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Mallord Collection (#3)

Joseph Mallord William Turner, commonly known as J. M. W. Turner, was a renowned British painter who lived from 1775 to 1851

Background imageMallord Collection: Venice: View of La Salute and the Ridotto at night. Joseph Mallord Willliam Turner

Venice: View of La Salute and the Ridotto at night. Joseph Mallord Willliam Turner (1775-1851) English artist

Background imageMallord Collection: Artist Painting in a Room with a Large Window 1828: Joseph Mallord Willliam Turner

Artist Painting in a Room with a Large Window 1828: Joseph Mallord Willliam Turner (1775-1851) English artist

Background imageMallord Collection: Music Party, East Cowes Castle c1835: Joseph Mallord Willliam Turner (1775-1851)

Music Party, East Cowes Castle c1835: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Whitby c1824: Joseph Mallord Willliam Turner (1775-1851) English artist. Watercolour on paper

Whitby c1824: Joseph Mallord Willliam Turner (1775-1851) English artist. Watercolour on paper

Background imageMallord Collection: Joseph Mallord William Turner (1775-1851) English artist. Self portrait, age

Joseph Mallord William Turner (1775-1851) English artist. Self portrait, age 24 Oil painting

Background imageMallord Collection: The Sun of Venice Going to Sea exhibited 1843: Joseph Mallord Willliam Turner

The Sun of Venice Going to Sea exhibited 1843: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate themselves

Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate themselves 1846: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Venice: The Dogana (Customs Office), San Giorgio, Citella, from the Steps of the Europa 1842

Venice: The Dogana (Customs Office), San Giorgio, Citella, from the Steps of the Europa 1842: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Queen Mabs Cave 1846: Joseph Mallord Willliam Turner (1775-1851) English artist

Queen Mabs Cave 1846: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Mercury Sent to Admonish Aeneas 1850. Joseph Mallord Willliam Turner (1775-1851)

Mercury Sent to Admonish Aeneas 1850. Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Calais Pier: an English packet boat arriving, 1803: Joseph Mallord Willliam Turner

Calais Pier: an English packet boat arriving, 1803: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Trafalgar : painting by James Mallord William Turner (1775-1851). Oil on canvas

Trafalgar : painting by James Mallord William Turner (1775-1851). Oil on canvas. Battle of Trafalgar, 21 October 1805, between British and Franco-Spanish fleets

Background imageMallord Collection: FRANCE: SAUMUR. A view of the waterfront in Saumur, France, on the Loire River

FRANCE: SAUMUR. A view of the waterfront in Saumur, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: BLOIS. A view of Blois on the Loire River in France, showing the royal chteu at left

FRANCE: BLOIS. A view of Blois on the Loire River in France, showing the royal chteu at left and the cathedral at right. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: MONTJEAN-SUR-LOIRE. A view of Montjean-sur-Loire on the Loire River in France

FRANCE: MONTJEAN-SUR-LOIRE. A view of Montjean-sur-Loire on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: AMBOISE. A view of the royal chteau at Amboise, France, on the Loire River

FRANCE: AMBOISE. A view of the royal chteau at Amboise, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: ORLEANS. A view of the cathedral and adjacent buildings in Orl

FRANCE: ORLEANS. A view of the cathedral and adjacent buildings in Orl

Background imageMallord Collection: FRANCE: TOURS. A view of the waterfront in Tours, France, on the Loire River

FRANCE: TOURS. A view of the waterfront in Tours, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: CHATEAU ON LOIRE. Ruins of a chteau, believed to date from the 14th century, at Clairmont

FRANCE: CHATEAU ON LOIRE. Ruins of a chteau, believed to date from the 14th century, at Clairmont, France, overlooking the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: SAUMUR. A view of Saumur on the Loire River in France

FRANCE: SAUMUR. A view of Saumur on the Loire River in France. Steel engraving, English, c1835, after J. M. W. Turner
FRANCE: SAUMUR. A view of Saumur on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J. M. W

FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J. M. W. Turner
FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France

FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France. Steel engraving, English, c1835, after J. M. W
FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: CANAL. View of a canal connecting the Loire and Cher Rivers near Tours, France

FRANCE: CANAL. View of a canal connecting the Loire and Cher Rivers near Tours, France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: NORMANDY: LE HAVRE, c1830. Steel engraving, c1830, after J. M. W. Turner

NORMANDY: LE HAVRE, c1830. Steel engraving, c1830, after J. M. W. Turner
NORMANDY: LE HAVRE, c1830. Steel engraving, c1830, after J.M.W. Turner

Background imageMallord Collection: FRANCE: LOIRE. View of the Loire River in France, between Clairmont and Mauves-sur-Loire

FRANCE: LOIRE. View of the Loire River in France, between Clairmont and Mauves-sur-Loire. Steel engraving, 1853, after J.M.W. Turner

Background imageMallord Collection: FRANCE: CHATEAU, 1853. View of Chateau de Tancarville, with the town of Quilleboeuf

FRANCE: CHATEAU, 1853. View of Chateau de Tancarville, with the town of Quilleboeuf. Steel engraving, 1853, after J. M
FRANCE: CHATEAU, 1853. View of Chateau de Tancarville, with the town of Quilleboeuf. Steel engraving, 1853, after J.M.W. Turner

Background imageMallord Collection: FRANCE: SEVRES, 1853. Bridges of St. Cloud and Sevres on the Seine River, near Paris

FRANCE: SEVRES, 1853. Bridges of St. Cloud and Sevres on the Seine River, near Paris. Steel engraving, 1853, after J.M.W. Turner

