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Mannerist Collection (#2)

"Mannerist: An Artistic Journey Through Time" Step into the world of Mannerism, a captivating artistic movement that emerged in the 16th century

Background imageMannerist Collection: St. Quentin, 1517 (oil on canvas_)

St. Quentin, 1517 (oil on canvas_)
8683301 St. Quentin, 1517 (oil on canvas_ by Vermeer, Jan (Johannes) (1632-75); Museo Civico, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "St)

Background imageMannerist Collection: Benvenuto Cellini (1500-1571), 19th century (engraving)

Benvenuto Cellini (1500-1571), 19th century (engraving)
7214686 Benvenuto Cellini (1500-1571), 19th century (engraving); (add.info.: Benvenuto Cellini (1500-1571) Italian goldsmith and sculptor best remembered for his infamous

Background imageMannerist Collection: Manusso Theotokopoulos, 1603-04 (oil on canvas)

Manusso Theotokopoulos, 1603-04 (oil on canvas)
8682930 Manusso Theotokopoulos, 1603-04 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Norton Simon Museum, Pasadena, CA, USA; (add.info.: By El Greco)

Background imageMannerist Collection: Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)

Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)
BEN82533 Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)

Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)
BEN82507 Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34

The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra
BEN78413 The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo); Palazzo del Te

Background imageMannerist Collection: Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel)

Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel)
5860640 Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); 81.6--57.4 cm; The Art Institute of Chicago, IL

Background imageMannerist Collection: Lodovico Cardi or il Cigoli, Italian painter

Lodovico Cardi or il Cigoli, Italian painter
5893216 Lodovico Cardi or il Cigoli, Italian painter.; (add.info.: Portrait of Lodovico Cardi or il Cigoli, Italian painter and architect of the late Mannerist and early Baroque period, 1559-1613)

Background imageMannerist Collection: Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze)

Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze)
BEN82509 Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects

The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David
BEN78409 The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David playing his harp designed by Giulio Romano (1499-1546)

Background imageMannerist Collection: The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)

The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)
BEN78403 The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78404); Palazzo del Te, Mantua

Background imageMannerist Collection: Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo)

Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78402 Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)

The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78416 The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The Loggia di Davide (or D'Onore) and the fishponds seen from the garden designed by Giulio Romano

The Loggia di Davide (or D'Onore) and the fishponds seen from the garden designed by Giulio Romano (1499-1546)
BEN78407 The Loggia di Davide (or D'Onore) and the fishponds seen from the garden designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78406); Palazzo del Te, Mantua

Background imageMannerist Collection: Venus, sculpture by Vincenzo Danti (1530-76) 1572 (bronze)

Venus, sculpture by Vincenzo Danti (1530-76) 1572 (bronze)
BEN82520 Venus, sculpture by Vincenzo Danti (1530-76) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The Fountain of the Shepherd, designed by Jacopo Vignola (1507-73) 1557-1583 (photo)

The Fountain of the Shepherd, designed by Jacopo Vignola (1507-73) 1557-1583 (photo)
BEN95802 The Fountain of the Shepherd, designed by Jacopo Vignola (1507-73) 1557-1583 (photo); Villa Farnese, Caprarola, Voterbo, Lazio, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The Loggia di Davide (or D'Onore) interior decorated with frescos of biblical subjects including

The Loggia di Davide (or D'Onore) interior decorated with frescos of biblical subjects including King David playing
BEN78408 The Loggia di Davide (or D'Onore) interior decorated with frescos of biblical subjects including King David playing the harp, designed by Giulio Romano (1499-1546)

Background imageMannerist Collection: View of the main entrance on the western facade designed by Giulio Romano (1499-1546)

View of the main entrance on the western facade designed by Giulio Romano (1499-1546)
BEN78401 View of the main entrance on the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78400); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: Boreas, sculpture by Elia Candido, 1572 (bronze)

Boreas, sculpture by Elia Candido, 1572 (bronze)
BEN82514 Boreas, sculpture by Elia Candido, 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: The northern facade of the Cortile d'Onore including the Loggia delle Muse

The northern facade of the Cortile d'Onore including the Loggia delle Muse, designed by Giulio Romano (1499-1546)
BEN78404 The northern facade of the Cortile d'Onore including the Loggia delle Muse, designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78403); Palazzo del Te, Mantua

Background imageMannerist Collection: Vulcan, sculpture by Vincenzo de Rossi (1525-87) 1572 (bronze)

