Male Artist Collection (#7)

Reverse of a wood mask covered with sumi, lacquered with inscriptions in red (wood, sumi
1766573 Reverse of a wood mask covered with sumi, lacquered with inscriptions in red (wood, sumi, gofrun) by Japanese School

Night View, Nihonbashi (colour woodblock print)
1766571 Night View, Nihonbashi (colour woodblock print) by Ogura Ryuson (fl.1880-1890); 25x35.6 cm; Private Collection; (add.info.: Night View, Nihonbashi. Ogura Ryuson (fl.1880-1890)

The Monkey Plateau, Futagawa, from the series The Fifty-Three Stations of the Tokaido (colour woodblock print)
1766546 The Monkey Plateau, Futagawa, from the series The Fifty-Three Stations of the Tokaido (colour woodblock print) by Hiroshige

Miyako no hana Flower of the capital, a term used to refer to famous actors
1766530 Miyako no hana Flower of the capital, a term used to refer to famous actors, courtesans or celebrities, illustrating a courtesan standing by a potted pine, with poems by Shikishima Edamichi

Waterloo Bridge, Brouillard, 1901 (pastel on blue paper)
1765162 Waterloo Bridge, Brouillard, 1901 (pastel on blue paper) by Monet, Claude (1840-1926); 31.1x47 cm; Private Collection; (add.info.: Waterloo Bridge, Brouillard. Claude Monet (1840-1926)

View from the Artists Window, Rue Lapic; Vue de la Chambre de l Artiste
1765156 View from the Artists Window, Rue Lapic; Vue de la Chambre de l Artiste, Rue Lepic, 1887 (oil and pencil on board) by Gogh

Reading; La Lecture, 1888 (oil on canvas)
1765154 Reading; La Lecture, 1888 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 65.1x54 cm; Private Collection; (add.info.: Reading; La Lecture. Pierre-Auguste Renoir (1841-1919)

A Group Portrait of Three Girls, Three Quarter Length, in a Landscape
1765057 A Group Portrait of Three Girls, Three Quarter Length, in a Landscape, 1849 (oil on canvas) by Baker, William (fl.1859-66); 131.5x175.2 cm; Private Collection; (add.info)

Florence (oil on canvas)
1764985 Florence (oil on canvas) by Achenbach, Oswald (1827-1905); Private Collection; (add.info.: Florence. Oswald Achenbach (1827-1905)

The Frightened Bathers; La Fuite des Baigneuses (oil on canvas)
1764980 The Frightened Bathers; La Fuite des Baigneuses (oil on canvas) by Dinet, Alphonse Etienne (1861-1929); Private Collection; (add.info.: The Frightened Bathers; La Fuite des Baigneuses)

Fantasia (oil on canvas)
1764978 Fantasia (oil on canvas) by Checa y Sanz, Ulpiano (1860-1916); Private Collection; (add.info.: Fantasia. Ulpiano Checa y Sanz (1860-1916)

A Liberty and Co, 1905 (silver)
1764749 A Liberty and Co, 1905 (silver) by Bigatti, Giovanni (19th century); 24.1. long cm; Private Collection; (add.info.: A Liberty and Co. silver hairbrush designed by Archibald Knox (1864-1933)

Easter Sunday (in Bradant, the Bride), c. 1904 (oil on canvas)
1764698 Easter Sunday (in Bradant, the Bride), c.1904 (oil on canvas) by Hitchcock, George (1850-1913); 77.5x62.2 cm; Private Collection; (add.info.: Easter Sunday (in Bradant, the Bride)

The Red Oak (No. 2), 1911 (oil on canvas)
1764697 The Red Oak (No.2), 1911 (oil on canvas) by Metcalf, Willard Leroy (1858-1925); 101.6x109.2 cm; Private Collection; (add.info.: The Red Oak (No. 2). Willard Leroy Metcalf (1858-1925)

Snow-Laden (oil on canvas)
1764694 Snow-Laden (oil on canvas) by Palmer, Walter Launt (1854-1932); 63.5x76.2 cm; Private Collection; (add.info.: Snow-Laden. Walter Launt Palmer (1854-1932). Oil on canvas

Seaweed Pickers at Moelan, Bretagne, 1900 (oil on canvas)
1767305 Seaweed Pickers at Moelan, Bretagne, 1900 (oil on canvas) by Moret, Henry (1856-1913); 65.4x92.1 cm; Private Collection; (add.info.: Seaweed Pickers at Moelan; Ramasseuses de Goemon a Moelan)

