Maleneoclassicism Collection

The burial monument of the archduchess Marie Christine by Antonio Canova, in the augustinian church in Vienna Funerary Monument Neoclassicism, Nineteenth century, 19th century, Europe

The Cistern, Leghorn Livorno Livorno Cistern Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1829-1832

Monument to Count Nicola Demidoff in Demidoff Square in Florence. Florence Commemorative Equestrian Monument Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Detail of the monument to Goethe's son, sculpted by Bertel Thorvaldsen and located in the Protestant Cemetery in Rome Rome Protestant Cemetery Low Relief, Basrelief Neoclassicism

Alexander the Great's retinue entering Babylon; detail of the frieze by Thorwaldsen, preserved in the Quirinal Palace, Rome Rome Quirinal Palace Low Relief, Basrelief Neoclassicism

Frieze portraying Alexander the Great entering Babylon, by Thorwaldsen, preserved in the Quirinal Palace, Rome Rome Quirinal Palace Low Relief, Basrelief Neoclassicism, Nineteenth century

The Doge Paolo Renier, by Antonio Canova, in the Pinacoteca del Museo Civico, Padua Padua Museo Civico, Pinacoteca Bust Neoclassicism, Nineteenth century, 19th century, Europe

Bust of Maxime du Camp. Work by James Pradier conserved in the Louvre Museum in Paris France Paris, Louvre Museum Bust Neoclassicism, Nineteenth century, 19th century, Europe

Monument to Count Nicola Demidoff in Piazza Demidoff in Florence. In the background, a view of Palazzo Vecchio Florence Piazza Demidoff Commemorative Equestrian Monument Neoclassicism

Monument to Count Nikolaj Demidoff, by Lorenzo Bartolini, located in the Piazza Demidoff, Florence Florence Piazza Demidoff Commemorative Equestrian Monument Neoclassicism, Nineteenth century

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Maleneoclassicism, a captivating artistic movement that emerged in the late 18th and early 19th centuries, sought to revive the grandeur and elegance of classical antiquity. This caption takes us on a journey through various masterpieces that epitomize this remarkable era. One such masterpiece is the funeral monument of Archduchess Marie Christine, housed in Vienna's Augustinian Church. Crafted by Antonio Canova, it exudes an ethereal beauty that pays homage to the archduchess's memory. Another awe-inspiring work by Canova can be found within the same church – the burial monument of Marie Christine. Its intricate details and impeccable craftsmanship leave viewers spellbound. Venturing beyond Vienna, we encounter "The Cistern" in Leghorn (Livorno). This architectural marvel showcases Maleneoclassical elements with its harmonious proportions and graceful design. Florence also boasts its fair share of Maleneoclassical wonders. The Monument to Count Nicola Demidoff stands proudly in Demidoff Square, capturing attention with its imposing presence against Florence's picturesque backdrop. In Rome's Protestant Cemetery lies a poignant tribute to Goethe's son – a sculpture sculpted by Bertel Thorvaldsen. Every delicate feature tells a story of love and loss, exemplifying Maleneoclassicism at its finest. Thorwaldsen's talent shines once again through his frieze depicting Alexander the Great entering Babylon. Preserved within Rome's Quirinal Palace, this artwork immortalizes history while showcasing meticulous attention to detail. Antonio Canova continues to captivate art enthusiasts with his portrayal of Doge Paolo Renier displayed at Padua's Pinacoteca del Museo Civico. The lifelike depiction captures Renier's authority and dignity effortlessly. James Pradier leaves an indelible mark on Maleneoclassicism with his bust of Maxime du Camp, now housed in the Louvre Museum.