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Mace Collection (#8)

"Mace: A Symbol of Strength, History, and Independence" From the battlefields to the boxing ring, it has left its mark throughout history

Background imageMace Collection: Expulsion of Members by Cromwell, 1653, (18th century)

Expulsion of Members by Cromwell, 1653, (18th century). The Dismissal of the Long Parliament; Oliver Cromwell expels members of the House of Commons

Background imageMace Collection: The House of Lords in the Time of Charles I, 17th century, (c1902-1905)

The House of Lords in the Time of Charles I, 17th century, (c1902-1905). The King sits on the throne with the Lords Spiritual and Temporal in their robes

Background imageMace Collection: Richard I, King of England. Artist: George Vertue

Richard I, King of England. Artist: George Vertue
Richard I, King of England. The third son of Henry II and Eleanor of Aquitaine, Richard I (1157-1199) reigned as King of England from 1189-1199

Background imageMace Collection: Richard I King of England, (1788). Artist: I Taylor

Richard I King of England, (1788). Artist: I Taylor
Richard I, King of England, (1788). The third son of Henry II and Eleanor of Aquitaine, Richard I (1157-1199) reigned as King of England from 1189-1199

Background imageMace Collection: Richard I King of England, (1788). Artist: Thornthwaite Fitzgerald

Richard I King of England, (1788). Artist: Thornthwaite Fitzgerald
Richard I, King of England. The third son of Henry II and Eleanor of Aquitaine, Richard I (1157-1199) reigned as King of England from 1189-1199

Background imageMace Collection: Lord Mayor of London, costume design for Shakespeares play, Henry VIII, 19th century

Lord Mayor of London, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageMace Collection: Marshal costume design for Shakespeares play, Henry VIII, 19th century

Marshal costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageMace Collection: King George V and the mayors of the north London boroughs at Marylebone, Silver Jubilee, 1935

King George V and the mayors of the north London boroughs at Marylebone, Silver Jubilee, 1935. Illustration from George V and Edward VIII, A Royal Souvenir, by FGH Salusbury

Background imageMace Collection: The Battle of Agincourt, 25 October 1415, (1910)

The Battle of Agincourt, 25 October 1415, (1910). The English under King Henry V defeat the French army, led by Charles d Albret, constable of France

Background imageMace Collection: Theatre costume designs for Shakespeares play, Henry VIII, 19th century

Theatre costume designs for Shakespeares play, Henry VIII, 19th century

Background imageMace Collection: Sir Thomas More, 1774. Artist: T Cook

Sir Thomas More, 1774. Artist: T Cook
Sir Thomas More, 1774. Portrait of More (1478-1535) English statesman, scholar and saint and Henry VIIIs Lord Chancellor. More refused to subscribe to the Act of Supremacy which made Henry the head

Background imageMace Collection: Jeanne Hachette defends Beauvais, 1472, (19th century)

Jeanne Hachette defends Beauvais, 1472, (19th century). Jeanne Laine, known as Jeanne Hachette (literally, Joan Axe), saved the city in 1472 from the forces of Charles the Bold of Burgundy

Background imageMace Collection: Shops in Churchtown, Roche, Cornwall. 1977

Shops in Churchtown, Roche, Cornwall. 1977
Parkwood House with F.M. Stevens Cycle & Toy store and Bests Boot & Shoe & General Provision Stores. Photographer: Charles Woolf

Background imageMace Collection: Earliest known carved heads in Syria, at Tell Brak

Earliest known carved heads in Syria, at Tell Brak
The earliest known carved heads in Syria, found at Tell Brak. This page from the Illustrated London News in May 1939, reporting on excavations at Brak

Background imageMace Collection: Assyrian King Ashurnasirpal II. Statue

Assyrian King Ashurnasirpal II. Statue
Ashurnasirpal II. King of Assyria (883-859 BC). Statue. 865 BC. From the Temple of Ishtar Sharrat-niphi, Nimrud. British Museum. London. United Kingdom

Background imageMace Collection: Persian Dervishes

Persian Dervishes. Darwesh or Dervish, as it is known in European languages, refers to members of Sufi Muslim ascetic religious Tariqahs - tariket

Background imageMace Collection: The celebrated trotting horse Judge Fullerton, as he appeare

The celebrated trotting horse Judge Fullerton, as he appeared, driven by Dan Mace. Date 1874

Background imageMace Collection: Young Hercules, ca. 1514-36. Creator: Agostino Veneziano