Vulcan, sculpture by Vincenzo de Rossi (1525-87) 1572 (bronze)
BEN82544 Vulcan, sculpture by Vincenzo de Rossi (1525-87) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: One of Hannibal's elephants, stone sculpture in the Parco dei Mostri (Monster Park)

One of Hannibal's elephants, stone sculpture in the Parco dei Mostri (Monster Park)
SAL66111 One of Hannibal's elephants, stone sculpture in the Parco dei Mostri (Monster Park), gardens laid out between 1550-63 by the Duke of Orsini

Background imageMannerist Collection: View of the western facade designed by Giulio Romano (1499-1546)

View of the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78401)
BEN78400 View of the western facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (for detail see 78401); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini

Background imageMannerist Collection: St Anne and the Infant St Mary. Creator: Leandro Bassano

St Anne and the Infant St Mary. Creator: Leandro Bassano
St Anne and the Infant St Mary, Unknown date

Background imageMannerist Collection: A Feast;A Banquet, 1622. Creator: Isaac Isaacsz

A Feast;A Banquet, 1622. Creator: Isaac Isaacsz
A Feast;A Banquet, 1622

Background imageMannerist Collection: Gemeine Jeuchts Beeldt. Allegory of the Temptations of Youth, 1598-1610. Creator: Otto Van Veen

Gemeine Jeuchts Beeldt. Allegory of the Temptations of Youth, 1598-1610. Creator: Otto Van Veen
Gemeine Jeuchts Beeldt. Allegory of the Temptations of Youth, 1598-1610

Background imageMannerist Collection: A Bathhouse, 1584-1625. Creator: Pieter Isaacsz

A Bathhouse, 1584-1625. Creator: Pieter Isaacsz
A Bathhouse, 1584-1625

Background imageMannerist Collection: Portrait of a Young Woman as Portia Catonis, 1551-1603. Creators: Santi di Tito, Agnolo Bronzino

Portrait of a Young Woman as Portia Catonis, 1551-1603. Creators: Santi di Tito, Agnolo Bronzino
Portrait of a Young Woman as Portia Catonis, 1551-1603

Background imageMannerist Collection: Saint Helena, c1575. Creator: Francesco Morandini

Saint Helena, c1575. Creator: Francesco Morandini
Saint Helena, c1575. St. Helena (ca. 247-ca. 327) was the mother of Emperor Constantine the Great (ca. 288-337), who, according to tradition, christianized the Roman Empire

Background imageMannerist Collection: The Crucifixion, between 1500 and 1527. Creator: Cornelius Engebrechtsz

The Crucifixion, between 1500 and 1527. Creator: Cornelius Engebrechtsz
The Crucifixion, between 1500 and 1527

Background imageMannerist Collection: Portrait of a Baby Boy, 1540-1549. Creator: Agnolo Bronzino

Portrait of a Baby Boy, 1540-1549. Creator: Agnolo Bronzino
Portrait of a Baby Boy, 1540-1549. The artist painted portraits of many members of the Medici family, and this picture may represent Duke Cosimo's and Eleonora da Toledo's son Garcia

Background imageMannerist Collection: Saint Matthew, c1616. Creator: Joachim Anthonisz Wtewael

Saint Matthew, c1616. Creator: Joachim Anthonisz Wtewael
Saint Matthew, c1616. Receiving inspiration in composing his Gospel from a divinely sent, winged human figure, one of the four winged creatures described in Revelation that were understood as

Background imageMannerist Collection: Allegory of the Element Earth, c1580. Creator: Leandro Bassano

Allegory of the Element Earth, c1580. Creator: Leandro Bassano
Allegory of the Element Earth, c1580. In the 16th century, the world was believed to consist of four elements: Earth, Air, Fire, and Water

Background imageMannerist Collection: Parable of the Wheat and the Tares, 1624. Creator: Abraham Bloemaert

Parable of the Wheat and the Tares, 1624. Creator: Abraham Bloemaert
Parable of the Wheat and the Tares, 1624

Background imageMannerist Collection: Old Woman, 1635. Creator: Abraham Bloemaert

Old Woman, 1635. Creator: Abraham Bloemaert
Old Woman, 1635

Background imageMannerist Collection: Old Man, 1635. Creator: Abraham Bloemaert

Old Man, 1635. Creator: Abraham Bloemaert
Old Man, 1635

Background imageMannerist Collection: The Lawyer, possibly Ulrich Zasius, 1461-1536, humanist, jurist, 1566. Creator: Giuseppe Arcimboldi