Background imageMallord Collection: GREECE: EURIPUS STRAIT. View of the Euripus Strait from the Aegean island of Euboea

GREECE: EURIPUS STRAIT. View of the Euripus Strait from the Aegean island of Euboea, looking towards the city of Chalcis and its connection to the Greek mainland at Negropont

Background imageMallord Collection: GREECE: KEFALONIA, 1833. View of the Greek island of Kefalonia (Cephalonia), in the Ionian Sea

GREECE: KEFALONIA, 1833. View of the Greek island of Kefalonia (Cephalonia), in the Ionian Sea. Steel engraving, English, 1833, by Edward Finden after Joseph Mallord William Turner

Background imageMallord Collection: CAERLAVEROCK CASTLE. Caerlaverock Castle, in the southwest of Scotland

CAERLAVEROCK CASTLE. Caerlaverock Castle, in the southwest of Scotland. Wood engraving, English, 19th century, after J.M.W. Turner

Background imageMallord Collection: GREECE: CAPE SOUNION, 1832. View of the ruins of the Temple of Poseidon at Cape Sounion

GREECE: CAPE SOUNION, 1832. View of the ruins of the Temple of Poseidon at Cape Sounion (or Cape Colonna), Greece. Steel engraving, English, 1832, by Edward Finden after Joseph Mallord William Turner

Background imageMallord Collection: TURNER: VIEW ON THE SEINE. Steel engraving, 1853, after Joseph Mallord William Turner

TURNER: VIEW ON THE SEINE. Steel engraving, 1853, after Joseph Mallord William Turner

Background imageMallord Collection: JOSEPH TURNER (1775-1851). Joseph Mallord William Turner. English painter

JOSEPH TURNER (1775-1851). Joseph Mallord William Turner. English painter. Stipple engraving, 19th century, after a self-portrait, c1798

Background imageMallord Collection: TURNER: ROUEN, FRANCE, 1853. Steel engraving, 1853, after Joseph Mallord William Turner

TURNER: ROUEN, FRANCE, 1853. Steel engraving, 1853, after Joseph Mallord William Turner

Background imageMallord Collection: ROME: APPIAN WAY, 1833. The tomb of Cecilia Metella on the Appian Way near Rome, Italy

ROME: APPIAN WAY, 1833. The tomb of Cecilia Metella on the Appian Way near Rome, Italy, memorialized by Lord Byron in his Childe Harold

Background imageMallord Collection: TURNER: SUNSET WITH CLOUDS. Oil on canvas by Joseph Mallord William Turner, c1825-30

TURNER: SUNSET WITH CLOUDS. Oil on canvas by Joseph Mallord William Turner, c1825-30

Background imageMallord Collection: TURNER: PETWORTH LAKE. Petworth Lake at Sunset. Oil on canvas, c1829

TURNER: PETWORTH LAKE. Petworth Lake at Sunset. Oil on canvas, c1829, by Joseph Mallord William Turner

Background imageMallord Collection: TURNER: HERO & LEANDER. Parting of Hero and Leander - from the Greek of Musaeus

TURNER: HERO & LEANDER. Parting of Hero and Leander - from the Greek of Musaeus. Oil on canvas, c1837, by Joseph Mallord William Turner

Background imageMallord Collection: TURNER: VENICE, 1840. The New Moon. La Dogana at Venice seen from Hotel Europa

TURNER: VENICE, 1840. The New Moon. La Dogana at Venice seen from Hotel Europa. Oil on canvas, 1840, by Joseph Mallord William Turner

Background imageMallord Collection: J. M. W. Turner at the Royal Academy, 1845

J. M. W. Turner at the Royal Academy, 1845
JOSEPH MALLORD WILLIAM TURNER English painter, pictured at the Royal Academy on varnishing day, 1845

Background imageMallord Collection: Turner Profile

Turner Profile
John Mallord William Turner Artist

Background imageMallord Collection: Turner at Work

Turner at Work
John Mallord William Turner at Work




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Joseph Mallord William Turner, commonly known as J. M. W. Turner, was a renowned British painter who lived from 1775 to 1851. His works captured the beauty and essence of various landscapes and historical events. One of his notable paintings is "Rain, Steam and Speed – The Great Western Railway, " which depicts a train crossing the Beeston Castle in Cheshire. This masterpiece showcases Turner's ability to capture movement and atmospheric effects with his brushstrokes. Another famous artwork by Turner is "The Burning of the Houses of Lords and Commons, " painted in 1834 after witnessing this catastrophic event firsthand. This painting portrays the destructive fire that engulfed the Parliament buildings on October 16th, leaving an indelible mark on London's history. Turner also excelled in pencil drawings, such as his depiction of Inverary Pier at Loch Fyne during a serene morning. His attention to detail brings out the tranquility of this Scottish landscape. In "Sunset at Flint Castle, " Turner captures Wales' rugged beauty as he paints the castle against a breathtaking sunset backdrop. The play between light and shadow creates an ethereal atmosphere that only enhances its charm. Throughout his career, Joseph Mallord William Turner showcased his versatility by exploring different subjects ranging from canal scenes like Newark Abbey Thames Lighter at Teddington Canal Scene with Barges to mythological themes like "The Goddess of Discord Choosing the Apple. " These diverse artworks demonstrate his mastery over various genres. Turner's love for nature led him to depict stunning natural formations like Staffa's Fingal's Cave or Walton Bridges spanning across riverscapes. His ability to convey mood through colors and textures made these landscapes come alive on canvas. Approaching Venice in 1844 marked one of Turner's later works where he portrayed Venice’s grandeur using oil paint techniques. This piece exemplifies how he continued pushing boundaries throughout his career while maintaining artistic excellence.