Madrid Autonomous Community Collection (#2)

The History of Hannibal, c. 1570 (tapestry)
CUL4925239 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

The History of Hannibal, c. 1570 (tapestry)
CUL4924755 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

The Second of May. 1884 (oil on canvas)
CUL4939335 The Second of May. 1884 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); Victor Balaguer Museum-library, Vilanova i la Geltru, Spain; (add.info.: by SOROLLA, Joaquin (1863-1923)

Paris. Tuileries Palace from the Garden, 19th century (lithograph)
CUL4874244 Paris. Tuileries Palace from the Garden, 19th century (lithograph) by Unknown Artist, (19th century); Biblioteca Nacional, Madrid, Spain; (add.info.: Paris)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4907312 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 298x368 cm; (add.info)

The History of Hannibal, c. 1570 (tapestry)
CUL4925184 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906821 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906103 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Moses rescued from the Nile, 1704 (engraving)
CUL4862160 Moses rescued from the Nile, 1704 (engraving) by German School, (18th century); Biblioteca Nacional, Madrid, Spain; (add.info.: MOSES (13th C. BC)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905754 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908540 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

The History of Hannibal, c. 1570 (tapestry)
CUL4925270 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Saint James fighting, 16th century (miniature)
CUL4868243 Saint James fighting, 16th century (miniature) by Raimundi, Vicente (16th century); Biblioteca Nacional, Madrid, Spain; (add.info.: Antiphonary of Charles V. 1537)

Isabella II (1830-1904). Queen of Spain (engraving)
CUL4872687 Isabella II (1830-1904). Queen of Spain (engraving) by Unknown Artist, (19th century); Biblioteca Nacional, Madrid, Spain; (add.info.: Isabella II (1830-1904). Queen of Spain (1833-1868)

CHATEAUBRIAND (engraving)
CUL4872555 CHATEAUBRIAND (engraving) by Girodet de Roucy-Trioson, Anne Louis (1767-1824) (after); Biblioteca Nacional, Madrid, Spain; (add.info.: CHATEAUBRIAND, Francois-Auguste-Rene)

Ferdinand II's sword donated by himself to Alonso de Baeza in 1513 (engraving_)
CUL4876767 Ferdinand II's sword donated by himself to Alonso de Baeza in 1513 (engraving_ by Spanish School, (19th century); Biblioteca Nacional, Madrid

Representation of the Universe as the model of Copernicus, 1661 (engraving)
CUL4930365 Representation of the Universe as the model of Copernicus, 1661 (engraving) by Cellarius, Andreas (c.1596-1665); Biblioteca Nacional, Madrid

The History of Hannibal, c. 1570 (tapestry)
CUL4925023 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4909007 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908922 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906987 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905852 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905733 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

The History of Hannibal, c. 1570 (tapestry)
CUL4924971 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4907418 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 298x368 cm; (add.info)

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907712 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4906027 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4905957 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Illustration for Rene written by Chateaubriand, 19th century (engraving)
CUL4863870 Illustration for Rene written by Chateaubriand, 19th century (engraving) by Camaron Y Melia, Jose Juan (1761-1819); Biblioteca Nacional, Madrid, Spain; (add.info.: by CAMARON Y MELIA)

Ramon Cabrera going to death, 16th feb 1836 (engraving)
CUL4866281 Ramon Cabrera going to death, 16th feb 1836 (engraving) by Ayguals de Izco, Wenceslao (1801-1875); Biblioteca Nacional, Madrid, Spain; (add.info.: By AYGUALS DE IZCO)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905802 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907821 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908753 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908710 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906968 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908989 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906182 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Portrait of Fernando VI. ca. 1734 (oil on canvas)
CUL4931941 Portrait of Fernando VI. ca. 1734 (oil on canvas) by Ranc, Jean (1674-1735); 104x84 cm; (add.info.: By RANC, Jean (1674-1735) FERDINAND VI of Spain (1713-1759). King of Spain (1746-1759)

Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
CUL4908852 Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: Triumphs of the Mother of God or Panos de Oro: Anunciation)