Young Hercules, ca. 1514-36. Creator: Agostino Veneziano
Young Hercules, ca. 1514-36

Background imageMace Collection: Catherine of Aragon at Legatine Court, Blackfriars

Catherine of Aragon at Legatine Court, Blackfriars
Catherine of Aragon, first wife of King Henry VIII, probably on 21 June 1529 at the Legatine Court, Blackfriars, London. circa 1529

Background imageMace Collection: Lostwithiel Twinning Ceremony, Cornwall. October 1979

Lostwithiel Twinning Ceremony, Cornwall. October 1979
Lostwithiel and French dignitaries in the Drill Hall to handover documents to formally twin the town with Pleyber-Christ, Brittany. M

Background imageMace Collection: Bohdan Chmielnicki

Bohdan Chmielnicki
BOHDAN CHMIELNICKI Russian military commander, hetman of the Cossacks and duke of Ukraine : he carries a mace as symbol of his office. Date: 1593 - 1657

Background imageMace Collection: Circassian prince, Kabard princes and archer

Circassian prince, Kabard princes and archer.. Handcolored lithograph from Friedrich Wilhelm Goedsches Complete Gallery of Peoples in True Pictures, Meissen, circa 1835-1840

Background imageMace Collection: A. L. Rowse in Lostwithiel, Cornwall. November 1985

A. L. Rowse in Lostwithiel, Cornwall. November 1985
Born at Tregonissey near St Austell, Alfred Leslie Rowse was well known as an expert on Elizabethan England and his poetry about Cornwall is highly regarded

Background imageMace Collection: The vajra, a diamond mace or thunderbolt weapon, a Buddhist symbol signifying divine force

The vajra, a diamond mace or thunderbolt weapon, a Buddhist symbol signifying divine force. Line engraving
BUDDHISM: VAJRA. The vajra, a diamond mace or thunderbolt weapon, a Buddhist symbol signifying divine force. Line engraving

Background imageMace Collection: House of Commons, 1880s

House of Commons, 1880s
Opposition bench in the House of Commons, 1880s. Hand-colored woodcut of a 19th-century illustration

Background imageMace Collection: Sultan Osman I (1300 - 1326)

Sultan Osman I (1300 - 1326). First of the Ottoman Dynasty

Background imageMace Collection: Charles Martel, 7th century King of the Franks, 19th century

Charles Martel, 7th century King of the Franks, 19th century. Charles Martel (the Hammer) (c688-741) depicted in a chain mail tunic carrying a mace and shield

Background imageMace Collection: Myrsitica fragrans - nutmeg, c1798

Myrsitica fragrans - nutmeg, c1798. Showing fruit containing the nut surrounded by ari, the source of mace. Nutmeg is a tree native to the Moluccas or Spice Islands, Indonesia

Background imageMace Collection: William Lenthall, 17th century English parliamentarian and lawyer, c1843

William Lenthall, 17th century English parliamentarian and lawyer, c1843. Born at Henley-on-Thames, Oxfordshire, Lenthall (1591-1662)

Background imageMace Collection: Nicholas Bacon (1509-1579), English statesman, 1750

Nicholas Bacon (1509-1579), English statesman, 1750. A staunch Protestant, Bacon fell out of favour during the reign of Mary I. Under Elizabeth I he was created Lord Keeper of the Great Seal (1558)

Background imageMace Collection: We Gladstone / Question Ti

We Gladstone / Question Ti
WILLIAM EWART GLADSTONE Liberal MP and Prime Minister looking completely confident at Question Time in the House (a la Mr Micawber) Date: 1809 - 1898

Background imageMace Collection: Disraeli / Freedom City

Disraeli / Freedom City
BENJAMIN DISRAELI Earl of Beaconsfield Receiving the Freedom of the City of London at the Guildhall in 1878 Date: 1804 - 1881

Background imageMace Collection: Sir Michael Hicks-Beach, 1st Earl St Aldwyn

Sir Michael Hicks-Beach, 1st Earl St Aldwyn
SIR MICHAEL EDWARD HICKS-BEACH 1st EARL ST ALDWYN Statesman giving a speech from the despatch box Date: 1837 - 1916

Background imageMace Collection: Hatherley / Wp Wood

Hatherley / Wp Wood
WILLIAM PAGE WOOD BARON HATHERLEY Lord Chancellor Date: 1801 - 1881

Background imageMace Collection: William St Jf Brodrick

William St Jf Brodrick
William St John Fremantle Brodrick, Earl of Midleton Statesman Date: 1856 - 1942