The Lawyer, possibly Ulrich Zasius, 1461-1536, humanist, jurist, 1566. Creator: Giuseppe Arcimboldi
The Lawyer, possibly Ulrich Zasius, 1461-1536, humanist, jurist, 1566

Background imageMannerist Collection: Johan von Aachen, 1552-1615, c16th century. Creator: Anon

Johan von Aachen, 1552-1615, c16th century. Creator: Anon
Johan von Aachen, 1552-1615, c16th century

Background imageMannerist Collection: Martyr, c17th century. Creator: Anon

Martyr, c17th century. Creator: Anon
Martyr, c17th century

Background imageMannerist Collection: Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: Unknown

Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: Unknown
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569

Background imageMannerist Collection: Marketplace, with the Flagellation, the Ecce Homo and the Bearing of the Cross in the background

Marketplace, with the Flagellation, the Ecce Homo and the Bearing of the Cross in the background, 15 Creator: Unknown
Marketplace, with the Flagellation, the Ecce Homo and the Bearing of the Cross in the background, 1550-1590

Background imageMannerist Collection: The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566

The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat

Background imageMannerist Collection: Vertumnus and Pomona, 1613. Creator: Hendrik Goltzius

Vertumnus and Pomona, 1613. Creator: Hendrik Goltzius
Vertumnus and Pomona, 1613

Background imageMannerist Collection: Dying Adonis, 1609. Creator: Hendrik Goltzius

Dying Adonis, 1609. Creator: Hendrik Goltzius
Dying Adonis, 1609

Background imageMannerist Collection: The Ecstasy of Saint Francis, c1615. Creator: Pier Francesco Mazzucchelli

The Ecstasy of Saint Francis, c1615. Creator: Pier Francesco Mazzucchelli
The Ecstasy of Saint Francis, c1615. Saint Francis Comforted by an Angel

Background imageMannerist Collection: Annunciation to the Shepherds, 1595-1603. Creator: Joachim Anthonisz Wtewael

Annunciation to the Shepherds, 1595-1603. Creator: Joachim Anthonisz Wtewael
Annunciation to the Shepherds, 1595-1603. In keeping with the biblical account, the night sky bursts open and the splendour of the Lord shines on the shepherds, some of whom are still asleep

Background imageMannerist Collection: The Evangelist Saint Mark, 1610-1615. Creator: Joachim Anthonisz Wtewael

The Evangelist Saint Mark, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Mark, 1610-1615

Background imageMannerist Collection: The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael

The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Luke, 1610-1615




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"Mannerist: An Artistic Journey Through Time" Step into the world of Mannerism, a captivating artistic movement that emerged in the 16th century. Let us embark on a visual voyage through some remarkable masterpieces and explore the essence of this unique style. Agnolo Bronzino's "An Allegory with Venus and Cupid" transports us to a realm where myth intertwines with reality. The elongated figures and intricate details showcase the quintessential characteristics of Mannerism, emphasizing elegance and complexity. Raphael's "Transfiguration" captivates our senses with its harmonious composition. This masterpiece showcases Raphael's ability to blend divine spirituality with earthly emotions, creating an ethereal atmosphere that leaves viewers in awe. In "The Deposition of Christ, " we witness Jacopo Pontormo's mastery over color and form. The contorted bodies convey profound grief while showcasing his innovative use of space, pushing the boundaries of conventional representation. Francesco Salviati takes us back in time as we stroll through the Courtyard of Palazzo Vecchio in Florence. His brushstrokes capture every architectural detail, evoking a sense of grandeur that echoes throughout history. Giuseppe Arcimboldo challenges our perception with his whimsical creation, "Allegory of Spring. " By ingeniously arranging fruits and flowers into human forms, he invites us to ponder deeper meanings hidden within nature’s bounty. Leandro Bassano presents biblical narratives like never before in "The Sacrifice of Noah after the flood. " His meticulous attention to detail brings these ancient stories to life while infusing them with his own imaginative flair. As we gaze upon Leandro Bassano's depiction of "The Riva degli Schiavoni in Venice, " we are transported to bustling canals adorned by vibrant architecture. With each stroke, he captures Venetian charm while paying homage to its rich cultural heritage.