Lovechild Collection (#2)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Camoens grotto, Macao, 1847. Artist: Armstrong
Camoens grotto, Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

View of Macao, 1847. Artist: Giles
View of Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Artist: B Clayton
The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Scene in the Chinese imperial court. Illustration from The History of China and India, by Miss Corner

Street and shops in Pekin, 1847. Artist: Walmsley
Street and shops in Pekin, 1847. Scene in what is now known as Beijing, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Artist: Armstrong
Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The Emperor Weit-Soong and his court, taken prisoners by the Tartars, 1847. Artist: JW Giles
The Emperor Weit-Soong and his court, taken prisoners by the Tartars, (1847). Episode from Chinese history. Drawn by B Clayton, from a painting by Fo Shang

Boat drawn over a sluice or lock on a canal, 1847. Artist: Giles
Boat drawn over a sluice or lock on a canal, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese summer villa, 1847. Artist: Evans
Chinese summer villa, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese maidens weeping with a bride, 1847. Artist: Evans
Chinese maidens weeping with a bride, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Burning of the Chinese books, 3rd century BC, (1847). Artist: JW Giles
Burning of the Chinese books, by order of the emperor who built the Great Wall, 3rd century BC, (1847). Drawn by B Clayton, from a painting by Fo Shang

Confucius and his disciples, 5th century BC, (1847). Artist: Giles
Confucius and his disciples, 5th century BC, (1847). The Chinese philosopher and thinker Confucius or K ung-fu-tzu (551 BC-479 BC)

Map of China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Artist: JW Giles
The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Chinese empress and retinue. Drawn by B Clayton, from a painting by Fo Shang

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"Lovechild: A Journey Through India's Artistic Heritage" Step back in time to the vibrant and diverse landscapes of 19th-century India, as captured by talented artists. The Fort of Gwalior, painted by Robinson in 1847, stands tall and majestic, a testament to the country's rich history. Venture further into Benares, where Kirchner's brush strokes bring to life the spiritual essence of this ancient city. The Bazaar in Bombay is a bustling hub of activity; Kirchner skillfully captures its energy and vibrancy on canvas. In Cabul, during the fruit season of 1847, we witness a colorful bazaar that tantalizes our senses with its aromatic delights. Ghazni Fortress proudly displays its two Minars against an awe-inspiring backdrop – another masterpiece from Kirchner. The City of Lucknow beckons us with its architectural wonders; Robinson beautifully portrays its grandeur through his artistry. Chittapore road in Calcutta offers glimpses into daily life - a busy street filled with people going about their routines. Bonner takes us inside the Palace of Allahabad, revealing opulence fit for royalty. Calcutta mesmerizes us with its charm and cultural richness - an enchanting city brought to life on canvas. Robinson transports us to Agra - home to both town and fort - where history whispers secrets from every corner. The Lall Bang captivates our imagination with tales untold but immortalized through art. Finally, we witness Tippoo Saib's last effort at Seringapatam in 1799 through an artist's eyes decades later. This poignant piece encapsulates bravery and sacrifice forever etched into Indian history. Join us on this visual journey through India's past as these remarkable artworks unveil stories waiting to be discovered anew. Lovechild celebrates the artistic heritage that continues to inspire generations even today.