The Alchemist (oil on panel)
1767295 The Alchemist (oil on panel) by Breakspeare, William A. (1855-1914); 23.7x32.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Thy Will Be Done (oil on panel)
1767293 Thy Will Be Done (oil on panel) by Lejeune, Henry (1819-1904); 28.8x24.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Boscobel Oak, 1889 (oil on canvas)
1767281 The Boscobel Oak, 1889 (oil on canvas) by Crofts, Ernest (1847-1911); 46.4x63.5 cm; Private Collection; (add.info.: The Boscobel Oak. Ernest Crofts (1847-1911). Oil on canvas

Matilda - Dante, Purgatorio, Canto 28, 1859 (oil on canvas)
1767276 Matilda - Dante, Purgatorio, Canto 28, 1859 (oil on canvas) by Leslie, George Dunlop (1835-1921); 51.4x92.7 cm; Private Collection; (add.info.: Matilda - Dante, Purgatorio, Canto 28)

Manila and its Environs: Students from Different Colleges (watercolour)
1767261 Manila and its Environs: Students from Different Colleges (watercolour) by Lozano, Jose Honorato (c.1815-c.85); 24.7x34.3 cm; Private Collection; (add.info.: Manila and its Environs)

Manila and its Environs: Mestizas Promenading (watercolour with bodycolour)
1767255 Manila and its Environs: Mestizas Promenading (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); Private Collection; (add.info.: Manila and its Environs)

Manila and its Environs: Filipinos Playing Football (watercolour with bodycolour)
1767251 Manila and its Environs: Filipinos Playing Football (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); Private Collection; (add.info.: Manila and its Environs)

Manila and its Environs: A Scene (watercolour with bodycolour)
1767250 Manila and its Environs: A Scene (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); Private Collection; (add.info.: Manila and its Environs: A Scene)

A Dakota Indian Woman (oil on board)
1767247 A Dakota Indian Woman (oil on board) by Armstrong, William (1822-1914); 45.1x34.9 cm; Private Collection; (add.info.: A Dakota Indian Woman. William Wallace Armstrong (1822-1914)

A Bulldog on a Garden Path (oil on canvas)
1767128 A Bulldog on a Garden Path (oil on canvas) by Heyer, Arthur (1872-1931); Private Collection; (add.info.: A Bulldog on a Garden Path. Arthur Heyer (1872-1931). Oil on canvas

The Bagpiper, 1514 (copper engraving)
1767121 The Bagpiper, 1514 (copper engraving) by DAorer or Duerer, Albrecht (1471-1528); 11.7x7.5 cm; Private Collection; (add.info.: The Bagpiper. Albrecht Durer (1471-1528). Copper engraving, 1514

Saint Christopher Facing Right, 1521 (engraving)
1767114 Saint Christopher Facing Right, 1521 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: Saint Christopher Facing Right. Albrecht Durer (1471-1528)

The Large Horse, 1509 (engraving)
1767113 The Large Horse, 1509 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Large Horse. Albrecht Durer (1471-1528)

The Betrothal of the Virgin, From The Life of the Virgin, c. 1504 (woodcut print)
1767106 The Betrothal of the Virgin, From The Life of the Virgin, c.1504 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Betrothal of the Virgin)

The Crucifixion, from The Small Passion, c. 1509-11 (woodcut print)
1767105 The Crucifixion, from The Small Passion, c.1509-11 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Crucifixion, from The Small Passion)

The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print)
1767104 The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Lefevre-Utile, Biscuits, c. 1910 (lithograph in colours)
1766960 Lefevre-Utile, Biscuits, c.1910 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 29x23 cm; Private Collection; (add.info.: Lefevre-Utile, Biscuits. Alphonse Mucha (1860-1939)

Audi, 1912 (lithograph in colours)
1766944 Audi, 1912 (lithograph in colours) by Witzel, Joseph Rudolf (b.1867); 90x124 cm; Private Collection; (add.info.: Audi. Joseph Rudolph Witzel (1867-1924). Lithograph in colours, 1912

Fleurs Artificielles, c. 1820-35 (porcelain)
1766889 Fleurs Artificielles, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Fleurs Artificielles)

