard
The loggia, Cranborne Manor House, Dorset, 1924-1926. The manor house at Cranborne was originally built in the early 13th century as a hunting lodge for King John

Loggia, Summer Reception, Memlook Radnau Beys House, Cairo, 1870. Artist: Frank Dillon
Loggia, Summer Reception, Memlook Radnau Beys House, Cairo, 1870. Found in the collection of the Victoria & Albert Museum, London

St Luke Drawing the Virgin, 15th century. Artist: Rogier Van der Weyden
St Luke Drawing the Virgin, 15th century. The subject is taken from a 6th-century legend of Greek origin, according to which St Luke was the first ever to draw a portrait of the Virgin Mary

The Raphael Loggias, Hermitage Museum, St Petersburg, Russia. Artist: Cristoph Unterberger
The Raphael Loggias, Hermitage Museum, St Petersburg, Russia. This gallery was designed by Giacomo Quarenghi and painted by Cristoph Unterberger in the 1780s

The Eternal City by Hall Caine. Roma is with the Pope in the loggia of the Castle of St. Angelo (Act IV scene 3). The caption reads Yes, There is One!. Date: 1902

Florence, Italy - Loggia of the New Market
Florence, Italy - Loggia (open-sided gallery or arcade) of the New Market. Date: circa 1908

Feldherrenhalle, Odeonsplatz Square, Munich, Bavaria, Germany, Europe

The Courtyard of the Palazzo Vecchio - Verrocchios Fountain
The Courtyard of the Palazzo Vecchio with Verrocchios Fountain in the centre. Through the open doorway a glimpse is obtained of the Loggia dei Lanz. Date: 1905

Italy - Florence - Loggia de Lanzi, Duomo & Palazzo Vecchio
Italy - Florence - The Loggia de Lanzi, The Duomo and The Palazzo Vecchio from the Portico of the Uffizi. Date: 1912

Italy - Loggia of the Palazzo Vecchio and Via de Leoni, Florence. Date: 1912

Eight people with a dog in a garden. Date: circa 1910s

Italy - Florence - loggia del Lanzi
Coloured lantern slide of the Loggia dei Lanzi in Florence near the Uffizi Gallery. Consists of wide arches open to the street with statues inside

Town Hall and Loggia, Trau (Trogir), Croatia
Town Hall and Loggia, Trau (Trogir), a town on the Adriatic coast, Croatia

View courtyard loggia fountains statues ornaments
Artokoloro

Loggia 17th century Pen brown ink brush wash
Artokoloro

Loggia Caryatids Fountain Landscape 17th century
Artokoloro

Design Elevation Interior Door Loggia Pope Julius
Artokoloro

Design Entrance Loggia Villa Pope Julius 1710-27
Artokoloro

Frescoes Villa Stati-Mattei Fresco transferred
Artokoloro

Loggia Ducal Palace Venice 1849-50 Watercolor
Artokoloro

Fantasy based Vatican Sistine Chapel Loggia identification
Artokoloro

Section Loggia Villa Pope Julius III 1710-27
Artokoloro

Design Trompe L Oeil Ceiling Loggia n. d Pen ink
Artokoloro

Skittle Players, 1637 (oil on panel)
XIR899109 Skittle Players, 1637 (oil on panel) by Delen, Dirck van (1605-71); 85x145 cm; Louvre, Paris, France; (add.info.: Les Joueurs de quilles PE7092); Dutch, out of copyright

The Annunciation, 1545-50 (oil on canvas) (for detail see 89724)
XIR89723 The Annunciation, 1545-50 (oil on canvas) (for detail see 89724) by Bordone, Paris (1500-71); 102x196 cm; Musee des Beaux-Arts, Caen, France; Italian, out of copyright

after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper

Leo von Klenze, German (1784-1864), Panorama of Tivoli from a Loggia, 1826, graphite with brown and blue washes on light green wove paper

Watergate Street, looking towards Eastgate, Chester, c. 1870 (w / c)
BAL66917 Watergate Street, looking towards Eastgate, Chester, c.1870 (w/c) by Rayner, Louise Ingram (1832-1924); Grosvenor Museum, Chester, Cheshire, UK; English, out of copyright

St. Francis Dreams of a Palace full of Weapons, 1297-99 (fresco)
XIR63340 St. Francis Dreams of a Palace full of Weapons, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; Italian, out of copyright

