Louis Henri Breviere Collection

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers from Scenes from the Private and Public Life of Animals, ca. 1837-47

This protest was stifled by the noise of private conversations from Scenes from the Private and Public Life of Animals, ca. 1837-47

My new master from Scenes from the Private and Public Life of Animals, ca. 1837-47

Jeanne, the Redhead from The Complete Works of Beranger, 1836

His son, who looked like him in every way... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Private and Public Life of Animals; Scenes of Customs, ca. 1837-47

The Old Bachelor from The Complete Works of Beranger, 1836

Now, I understand the mother wolf of Rome from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Missionaries from The Complete Works of Beranger, 1836

The Little Red Man from The Complete Works of Beranger, 1836

The Marquis of Carabas from The Complete Works of Beranger, 1836

The Two Sisters of Charity from The Complete Works of Beranger, 1836

The Hunt from The Complete Works of Beranger, 1836

The Swallows from The Complete Works of Beranger, 1836

The Fifth of May from The Complete Works of Beranger, 1836

The Relics from The Complete Works of Beranger, 1836

The Daughter of the People from The Complete Works of Beranger, 1836

We live between ourselves, we hate the nuisances and the visits from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Traveler from The Complete Works of Beranger, 1836

The Smugglers, from The Complete Works of Beranger, 1836

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Louis Henri Breviere, a man of many faces and stories. More than once, while leaving the masked ball Mr. De *** was arrested by the patrol, his mysterious allure captivating both friend and foe alike. This protest was stifled by the noise of private conversations from Scenes from, revealing a glimpse into his enigmatic world. In "My new master" from Scenes from the Private and Public Life of Animals, ca. 1837-47, Breviere's ability to adapt and conquer any situation is showcased. He effortlessly becomes one with his surroundings like Jeanne, the Redhead from The Complete Works of Beranger, 1836. His son bears an uncanny resemblance to him in every way; they are mirror images of each other as seen in "Private and Public Life of Animals; Scenes of Customs, " ca. 1837-47. Breviere's legacy lives on through this striking resemblance. From "The Old Bachelor" in The Complete Works of Beranger, 1836 emerges another facet of Louis Henri Breviere's complex personality - a man who cherishes solitude but also craves companionship deep down. "Now I understand the mother wolf of Rome" resonates with Breviere's understanding and appreciation for nature's primal instincts as depicted in Scenes from the Private and Public L. . His connection to wildlife goes beyond mere observation; it delves into empathy. "The Missionaries" reveal yet another layer to this multifaceted individual portrayed in The Complete Works of Beranger, 1836 – someone driven by purpose and compassion for others' well-being. Like "The Little Red Man, " he possesses an air of mystery that draws people towards him irresistibly. And just like "The Marquis Carabas, " he effortlessly weaves tales that captivate all those around him. Beneath it all lies a compassionate soul akin to "The Two Sisters Of Charity.