Lp Boitard Collection

View of the Foundling Hospital in London, 1751. Creators: Robert Sayer, Fabr. Parr
View of the Foundling Hospital in London, 1751

The Foundling Hospital, c1753, (1925). Creator: Unknown
The Foundling Hospital, c1753, (1925). Founded in 1739 by the philanthropic sea captain Thomas Coram. It was a childrens home established for the education and maintenance of exposed

The Jubilee Ball at Ranelagh Gardens, April 26th, 1749, (1920). Artist: Nathaniel Parr
The Jubilee Ball at Ranelagh Gardens, April 26th, 1749, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Cov: Garden Morning Frolick, 1747. Artist: LP Boitard
The Cov: Garden Morning Frolick, 1747. A dawn scene showing Betty Careless, a notorious bagnio owner, being carried to her premises on left

The imports of Great Britain from France, 1757. Artist: LP Boitard
The imports of Great Britain from France, 1757. The landing of passengers and cargo from France at the Custom House. A satire on the importation of French goods

Guilford Street, St Pancras, London, 1753. Artist: Nathaniel Parr
View of the Foundling Hospital with figures outside, St Pancras, London, 1753

Taste a-la-mode as in the year 1735 - being the contrast to the year 1745, 1749

Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard
Fitz-Giggo: A New English Uproar 1763. Some excited members of the audience are invading the stage. Illustration from Social Caricature in the Eighteenth Century

The Present Age... 1767.Artist: LP Boitard
The Present Age: Adress d to the professsors of driving, dressing, ogling writing, playing, gambling, racing, dancing, duelling, boxing, swearing, humming, building, etc, etc, etc, 1767

The Imports of Great Britain from France... 1757.Artist: LP Boitard
The Imports of Great Britain from France: Humbly address d to the laudable association of anti-gallicans, and the generous promoters of the British Arts

The Beau Monde in St Jamess Park, 1750. Artist: LP Boitard
The Beau Monde in St Jamess Park, 1750. The smart set parading in a London park, with a quote from Alexander Pope: The ruling passion be it what it will, the ruling passion conquers reason still

Folly Triumphant, 1749. Artist: LP Boitard
Folly Triumphant, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis
Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Illustration from Social Caricature in the Eighteenth Century

Taste a la mode, 1745. Artist: F Patton
Taste a la mode, 1745. Satire on the fashion for wide skirts. Illustration from Social Caricature in the Eighteenth Century

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LP Boitard, a talented artist of the 18th century, left behind a remarkable collection of artworks that captured the essence of his time. From historical events to everyday life scenes, Boitard's creations offer us glimpses into the past. One such masterpiece is "The Foundling Hospital, " painted in c1753 by an unknown creator. This poignant artwork depicts the compassion and care provided to abandoned children at this renowned institution. Boitard's attention to detail brings forth emotions as we witness the hope and love bestowed upon these vulnerable souls. In another piece titled "The Jubilee Ball at Ranelagh Gardens" from April 26th, 1749, Boitard collaborates with Nathaniel Parr to transport us back in time. The vibrant colors and lively atmosphere capture the excitement and joy experienced during this grand celebration. Boitard's talent shines through in "The Cov: Garden Morning Frolick" from 1747. With meticulous brushstrokes, he portrays a scene filled with laughter and merriment as people gather for entertainment in Covent Garden, and is evident that Boitard had a keen eye for capturing human interaction and bringing it to life on canvas. "The Imports of Great Britain from France" (1757) showcases not only Boitard's artistic prowess but also his ability to convey economic realities through art. Through intricate details, he highlights the significant trade relationship between these two nations during that period. Nathaniel Parr joins forces with Boitard once again in their depiction of Guilford Street, St Pancras, London (1753). This painting offers a glimpse into daily life on bustling streets where people go about their routines amidst charming Georgian architecture. Boitard's versatility is further demonstrated in works like "Taste a-la-mode as in the year 1735 - being the contrast to the year 1745. " Here he explores changing fashion trends over time, showcasing the evolution of style and taste.