St. Crispin, 16th century
BAL47950 St. Crispin, 16th century by Dutch School, (16th century); Pushkin Museum, Moscow, Russia; Dutch, out of copyright

Dogal Procession, c. 1555-60 (woodcut) (See also 476241-3, 476245)
XJF476244 Dogal Procession, c.1555-60 (woodcut) (See also 476241-3, 476245) by Pagani, Matteo (fl.1538-62); Private Collection; (add.info)

Part of the Piazza in the Palace, 1817 (engraving)
XJF441956 Part of the Piazza in the Palace, 1817 (engraving) by Bowditch, Thomas Edward (1790-1824); Private Collection; (add.info)

Macquarie Street, Sydney, c. 1880, from Australian Pictures by Howard Willoughby
KW330014 Macquarie Street, Sydney, c.1880, from Australian Pictures by Howard Willoughby, published by the Religious Tract Society, London, 1886 (litho) by English School

A Melbourne suburban house, c. 1880, from Australian Pictures by Howard Willoughby
KW330015 A Melbourne suburban house, c.1880, from Australian Pictures by Howard Willoughby, published by the Religious Tract Society, London, 1886 (litho) by English School

The Tenth Day of the Decameron, from Boccacios Decameron (w / c over
XYC284016 The Tenth Day of the Decameron, from Boccacios Decameron (w/c over graphite on paper) by Stothard, Thomas (1755-1834); 27x20.3 cm; Yale Center for British Art, Paul Mellon Collection

Family Portrait of Charles I (engraving) (b / w photo)
XJF271063 Family Portrait of Charles I (engraving) (b/w photo) by English School, (17th century); Private Collection; (add.info)

A Renaissance Hall (oil on board)
XKH234245 A Renaissance Hall (oil on board) by Delen, Dirck van (1605-71); Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

The Exchange, Cork, Ireland (engraving)
KW131457 The Exchange, Cork, Ireland (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; Ken Welsh; English, out of copyright

The Gardens of the Villa Ludovisi, Rome, 1749 (oil on canvas)
XIR162384 The Gardens of the Villa Ludovisi, Rome, 1749 (oil on canvas) by Vernet, Claude Joseph (1714-89); 74.5x99.5 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

The Italian Comedians (oil on canvas)
XIR154972 The Italian Comedians (oil on canvas) by Flemish School, (16th century); Musee des Beaux-Arts, Calais, France; Flemish, out of copyright

View of an Ideal City, or The City of God, after 1470 (oil on panel)
XAL154651 View of an Ideal City, or The City of God, after 1470 (oil on panel) by Laurana, Luciano (c.1420-79) (attr. to); 60x200 cm; Galleria Nazionale delle Marche, Urbino

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A loggia, a word derived from the Italian "loggia" meaning a covered exterior gallery or porch, has been an architectural feature that has captivated artists and architects throughout history. From famous works of art to iconic structures around the world, the loggia has left its mark on both urban landscapes and serene countryside retreats. One notable depiction of a they are be found in Benvenuto Cellini's masterpiece "Perseus, " created in 1554. The sculpture showcases intricate details as Perseus stands triumphantly under the shelter of a grand loggia, adding depth and elegance to this timeless work. In another artistic representation, we are transported back to 16th-century Italy with Raphael's fresco "Marriage of Cupid and Psyche. " Here, amidst lush gardens and celestial surroundings, the couple is united under a beautiful loggia adorned with delicate arches and ornate columns. Moving away from paintings but still embracing Italian charm, St. Mark's Square in Venice proudly displays "The Horses of St. Mark. " These bronze statues once graced Constantinople before finding their home atop the stunning Loggetta del Sansovino - an exquisite example of Venetian architecture featuring arched openings that invite visitors into its enchanting embrace. Loggias have also made their way into idyllic landscapes such as Villa del Balbianello overlooking Lake Como. With its breathtaking view captured from the terrace during springtime sunshine, one can only imagine how delightful it must be to relax within this open-air space while taking in nature's beauty. Not limited to Italy alone, Florence offers us yet another glimpse into loggias' allure through Giovanni Battista Piranesi's etching titled "View of Florence From The Vaga Loggia. " This elevated viewpoint allows us to appreciate not only Florence's magnificent skyline but also highlights how these architectural marvels seamlessly blend with their surroundings. Beyond Europe, loggias have found their place in history and contemporary design.