Manierismo Collection
Manierismo, also known as Mannerism, was an artistic movement that emerged in the 16th century, and is characterized by its exaggerated and stylized forms
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Manierismo, also known as Mannerism, was an artistic movement that emerged in the 16th century, and is characterized by its exaggerated and stylized forms, intricate compositions, and a departure from the naturalistic approach of the Renaissance. This detail of Hercules slaying Antaeus from the Yellow Room showcases the typical features with its elongated figures and dramatic poses. The Mausoleum of St. Pius V provides us with several this artistic style. The high-relief in white marble depicting the Resurrection and Pius V in prayer captures the essence through its intricate details and theatricality. The statue representing Faith further exemplifies this style with its elongated proportions and expressive gestures. In another part of the mausoleum, we find a sepulchre dedicated to Michelangelo Buonarroti. Here, we see a personification of Sculpture alongside a bust portraying Michelangelo himself. These sculptures showcase Manierismo's interest in capturing emotions through exaggerated facial expressions and dynamic poses. Moving on to Medici Chapel, we encounter Giorgio Vasari's Descent of Christ to Limbo painting from 1522. This oil on panel artwork demonstrates Mannerism's characteristic use of vibrant colors, distorted perspectives, and complex compositions. Lastly, we have Giorgio Vasari's Last Supper painting from 1546 which portrays Jesus' final meal with his disciples. In this piece too, we witness Mannerism's influence through its elongated figures and unconventional arrangement. Throughout these artworks within St. Pius V’s Mausoleum or other notable pieces like Hercules slaying Antaeus or Descent of Christ to Limbo paintings at Medici Chapel - it becomes evident how Manierismo pushed boundaries by departing from traditional Renaissance ideals towards more extravagant interpretations.