Jose Monino, Count of Floridablanca, Minister of Charles III (oil on canvas)
CUL4933266 Jose Monino, Count of Floridablanca, Minister of Charles III (oil on canvas) by Folc de Cardona, Francisco (1737-1793); (add.info.: By FOLC Y CARDONA, Francisco (1737-1792) Madrid

D. Quijote de la Mancha. 1856 (lithograph)
CUL4933680 D. Quijote de la Mancha. 1856 (lithograph) by Nanteuil, Celestin Francois (1813-73); (add.info.: By NANTEUIL, Celestin (1813-1873) character created by the writer CERVANTES SaVEDRA

Amedee of Savoy Aosta, Amedee I, King of Spain (oil on canvas)
CUL4933356 Amedee of Savoy Aosta, Amedee I, King of Spain (oil on canvas) by Gisbert, Antonio (1835-1901); 280x177 cm; (add.info.: Portrait of Amadeo I or Amadeus of Savoye (1845-1890) By GISBERT

Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
CUL4908407 Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: Triumphs of the Mother of God or Panos de Oro)

ARANDA, Pedro Pablo Abarca de Bolea, count of (1719-1798) (painting)
CUL4933899 ARANDA, Pedro Pablo Abarca de Bolea, count of (1719-1798) (painting) by Galvan y Candela, Jose Maria (1837-1899); (add.info.: ARANDA, Pedro Pablo Abarca de Bolea, count of (1719-1798)

Isabel de Borbon, Isabella of Spain, Princess of Asturias (oil on canvas)
CUL4933396 Isabel de Borbon, Isabella of Spain, Princess of Asturias (oil on canvas) by Benlliure y Gil, Juan Antonio (1860-1930); (add.info.: Infanta of Spain)

GUTIERREZ SOLANA, Jose (1886-1945). The Chorus Girls. 1925 (oil on canvas)
CUL4933444 GUTIERREZ SOLANA, Jose (1886-1945). The Chorus Girls. 1925 (oil on canvas) by Gutierrez Solana, Jose (1886-1945); 176x213 cm; (add.info.: By GUTIERREZ SOLANA)

View of the city of Madrid with the Royal Palace ca 1750 from the right bank of the Manzanares River
CUL4933045 View of the city of Madrid with the Royal Palace ca 1750 from the right bank of the Manzanares River, detail (oil on canvas) by Joli

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The Madrid Autonomous Community is a region rich in history and culture, with numerous artistic masterpieces that showcase its vibrant past. One such artwork is the lithograph of the Spanish Revolution of 1854, which depicts the tumultuous events that shaped the region's political landscape. Another notable piece is the engraving titled "RICHELIEU, " created around 1650. This artwork offers a glimpse into the Baroque era and portrays scenes from French history, highlighting Madrid's connections to other European cultures. Francisco de Goya y Lucientes, a renowned Spanish artist, also left his mark on Madrid's artistic heritage. His etching entitled "Pedro Romero killing the halted bull" captures a dramatic moment in bullfighting history. It showcases Pedro Romero, a celebrated Spanish bullfighter who became an icon of bravery and skill. "The History of Hannibal, " depicted through tapestries dating back to c. 1570, tells tales of ancient battles and conquests. These artworks serve as reminders of Spain's historical significance and its ties to Roman civilization. Goya's engravings continue to captivate viewers with their thought-provoking themes. In his work titled "Proverbs: Female riddle, " he explores human nature through symbolic imagery. This piece exemplifies Romanticism and highlights Goya's ability to delve into profound philosophical concepts. Madrid also houses Lazaro Galdiano Foundation, home to various art collections including paintings by Velazquez copies drawn by Philip III himself during Baroque times like "Equestrian Portrait of Philip III. " These drawings provide insight into both royal patronage for art as well as artistic practices during this period. Additionally, tapestries like "Triumphs of the Mother of God or Panos de Oro" transport us back to early 16th-century Spain when religious fervor was at its peak. Goya's etchings further shed light on Madrid's complex history. "Wrong.