Mackenzie Collection (#8)

Vestry, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Vestry, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, from North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, from North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, looking North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, looking North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Jedburgh Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave Looking West, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave Looking West, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South-East, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From South-East, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Jedburgh Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Transept, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Transept, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Aisle, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Aisle, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Furness Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Furness Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Furness Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Netley Abbey, 1897. Artist: Alexander Francis Lydon
Ground Plan of Netley Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Arches in South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Arches in South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Interior, Looking East, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Interior, Looking East, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Chapter House, Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Chapter House, Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Kirkstall, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the Cloister Court, Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the Cloister Court, Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Dryburgh, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Abbots Kitchen, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Abbots Kitchen, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Arches of Transept, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
Arches of Transept, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Bolton Priory, 1897. Artist: Alexander Francis Lydon
Ground Plan of Bolton Priory, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the West, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the West, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Bolton Priory, 1882, (1897). Artist: Alexander Francis Lydon
Bolton Priory, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Melrose Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave and North and South Aisle, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave and North and South Aisle, Melrose Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the East, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the East, Melrose Abbey, 1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Cloisters, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Cloisters, Melrose Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Melrose Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Melrose Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Choir, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Choir, Fountains Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Tower, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Tower, Fountains Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Fountains Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, Looking West, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
Choir, Looking West, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Tintern Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South Transept, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
From South Transept, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

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"Mackenzie: A Journey Through Time and Places" Step into the past with Mackenzie, as we explore various iconic locations and moments that bear this name. From the historic Augusta National Golf Club House in 1943 to the enchanting snow-covered Police Public Call Box in London, each hint unveils a unique facet of Mackenzie's story. Immerse yourself in serenity at the Church of the Good Shepherd or witness the artistry of Five Famous Conductors in Silhouette. The enigmatic Police Public Call Box reappears, reminding us of its timeless allure amidst London's wintry landscapes. Delve into T Mackenzie's Scheherazade, an opus that transports you to distant realms through its captivating melodies. Feel your heart race as athletes compete fiercely while Throwing the hammer at Braemar Highland Games or during the exhilarating Public Schools Championships at White City. Discover historical cartography with a Map of Prussia from c1872, created by an unknown mastermind. Marvel at architectural grandeur with glimpses into Augusta National Golf Club House circa 1935 or Oppenheim from c1872 by E I Roberts. Nature beckons us too; Kellands Pond near Twizel invites tranquility amidst South Canterbury's stunning Mackenzie District on New Zealand's South Island. Mackenzie is not just a name but a tapestry woven across time and places—a journey filled with intrigue, beauty, and cultural significance. Join us as we unravel these fragments and celebrate the rich heritage behind this evocative moniker.