Louis De Carmontelle Collection
Louis de Carmontelle was a talented French artist known for his exquisite portraits and captivating scenes
For sale as Licensed Images
Choose your image, Select your licence and Download the media
Louis de Carmontelle was a talented French artist known for his exquisite portraits and captivating scenes. In 1771, he immortalized the enchanting Sophie Arnould, a renowned soprano from the opera Pyramus and Thisbe. His painting showcased her in Act V's iconic mantua dress adorned with frills, pearls, and ribbons. Another masterpiece by Carmontelle depicted a lady seated on a terrace, engrossed in tambour embroidery while a little boy stood before her in awe. The delicate details of this artwork captured the tranquility of that moment perfectly. Carmontelle also portrayed notable figures like the Prince of Saxe-Gotha with his tutor Baron d Hel and the Baron de Bombelles at Tuileries in 1765. These black lead and red chalk drawings displayed his exceptional skill in capturing their essence. In one of his watercolor creations, Carmontelle depicted the Baron de Talleyrand amidst picturesque scenery. The combination of black lead, red chalk, and watercolor brought life to this stunning portrait. The artist's versatility shone through when he illustrated John Wilkes alongside Miss Gertrude Carmontelle using black lead, red chalk, and watercolor techniques. Their vibrant personalities were beautifully preserved on paper. Colonel Morrison made an appearance as well; possibly wearing the uniform of Royal Engineers against a backdrop of fortified town - showcasing both strength and beauty simultaneously. Carmontelle also portrayed two youthful brothers named de Neuville standing on a quay in 1767. Their innocence radiated through every line drawn with black lead and red chalk. A touching portrayal emerged when he painted Princess of Salm sitting beside her son near an elegant Chinese pavilion – love between mother and child evident within each stroke. The Duke of York donned his flag officer uniform while standing on a quay in another remarkable piece from 1768 - displaying power mingled with grace.