Background imageMace Collection: Cover of Eve Magazine 11 May 1927

Cover of Eve Magazine 11 May 1927, advertising a Rees-Mace Radio set Date: 1927

Background imageMace Collection: Cover of Eve Magazine 27 July 1927

Cover of Eve Magazine 27 July 1927 featuring the Rees-Mace Wireless set Date: 1927

Background imageMace Collection: A duke of Transylvania in armor and cloak

A duke of Transylvania in armor and cloak, holding a mace, 16th century.. Handcolored copperplate engraving from Robert von Spalarts Historical Picture of the Costumes of the Principal People of

Background imageMace Collection: Sergeant at arms, royal guard, mace-bearer, 13th century

Sergeant at arms, royal guard, mace-bearer, 13th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris

Background imageMace Collection: Mace-bearer or sergeant at arms, 14th century

Mace-bearer or sergeant at arms, 14th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Background imageMace Collection: Chlothar I, King of the Franks, 497-562

Chlothar I, King of the Franks, 497-562.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Background imageMace Collection: Green seeds and leaves of wild nutmeg and mace

Green seeds and leaves of wild nutmeg and mace, Myristica fatua Houtt.. Color-printed woodblock engraving by Kan en Iwasaki from Honzo Zufu, an Illustrated Guide to Medicinal Plants, 1884

Background imageMace Collection: Count Eitel Frederick IV of Hohenzollern, died 1525

Count Eitel Frederick IV of Hohenzollern, died 1525.. Chromolithograph from Jakob Heinrich von Hefner-Altenecks Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt

Background imageMace Collection: Mace-bearer under King Louis XII, 16th century

Mace-bearer under King Louis XII, 16th century.. Mace-bearer under King Louis XII, 16th century, from a contemporary miniature. Handcolored illustration by E

Background imageMace Collection: Native of Admiralty Island and New Caledonia

Native of Admiralty Island and New Caledonia.. Handcolored lithograph from Friedrich Wilhelm Goedsches Complete Gallery of Peoples in True Pictures, Meissen, circa 1835-1840

Background imageMace Collection: Myristica fragrans, aromatic or true nutmeg

Myristica fragrans, aromatic or true nutmeg tree: Ripe fruit, mace (4) and nutmeg (6) seed.. Illustration by WJ Hooker, engraved by Swan

Background imageMace Collection: Nutmeg and mace, Myristica moschata

Nutmeg and mace, Myristica moschata.. Drawn and zincographed by C. T. Rosenberg, for Thomas Moores The Garden Companion and Florists Guide, 1852, published by Charles Frederick Cheffins

Background imageMace Collection: Chob-dar or mace bearer

Chob-dar or mace bearer.. handcolored copperplate engraving by an unknown artist from Asiatic Costumes, Ackermann, London, 1828




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"Mace: A Symbol of Strength, History, and Independence" From the battlefields to the boxing ring, it has left its mark throughout history. The Staffordshire Regiment proudly carried their maces as a symbol of honor and bravery. Jem Mace, a renowned boxer in his time, fought with determination and skill just like the warriors who wielded maces on ancient battlefields. His fists were his weapons, delivering powerful blows that echoed through the annals of sports history. Speaking of battles, let's not forget the Battle of Bannockburn where Robert the Bruce secured Scotland's independence from England. In this 19th-century wood engraving capturing that historic moment, we can almost feel the weight of those mighty maces clashing against armor. But mace isn't limited to warfare; it finds its place in art too. "The Blackbird Song, " an oil painting from 1908 depicts a serene scene where nature harmonizes with human existence - perhaps reminding us that even amidst chaos and conflict, beauty can still be found. As Vikings stormed British shores centuries ago, they brought along their fearsome weaponry including deadly maces. These formidable tools struck fear into their enemies' hearts as they sought conquest across new lands. Beyond warfare lies another fascinating aspect – culinary delights. Green and red seeds of nutmeg and mace add flavor to dishes worldwide. These precious spices have been cherished for centuries for their aromatic qualities which enhance our taste buds' experience. Back to Jem Mace once again - this time not as a boxer but as a handframe knitter at The Shawl Factory of GH Hurt. This image showcases how skills passed down through generations create intricate patterns reminiscent of historical tapestries or regal garments adorned by kings during grand events like Parliament openings in 1886. And speaking about grandeur brings us to swords, daggers, and yes – even more majestic-looking maces. These weapons, often seen alongside regalia like St.