A Young Man Dressed as an Arcadian Shepherd (oil on canvas)
1766805 A Young Man Dressed as an Arcadian Shepherd (oil on canvas) by Fabre, Francois Xavier (1766-1837); 70x52 cm; Private Collection; (add.info.: A Young Man Dressed as an Arcadian Shepherd)

A Spacious Entrance Hall with Pictures, Collectors Items
1766790 A Spacious Entrance Hall with Pictures, Collectors Items, an Artist and a Connoisseur, c.1635-1640 (oil on canvas) by Baellieur

Golf on the Ice on the River Ijsel near Kampen (Brown ink and watercolour)
1766786 Golf on the Ice on the River Ijsel near Kampen (Brown ink and watercolour) by Avercamp, Hendrik (1585-1634); Private Collection; (add.info.: Golf on the Ice on the River Ijsel near Kampen)

Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)
1766781 Study of one of the Quirinal Marble Horses, c.1515-17 (red chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x27.2 cm; Private Collection; (add.info)

The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas
1766775 The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas) by Thomas, George Housman (1824-68) (follower of); Private Collection; (add.info.: The Soldiers Farewell)

The Return from the Boating Trip, 1873 (oil on canvas)
1766764 The Return from the Boating Trip, 1873 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: The Return from the Boating Trip)

A Wooded Landscape with Haymakers, 1822
1766754 A Wooded Landscape with Haymakers, 1822 by Bakhuyzen, Hendrick van de Sande (1795-1860); Private Collection; (add.info.: A Wooded Landscape with Haymakers)

Jack O Lantern, 1872 (oil on canvas)
1766751 Jack O Lantern, 1872 (oil on canvas) by Hughes, Arthur (1832-1915); Private Collection; (add.info.: Jack O Lantern... Arthur Hughes (1832-1915). Oil on canvas

The Magic Circle (oil on canvas)
1766749 The Magic Circle (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: The Magic Circle. John William Waterhouse (1849-1917)

A Dog and a Mirror (oil on canvas)
1766683 A Dog and a Mirror (oil on canvas) by Lorimer, John Henry (1856-1936); 127x96.5 cm; Private Collection; (add.info.: A Dog and a Mirror. John Henry Lorimer (1856-1936). Oil on canvas

The Fruit Bowl (oil on panel)
1766650 The Fruit Bowl (oil on panel) by Hunter, George Leslie (1877-1931); Private Collection; (add.info.: The Fruit Bowl. George Leslie Hunter (1877-1931)

Driving the Flock (oil on canvas)
1766642 Driving the Flock (oil on canvas) by Smith, George (1870-1934); Private Collection; (add.info.: Driving the Flock. George Smith (1870-1934)

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"Exploring the Artistic Journey of a Male Artist: A Captivating Blend of Mediums and Styles" This collection showcases the diverse talents of a male artist, whose creativity knows no bounds. From delicate pencil and watercolour compositions to bold oil masterpieces, his works leave an indelible mark on the art world. In "Teatime, " he skillfully combines pencil and watercolour on card, creating a whimsical scene that invites viewers to join in this tranquil moment. Meanwhile, "The Immaculate Conception with the Fifteen Mysteries of the Rosary" mesmerizes with its intricate details and vibrant colors rendered in oil on canvas. "The Change, 1823" captures a pivotal moment frozen in time through expressive brushstrokes. The artist's ability to evoke emotions is further exemplified by "Mowakiu-Tswatenok, " where toned gelatin silver screen print brings forth an ethereal quality. Through large format photogravures like "Qahatika Girl" and "Kutenai Duck Hunter, " he delves into capturing cultural nuances while showcasing his mastery over photography as an art form. Similarly, "Tapa (Antelope Water), Taos" reveals his talent for translating texture onto heavy textured paper using toned platinum prints. With pieces such as "Spirit of the Past, " he explores alternative printing techniques like platinum prints on textured paper, resulting in captivating visual narratives. In contrast, orotone prints like "Homeward" and "The Oath - Apsaroke" exude warmth and nostalgia through their golden hues. Beyond traditional mediums, this artist also ventures into lithography with works like "Norwich LMS & L. N. E. R. " Here we witness his adaptability across various artistic disciplines. Finally, stepping back centuries ago with “Judith with the Head of Holofernes, ” we are transported to another era where oil on panel breathes life into this timeless biblical tale.